How to professionally photograph glassware with one speedlight and a kit lens
May 26, 2017
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Photographer Dustin Dolby is known for his comprehensive tutorials all of us can try out at home. After a series of excellent wine photography tutorials, he has issued the latest one – about photographing glassware with minimal gear, but professional results. You need to pour that wine into something, right?
Like his previous setups, this one also involves some pretty basic gear – a camera with a kit lens, a strip box with a speedlight adapter, a speedlight and a commander unit. He shoots three different types of glasses using very simple setup and shares some useful and clever tricks for photographing glassware like a pro, even with minimal gear.
First, Dustin sets up the glasses he wants to capture. Note the neat trick of stacking the glasses one atop of the other to look like reflection. This is a nice alternative to Plexiglas; just make sure to make them symmetrical.
As for the setup, it’s very easy to make it. The trick with photographing glassware is lighting the subject from the back. So, Dustin places the strip box behind the glasses. When you do this, again, it’s important to find the symmetrical position of the strip box in relation with the glasses. Otherwise, the dark edges of the glasses won’t be even on both sides.
If you want to achieve absolute symmetry, you can fake it in post. It’s simple: cut the photo in half and flip it. You can also select the part of the glass you like, flip it and place it precisely on the other side. However, when there are a lot of photos to take and edit, it’s better to make a bit of extra effort and do it as good as possible in camera.
You can control the thickness of the edges by moving the strip box closer or further away from the glasses. When it’s closer, the edges will be thinner, and when it’s further away, they will be thicker.
Another way of doing this is adding a piece of black cardboard next to the glasses. It will make thicker edges, but according to Dustin, setting the strip box will do just fine even without this trick.
Dustin demonstrates this setup on three types of glasses: a wine, champagne and whisky glass. He uses the same setup and the same trick with stacking two glasses one on top of the other and the result is impressive even without any editing. Of course, once the shooting is done, you can correct the images further in Photoshop to your liking, and this is how the final results turned out for Dustin:
If you liked this tutorial, make sure to follow Dustin on YouTube, and you can also connect with him on Instagram, Facebook and Twitter.
Dunja Đuđić
Dunja Djudjic is a multi-talented artist based in Novi Sad, Serbia. With 15 years of experience as a photographer, she specializes in capturing the beauty of nature, travel, concerts, and fine art. In addition to her photography, Dunja also expresses her creativity through writing, embroidery, and jewelry making.










































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13 responses to “How to professionally photograph glassware with one speedlight and a kit lens”
Calvin Nanthan
Huh.. putting the light at the back.. must try that out haha
Thanks for enjoying the videos! Check out my others on my YouTube channel. :)
That’s how you do the water splashing thing.
This guy is a charlatan. He took a class at Photigy or something and is simply regurgitating the exercises. He’s no pro or expert at all. He’s the Eric Kim of bottle shots. Delve a little bit and you’ll find that there is no there there–five posts on IG, yet 11000 followers and he follows 1700…..
Hi there, video creator here.
I understand my video upset you, please watch my wine photography series if you’re looking for something a bit trickier! I just shared this quick video so people can understand how we approach lighting glassware — it is not intuitive to all non-photographers!
Yes, I am enjoying a tremendous amount of activity online across workphlo’s social. I have recycled an older Instagram account, all my followers — though from a different niche.
Take care, a lot of videos on the way.
Vishal Chandawarkar :)
Yea I’m all over the workphlo videos
I love hearing that!
Why not just use a white screen on your monitor, and stand the glass in front, that’s what I do, no flash gun needed even cheaper :-)
Gotta try that. :)
Please do! :)
Cool idea! As long as you can expose it to 100% White in the background, it will work! Please try this and tag #workphlo — I’d love to see it!