Australian music photographer Jack Stafford has recently been accused of sexual misconduct. Over the course of just four days, more than 100 women to come forward and gave statements about his behavior. Eventually, he issued a public apology and admitted: “I am an abuser.”
I love it when photos and music intertwine and inspire each other. Both music and photography are important parts of my life, even though I only listen to music, I don’t make it as I do with photos. So, I am amazed by talented people who can do both things equally well.
A while ago, I created a list of ten actors/actresses who are also photographers and ten musicians who also rock at photography. Now I bring you nine more of them who appear to be as passionate about taking photos as they are about music.
Fisheye lenses are useful for different purposes, from scientific to artistic. But there’s one field where their unique look has been consistently popular from the early ‘60s to this very day: album covers. In this interesting video, Vox brings you a brief history of fisheye lenses. It explores why they have been such a popular tool, both for album covers and music videos, for nearly 60 years.
September 21st, 1979. Forty years ago, British rock photographer, Pennie Smith immortalized the destruction of a Fender P-Bass guitar by Paul Simonon of The Clash on the stage of The Palladium in New York City, on gorgeous B&W 35mm film.
Her soft-focus, grainy image with its blown-out highlights and development stains has been dubbed by numerous publications and music fans, “the Greatest Rock ‘n’ Roll Photograph of All-Time.”
Fifty years ago, half a million people gathered at Woodstock to celebrate peace and love. Photographer Henry Diltz was the official photographer of the historic event. He took thousands of photos at the festival, and to this day people ask him to use his images. In this marvelous short film, you can hear Diltz’s story and watch the iconic festival through his lens.
If you’re an avid concert goer and a photographer, you may want to bring your two passions together. And if this is the case, Rachel and Daniel of Mango Street have a perfect video for you. In about four minutes, they give you plenty of tips to get you started with concert photography. And it’s not just about gear and shooting – but also about getting the pass and editing the photos after you bring them home.
The agreement required to cover Ariana Grande’s Sweetener tour has made photographers mad. The agreement requires them to transfer their copyright of the concert images to Grande’s tour company. And if photographers wish to use their own photos, they need to ask for written permission from the performer in advance. Because of this and several other terms, The National Press Photographers Association (NPPA), along with 15 other press groups, is protesting against the agreement.
Film is very rarely used in music photography anymore. Primarily the reason for this is because of social media and instant news. There’s no time to go home and start pouring chemicals onto film to develop it, or wait until the morning until a lab opens to do it for you.
For festivals or stadium gigs we would bring our laptop with us and start sending out photos minutes after the artist stepped on stage. This is what people expect with modern technology.
Copyright infringement is all too common these days. It seems especially so in the music industry. One would think that fellow creatives, like musicians, would understand copyright and know better. But it turns out that they often don’t. Typically, when the photographer contacts them about it, the ensuing conversation is quite amicable. The images are taken down, or credited, and occasionally a fee is paid.
In this instance, however, not so much. When concert photographer Adrienne Row-Smith recently discovered some of her photos were being used by the band and its record label, she reached out. And while the band were being quite pleasant about the whole situation, their record label most certainly was not. DIYP reached out to Adrienne to find out more.