Imaging Resource recently published their interview with Ricoh execs at the CP+ trade show in Tokyo. They spoke about Ricoh’s plans for Pentax. But in amongst the conversation was Ricoh’s thoughts on the whole mirrorless vs DSLR debate. And, apparently, they think that the people who have switched to mirrorless will switch back to DSLRs within a couple of years.
Canon has previously predicted a 50% drop in camera sales over the next two years, and it seems that they might be right according to their latest financial report from Q1 2019. According to the report, they’re already seeing a 23% decline in camera sales from last year, with an 81% drop in operating profit vs Q1 2018.
Panasonic has just announced a new compact, rugged Micro Four Thirds camera, the Panasonic Lumix DC-G95. It’s aimed primarily at vloggers, and amateur photographers and videographers. It’s a kind of a crossover between the GH5 and the G9, containing some of their features, but at a lower price. So let’s dive into the specs and take a closer look at the new camera from Panasonic.
Leica has today officially unveiled the new Leica Q2 mirrorless camera, offering a rather impressive 47.3-megapixel CMOS sensor, with 10 frames per second shooting up to ISO50,000 and 4K DCI 24fps video. It features a Summilux 28mm f/1.7 ASPH lens, and with fully weather-sealed construction.
With Canon and Nikon announcing their full frame mirrorless camera, 2018 was an exciting year when it comes to camera industry. But how has this affected the overall results in gear manufacturing and sales? All this and more was explored in this video by LensVid. While the previous year brought us some long-awaited novelties: it seems that the market is still declining.
It’s been a while since we’ve heard anything from Olympus when it comes to their higher end bodies. The last big announcement, really, was the OM-D E-M1 Mark II back at Photokina 2016. But now it looks like they have a new one on the way. The Olympus OM-D E-M1X. And the first photos of it have leaked via 43Rumors.
Last year, the first commercial-quality footage of the Earth from outer space was shot on a Sony Alpha a7S II. And now, the same camera was used for the first ever Hollywood feature-length movie shot on a full-frame mirrorless. A new horror thriller The Possession of Hannah Grace was not shot on a high-end movie camera but on a $2,200 Sony mirrorless.
Recently Canon Watch reported that Canon will be announcing two new EOS R models in 2019. It had also been suggested that at least one full frame DSLR model had been shelved in favour of a mirrorless option. It was speculated that this model might be the EOS 5DS/5DSR. Now, new word via Canon Rumors seems to back up this fact.[Read More…]
Canon has stated that their new full-frame mirrorless line will sit alongside their existing systems in their product lineup. That an APS-C format mirrorless in the EOS R is essentially not possible, and that EOS M will continue to live on and see development.
True to their word, a new patent has just surfaced for a potential 10mm f/2.8 Fisheye lens design. The short backfocus distance suggests that it is for a mirrorless camera with an APS-C projection size. Given that it’s APS-C, it won’t be for the EOS R, but for the EOS M line.