Group shots don’t have to be boring, create an epic composite like this wedding photographer

Mar 1, 2022

Alex Baker

Alex Baker is a portrait and lifestyle driven photographer based in Valencia, Spain. She works on a range of projects from commercial to fine art and has had work featured in publications such as The Daily Mail, Conde Nast Traveller and El Mundo, and has exhibited work across Europe

Group shots don’t have to be boring, create an epic composite like this wedding photographer

Mar 1, 2022

Alex Baker

Alex Baker is a portrait and lifestyle driven photographer based in Valencia, Spain. She works on a range of projects from commercial to fine art and has had work featured in publications such as The Daily Mail, Conde Nast Traveller and El Mundo, and has exhibited work across Europe

Join the Discussion

Share on:

Now that we are seeing the other side of the pandemic, it seems that weddings can go back to being bigger and better than ever. And why wouldn’t you want 15 plus of your nearest and dearest to be part of your wedding party? Of course, lovely though these large groups are, spare a thought for the photographer shooting them.

Large groups can pose some logistical problems, and not just in terms of locations large enough to fit everyone in (while running the risk of the photographer standing a thousand miles away and no one hearing their directions). But Colorado-based photographer Jesse La Plante decided that he wanted to create something epic to match the size of the group at a wedding he shot recently. He told DIYP how he did it.

“The couple specifically requested ‘non-traditional’ wedding party portraits,” Jesse tells us. “They didn’t want the typical standing in a line, ‘cheesing’ at the camera photos. But with a wedding party this large, we knew we had our work cut out for us.” Indeed! It was clearly not a small group shot, and making something creative and non-traditional for a group of this size is not easy.

Jesse continues that during the course of the day he overheard someone mention the TV show Succession. “I immediately thought of the promo portrait of the cast,” Jess says, “and decided to make my best attempt at something in that vein.”

The shot Jesse is talking about is of course the cover shot for the HBO series, in which the family is standing and seated around the main character. Even so, this is still a much smaller group than Jesse had to work with!

“It can be difficult to get creative with lighting when you have such a large group,” says Jesse, “so I knew I was going to have to do this as a composite in order to achieve the look I wanted.”

One trick that is pretty clear from looking at Jesse’s image, is to break up the large group into several smaller groups of between 2 and 5 people. This makes the composition much more manageable, particularly when shooting as a composite. The other advantage is that everyone can relax a little when it isn’t their turn to be photographed.

Jesse’s wife, Moira, got everyone into position, while he set his camera up on a tripod. In total, this is eight separate images, in which Moira lit 2 to 3 subjects at a time with a Godox AD200 outfitted with a MagBox Pro 36 Strip (with grid).

Jesse also made sure that he took a blank “plate” shot, with nobody present in the frame. This is an image of just the background, which makes it easier to seamlessly combine the layers in post.

“In Photoshop, we simply layered all nine images together (with the plate shot as the background), added masks and brushed in each individual subject to complete the image.” And that’s all there is to it! This is a beautiful group portrait shot and is very reminiscent of some of the Vanity Fair cover shots by Annie Leibovitz. I’m sure the wedding party is immensely happy with this image and will cherish it as a memory of their day.

You can see more of Jesse’s work on his website and Instagram.

Find this interesting? Share it with your friends!

Alex Baker

Alex Baker

Alex Baker is a portrait and lifestyle driven photographer based in Valencia, Spain. She works on a range of projects from commercial to fine art and has had work featured in publications such as The Daily Mail, Conde Nast Traveller and El Mundo, and has exhibited work across Europe

Join the Discussion

DIYP Comment Policy
Be nice, be on-topic, no personal information or flames.

Leave a Reply

Your email address will not be published. Required fields are marked *

5 responses to “Group shots don’t have to be boring, create an epic composite like this wedding photographer”

  1. hed1117 Avatar
    hed1117

    Pity about all the fur!

  2. MindGrenadius Avatar
    MindGrenadius

    It’s a great idea and shot.

    Kinda odd to go to all that effort and not correct the verticals in the shot. It’s a 2 second job now with camera raw -> geometry tab/dropdown -> auto button, it will straighten all the vertical and horizontals for you. Really tidies up a shot like this and makes it look even more perfect.

    1. Alex Avatar
      Alex

      Yes it’s an easy fix but it doesn’t always work in every situation, particularly if there are people in the shot, it can make them look weird and distorted. You can already see a small amount of distortion on the couple to the far camera left of the image. My guess is that sorting out the verticals was less of a priority than making sure the people looked good in this instance!

      1. Jorge Avatar
        Jorge

        The distortion is already there, as the wide angle lens has already distorted the proportions of the subjects at the extreme right and left of the frame. The only solution was to set the camera still farther away

  3. John Beatty Avatar
    John Beatty

    I have a wedding coming up (haven’t done one in 10+ years and this gives me some inspiration. Thank you sir.