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The Feelworld F6 Plus on-camera monitor features 3D LUTs and a touchscreen interface

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The Feelworld F6 Plus is the latest 5.5″ on-camera monitor from Feelworld. Except in name, it shares little in common with the Feelworld F6 it replaces. It’s had a complete redesign over its predecessor, with a shiny new display, touchscreen interface, HDMI passthrough and LUT support.

We first saw the F6 Plus on display at NAB earlier this year, and I’ve been using one as my main on-camera monitor for a few weeks now with various cameras. So, here’s the rundown on the specs, how it works in practical use and my overall thoughts on the Feelworld F6 Plus.

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Feelworld’s LUT7 monitor features waveform, vectorscope and has a superbright 2,200 nit touchscreen display

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I’ve become a big fan of Feelworld’s monitors over the past few months. While they don’t always offer the bells and whistles of some higher-end field monitors, they’re excellent value for money, especially if all you need a monitor for is to check composition and focus. But Feelworld has stepped up their game now with the new LUT7 monitor, offering a touchscreen UI, waveform, vectorscope, and LUT support. We stopped by their stand at IBC 2019 to find out more about it.

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The Feelworld FW279 is a super bright 7″ external monitor that can’t be beat at its price point

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If there’s one certainty when it comes to shooting video, it’s that at some point, you’ll want to pick up an external monitor of some kind. One big problem that many of them have, though, is that they can be quite difficult to see outdoors when it’s bright. I’ve tried a few from different brands over the years, but when it comes to bang for your buck, one company that’s pretty tough to beat is Feelworld.

For the past few weeks, I’ve been using Feelworld’s newest super bright 2,200 nit 7″ Feelworld FW279 monitor, now that the sun’s starting to make brief appearances here in Scotland. And so far, I really like it.

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Use this easy modification to put less strain on your field monitor’s sideways HDMI port

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Feelworld makes some pretty decent monitors for the money. I have the Feelworld FH7 and the new super-bright Feelworld FW279 – we’ll have a full review on the FW279 coming soon (review here). But HDMI socket placement always seems to be an issue with many monitors. On the FH7, the HDMI ports are underneath pointing straight down, but they’re very close to the mounting thread, making it a very tight fit for HDMI cables.

The FW279 shifts them over to the side, which makes connectivity much easier, but brings another challenge. Namely, gravity. The lateral strain on the socket caused by the weight of the cable can potentially weaken the socket over time. This simple modification by Johannes Gauder solves that issue with just a few cheap components.

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Feelworld upgrades the F6 field monitor with a touchscreen UI in the new F6 Plus

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Feelworld’s range of entry-level monitors have become quite popular over the last couple of years. Although they don’t offer all the bells and whistles we might find on monitors from Aputure and SmallHD, they’re plenty good enough for many hybrid shooters and specific use cases where those bells and whistles might be overkill.

The Feelworld F6 has been a very popular monitor, but Feelworld was showing off a new F6 Plus at NAB 2019, so we spoke with them to take a closer look and find out more.

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The best 5″ camera monitors between $179-499

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With more DSLR and mirrorless owners turning to video, the topic of camera monitors comes up fairly frequently. As a result, there’s a lot of choice out there now when it comes to camera monitors. They come with a whole host of different features, too. Some of those features are more beneficial to certain types of filmmaker while they may be overkill for others.

But which is the best? In this video, Caleb Pike at DSLR Video Shooter takes a look at four popular 5″ monitors ranging from $179 to $499 to see how they stack up against each other.

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