The fear of photographing in public and how to overcome it

Jan 15, 2017

Sebastian Jacobitz

We love it when our readers get in touch with us to share their stories. This article was contributed to DIYP by a member of our community. If you would like to contribute an article, please contact us here.

The fear of photographing in public and how to overcome it

Jan 15, 2017

Sebastian Jacobitz

We love it when our readers get in touch with us to share their stories. This article was contributed to DIYP by a member of our community. If you would like to contribute an article, please contact us here.

Join the Discussion

Share on:

The joy of Photographing on the street comes from close and engaging photos. Displaying the human nature and emotions in a way that the audience can relive these moments requires the photographer to be close and engaging as well. Unfortunately for a lot of us, it is not easy to stand out from the masses and overcome artificial social boundaries. Causing an irrational fear of photographing in public and making the live as a street photographer very hard. In the following article I will describe the sources of this obstruction that is limiting our full capability.

Being not familiar with the camera

One of my biggest fear early on was not being able to control the camera the “right” way. Even long ago before doing actual Street Photography I had the concern about being outed as an amateur by other people. Therefore I photographed at lonely places and at times when there were less people out there. I guess we all know the feeling when we are entering new terrain, but at the same have the urge to appear as knowledge and don’t want to blow our disguise. Cause after all, if you don’t know every button of your camera by heart you have no right to photograph in public right?

But what is the deal about not being an electro-engineer and knowing all the functions of your camera inside out? For Street Photography only a few functions are relevant and even the fully automatic mode is appropriate for this kind of genre. Looking like an amateur can even be an advantage because we want to dismiss anything that makes us look like the next professional paparazzi.

Don’t be afraid to test your camera out in the field and get familiar with it in the field. You don’t have to be able to recite the manual to justify taking pictures in public. Acquire all the knowledge you need and then you will learn how to control the camera through practice.

Standing out

Humans are social beings that form in groups to survive. This strategy has been working greatly for us, but as Street Photographers assimilation wouldn’t work out for us. Especially in the western we are inoculated from birth that strangers pose more harm than good. As a result we may be worried to get in contact with people on the street we don’t know. To avoid any attention we try to fit in.

Since our goal is to create extraordinary pictures we won’t get them if we photograph like anyone else. Fitting in only leads to ordinary images, that may be good, but not outstanding. Therefore as Street Photographers we have to unlearn the negative implications of engaging with different people. Instead of having a negative mindset, we should be more inclined to make our own decisions.

It is not a bad thing to not do what everyone else does. In fact what does it even mean to attract attention? Are there any negative outcomes that come with it automatically? Or does it even make a real difference?

False Perception

While being out on the street for the first weeks I had the feeling that everyone was staring at me like I was a lunatic just because of my camera. Truth is, that most people are just curious and don’t judge you in a negative way. The second question is if you really grab a lot more attention than usually?

Do you notice all the eye-contacts or looks you are receiving while grocery shopping? Probably not, because you absolutely don’t care and just mind your own business. So why should a little camera make such a big difference?

The difference lies in our own perception. As we are on the hunt for great pictures we observe our surrounding very thoroughly, thus noticing every little detail and people that might take a quick glance at our camera.

If you compared those both numbers of people that “stare” at you with or without a camera there probably isn’t a big difference. The disparity comes from our self-perception and consciousness that distorts reality.

Worrying about Others People’s Thoughts

One thing that often concerns us is what other people are thinking about us. We are putting a lot of emphasize on making a good appearance. As there is no second chance for a first impression we also have the anxiety to please total strangers.

As weird as this seems this our human nature that is also instilled by society and our upbringing. Like most social norms these totally have a place, but are a hinderance for Street Photographers and furthermore they are based mostly on false perception.

Maybe you are afraid of taking pictures in public because you are concerned what other people are thinking about you. “What a weirdo” might be a sentence that arises in their minds that you absolutely don’t want to provoke.

Once again our own self-consciousness is playing tricks on you. In reality every person is more concerned about what others might think about themselves than having strong opinions on other people. This means that if you are out photographing most people will be more focused on themselves and not you. Maybe they are questioning if you photographed them or other self-centered thoughts. But they are not forming strong and lasting opinions on the Photographer that is just taking pictures in public.

If everyone is more worried about what other might think about them, there is no one left to actually develop bad thoughts.

Apart from the nonsense that a total stranger’s opinion should be of our concern, hopefully you realize that most people are like you and more worried about themselves than others.

Feeling of Guilt

Another reason why you might have doubts and anxiety of photographing on the street is that you might feel guilty taking a total stranger’s photo. You might think that you “stole” something from them that you have no right to own. Maybe you are also contemplating that the pictures are not worth sharing to the Street Photography Community.

If this is the case I’d recommend you to practice until you find yourself comfortable enough to share your work. Otherwise you can keep the pictures in private and still have fun engaging on the street.

For the other part, I don’t feel “guilty” taking pictures of the human life on the street. In my opinion this kind of documentary photography has an important function in art and culture. It represents the zeitgeist of a certain time at a certain place. True candid pictures aren’t distorted like most other artificial media that try to sell a certain story.

Without this genre we wouldn’t have iconic photos like this one that survived for more than 70 years and still excites viewers. Long after every protagonist and the photographer are gone, the pictures will still be present. Conserving such moments isn’t something we should feel ashamed of, but take proud in saving and showing them to future generations.

World War II sailor kissing a nurse by photographer Alfred Eisentaedt
World War II sailor kissing a nurse by photographer Alfred Eisentaedt

In terms of ethics I have the attitude, that I wouldn’t upload anything where I would feel uncomfortable to be the subject itself, or where I would be worried that someone find themselves in the images. Therefore I don’t have the fear that my pictures might actually be discovered.

Furthermore as I already explained you shouldn’t need to justify yourself to take pictures in public. Even if you feel they might be not good enough, it is still an honorable duty for society.

Take pride in being a Street Photographer and create images that stay relevant for future generations.

About the Author

Sebastian Jacobitz is a 28 year old Street Photographer from Berlin. You can see more of his work on his Flickr stream. This article was also published here and shared with permission

Filed Under:

Tagged With:

Find this interesting? Share it with your friends!

DIPY Icon

We love it when our readers get in touch with us to share their stories. This article was contributed to DIYP by a member of our community. If you would like to contribute an article, please contact us here.

Join the Discussion

DIYP Comment Policy
Be nice, be on-topic, no personal information or flames.

Leave a Reply

Your email address will not be published. Required fields are marked *

3 responses to “The fear of photographing in public and how to overcome it”

  1. Khalid Hassani Avatar
    Khalid Hassani

    Mehdi Ait El Mallali

  2. umptious Avatar
    umptious

    >>> Another reason why you might have doubts and anxiety of photographing
    on the street is that you might feel guilty taking a total stranger’s
    photo. You might think that you “stole” something from them that you
    have no right to own.<<<

    Of course you probably don't think this, but who wants to admit that a lot of street photography is intrusive and creepy? Shading very definitely into legalized stalking when people start concentrating their shots on young women…

  3. Julio Yeste Avatar
    Julio Yeste

    Did this article even get scanned by an editor?! The writing is atrocious!