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Sony takes the number two global ILC market share spot from Nikon

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Sony’s report for the 2018 fiscal year is out, and amongst all of the usual mundane facts and figures is one particularly interesting piece of information. It seems that Sony’s share of the interchangeable lens camera market has now surpassed that of Nikon to claim the number 2 spot behind Canon.

Sony is reporting it has 23 per cent of the global interchangeable lens camera market based on revenue, and 24% of the camera market overall, an increase of four percent compared to the 2017 fiscal year.

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The Sony A7III is outselling its four closest mirrorless competitors combined in Japan

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The latest data from BCN retail shows some interesting results of how the mirrorless market is looking lately in Japan. The image above shows sales volume for the top 5 selling full-frame mirrorless cameras in Japan through March and early April, with the Sony A7III growing in popularity against its suffering competition. The Canon EOS R, Canon EOS RP, Nikon Z6, and the A7III’s older sibling, the Sony A7II.

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Sony is combining camera, mobile, audio and TV into a new “Electronic Products and Solutions” division

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Sony’s Xperia phones have been struggling. Of that, there is no doubt. With strong competition from the likes of Apple, Huawei, Samsung, LG and others, they’ve just not been able to keep up. Wccf Tech reports that while many believed that Sony would simply close or sell off their struggling smartphone division, they’re actually merging it into the Sony TV, audio and camera product lines.

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$880 Tamron 28-75mm f/2.8 vs. $2,200 Sony FE 24-70mm f/2.8: how do they compare?

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When buying a new lens, a common dilemma is whether to go for a native or a third-party lens. The third-party lenses are usually much cheaper, but how good are they? In this video, Jay P Morgan and Kenneth Merrill compare two standard E-mount zoom lenses for full frame Sony cameras: an $879 Tamron 28-75mm f/2.8 Di III RXD and a $2,198  Sony FE 24-70mm f/2.8 GM. How do they compare in terms of sharpness, image quality, and autofocus for both photo and video? Check out the video below for more details.

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Sony’s new RX0 II rugged action camera offers internal 4K recording and a flippy up LCD

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Released in September 2017, the original Sony RX0 was a very impressive camera. It offered 4K 4:2:2 video via HDMI, timecode sync for multiple camera setups, could capture 1080p bursts at up to an insane 1,000 frames per second with a 1″ sensor, and it came in a super rugged water, shock and crushproof body.

The new RX0 II ups the game with a new 15.3MP 1″ stacked CMOS sensor, internal 4K recording with stabilisation, shutter speeds up to 1/32000 sec, 16 frames per second stills shooting, microphone socket and that 1,000 frames per second thing? Yeah, it can do that at 4K now.

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Image Edge Mobile is here and it looks like Sony finally has a mobile app which might not suck (if you own an A9)

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Along with today’s release of the Sony A9 firmware v5.0, Sony as also released a pair of mobile apps. Sony Imaging Edge Mobile now replaces the somewhat terrible PlayMemories app, and there’s a new Transfer & Tagging add-on for it which enables continuous FTP transfers in the background (for the Sony A9) which they claim doesn’t affect continuous camera use.

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Sony’s new firmware v5.0 for the A9 is out now, adding AI-enhanced real-time Eye AF tracking

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Announced in January, the first of two new firmware updates for the Sony A9 is now available. Sony A9 firmware v5.0 adds real-time Eye AF as well as specific eye preference detection, better low light autofocus performance, increased AF accuracy, and a whole host of other new and updated features.

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Sony manager confirms a new “enthusiast” APS-C camera is on the way

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Sony Senior General Manager, Kenji Tanaka, has confirmed in an interview with Imaging Resource that they are focusing on APS-C and that a new high end “enthusiast” model APS-C camera is coming.

Many have felt that Sony has kind of neglected small form factor APS-C bodies in favour of full frame. But it has, apparently, always been their plan to focus on APS-C once their full frame lineup was where they felt it needed to be. And with the Sony A9, A7III and A7RIII (and hopefully, soon an A7SIII) it is now where they want it to be.

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I made my own DIY adapter to use Sony E mount lenses on my Nikon Z7

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To use the Nikon Z7 camera with my Sony system, I needed to make a mount adaptor to attach Sony E Mount (NEX) optics on Nikon Z as none are currently available on the market. “If it is not there, why not to make one myself” is my motto. Since I’ve already made so many lenses to use on Sony A7R, to remake them for Nikon Z mount is too much work.

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