This Isolite modifier system lets you relight your photo in post

John Aldred

John Aldred is a photographer with over 25 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter – and occasional beta tester – of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

And we’re not talking iPhone Portrait Lighting mode here. This is light actually recorded on-set, that can be adjusted and changed in post. It’s a bit like how you can relight objects in 3D software, but there’s no 3D software in use here, this is all captured in-camera, thanks to Isolite. It’s a new series of light modifiers being funded through Kickstarter.

Describing itself as “The World’s First Intelligent Light Modifier”, Isolite claims to actually let you turn lights on or off in post. And it’s not simply brightening and darkening different areas of the image, it actually knows how each of the different lights are contributing to the shot. It works with almost any camera (that shoots raw) and just about any flash or strobe, too.

https://www.kickstarter.com/projects/1716883695/isolite-the-worlds-first-intelligent-light-modifie

It’s an interesting bit of kit. Essentially, you set up your lights with the Isolite modifiers and then take your shot as normal. The Isolite software processes the raw file from your camera, you adjust your lighting, and then it saves out a fresh DNG with baked in lighting that you can edit in Lightroom, Adobe Camera Raw, Capture One, or whatever.

Isolite has been developed by Phototechnica Inc., founded by artists, Christopher Gergley and Robert Arndt. The Kickstarter campaign has some pretty bold claims, but looking at the demos, and having seen the public demo at Photokina 2016, I have no doubt that they’re true.

  • Turn real lights on and off after the capture has been made.
  • Push, Pull, Paint light after the capture has been made.
  • Hard and soft light in one capture.
  • Adjust the exposure and ratio of each light source after the capture has been made.
  • With selective masking of each light source, difficult or impossible lighting control can be done with ease.
  • Light can be animated after capture turning still image captures into full motion video.
  • Using our proprietary tools, online images can be brought to life with light

That second to last one sounds very cool, actually. A neat idea for things like Instagram Stories, or YouTube’s new “Reels” feature. The only real downside to Isolite is that it’s limited to shooting just black and white photographs.

This is because it works by targeting specific wavelengths of light. Each modifier puts out a specific wavelength which then gets picked out in the raw by the Isolite software. With different lights on different wavelengths, it can easily determine how each one contributes to the overall shot and separate them.

I love the idea, although I’m not sure it would be very practical for my own work – mostly because I shoot almost exclusively on location. But for studio shooters who are producing black and white, and want to have a few more options in post? Sure, why not?

If you want to find out more about Isolite, head on over to their website where they have some interactive demos you can relight for yourself. And if you want to back the project and pick up some Isolite modifiers for yourself, head on over to the Kickstarter project. Delivery is expected in June 2018.


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John Aldred

John Aldred

John Aldred is a photographer with over 25 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter – and occasional beta tester – of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

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7 responses to “This Isolite modifier system lets you relight your photo in post”

  1. Luigi Barbano Avatar

    make the photo right at the beginning as we did with film is no more trendy? :)

    1. Matt Jensen Avatar

      Except for when an Art Director or Client comes along later on and says, “We want to go in a different direction with these images, we’re after just the rim light for a darker, moodier look. Which would then me you would have to rebook the talent, and reshoot.

      1. Frank Nazario Avatar
        Frank Nazario

        that is a very good point. as long as the photos are ok.

    2. Aankhen Avatar
      Aankhen

      Yeah, how terrible to have control after the fact! [insert smiley face]

  2. Brandon Ellis Avatar

    Lol so one more step towards just being computer technicians, before long a robot will just take all the photos from all vantage points and people will just sit around and work post, what fun that will be..

  3. Anthony Kerstens Avatar
    Anthony Kerstens

    I don’t think I would call this “revolutionary”. This is a colour separation trick with Wratten red 29, green 61, and blue 47B filters. So what to you get other than some filter holders and another raw converter to deal with that can only give you B&W photos.