Polaroid has added a new, tiny camera to its line-up along with a new type of film that fits it. The new Polaroid Go is so small that both the camera and the prints it makes fit on the palm of your hand. In fact, it’s the smallest instant film camera in the world. But let’s see if it has anything big to offer.
The videos posted by Gav and Dan (who’s currently MIA), AKA The Slow Mo Guys, are always visually very appealing. But for me, they’re at their most interesting when the video is about something that’s actually related to photography or filmmaking. And while this video, which explains the inner workings of a 16mm movie film camera is shot at a rather modest 1,000 frames per second, it’s no less mesmerising and interesting than the crazy 100K+ fps stuff they usually post.
If you’ve been feeling a little nostalgic about simpler times and simpler cameras, Ilford has something you might like. The company is launching Sprite 35-II – a cheap, reusable 35mm film camera. Its retro style comes from its predecessor, Sprite 35, and Ilford just gave it new life 60 years later.
Restoring an old camera and giving it a new life is something truly special. Especially if it’s a heritage, and it’s almost a century old. Max from Analog Insights inherited an 85-year-old Leica, and it looked like it was beyond repair. But a friend helped him bring it to life and take some neat shots with it as if it were new. In this video, Max shares the story of his new old camera, as well as some photos that he took with it.
If you’re into film photography and have a camera without a light meter, it can be pretty tricky to get the exposure right. Lime One is a neat-looking light meter that should solve the problem. It’s a small reflective light meter, and it’s mounted straight on your camera’s accessory shoe.
For those who haven’t heard of it before, “I’m Back” produces a range of digital backs for various analogue film cameras. After several successful Kickstarter campaigns in 2017, 2018 and 2019, I’m Back is, not surprisingly, back. This time they’re bringing the “I’m Back 35”, which offers compatibility with more camera models as well as manual mode shooting.
When the Lomomod No. 1 was first announced, I had the honor of covering the news for DIYP and I thought to myself: “Man, would I like to try this out!” Fast forward four months, and I’ve had the chance to play with this DIY medium format camera and do a thorough review.
The Lomomod No. 1 is a camera like no other I’ve seen or used. It comes in pre-cut pieces and you’re supposed to build it yourself, which is interesting on its own. It’s paired with a liquid-filled 80mm Sutton lens, which lets you change the tint of your images depending on the liquid you use. Sounds pretty cool, right?
In this article, I’ll share my impressions of the Lomomod No. 1. From initially opening the box to seeing my images for the first time, I’ll write about everything I liked and didn’t like about it. So, without further ado, let’s get started.
Those old folding film cameras are great. I’ve used a bunch of them over the years, and love when I get the chance to take my Agfa Isolette out the door to shoot off a few rolls. But that folding camera form factor seems to be making something of a comeback, but with a bit of an update.
The Jollylook Auto is styled on those old folding cameras but uses Fuji Instax “Instant film”, has a variable aperture, and even has a built-in flash. As with their previous camera, the Jollylook Auto is being launched through Kickstarter and has hit over two-thirds of its goal in just the first couple of hours.
Introduced in 1988, the Nikon F4 was the world’s first professional autofocus camera, and it made its way quickly into the hands of many working photographers. But despite the incredible leap in technology it represented, it was apparently quickly overtaken by the competition, which built on the solid foundation the F4 offered.
Early reviews were kind, but the advances in all areas of camera technology since then have left it more a cult option for today’s users.