DIY Photography

Your one stop shop for everything photo-video

  • News
  • Inspiration
  • Reviews
  • Tutorials
  • DIY
  • Gear
Search

Submit A Story

The fear of photographing in public and how to overcome it

Jan 15, 2017 by Sebastian Jacobitz 3 Comments

  • Share
  • Tweet
  • Flipboard
  • WhatsApp

The joy of Photographing on the street comes from close and engaging photos. Displaying the human nature and emotions in a way that the audience can relive these moments requires the photographer to be close and engaging as well. Unfortunately for a lot of us, it is not easy to stand out from the masses and overcome artificial social boundaries. Causing an irrational fear of photographing in public and making the live as a street photographer very hard. In the following article I will describe the sources of this obstruction that is limiting our full capability.

Being not familiar with the camera

One of my biggest fear early on was not being able to control the camera the “right” way. Even long ago before doing actual Street Photography I had the concern about being outed as an amateur by other people. Therefore I photographed at lonely places and at times when there were less people out there. I guess we all know the feeling when we are entering new terrain, but at the same have the urge to appear as knowledge and don’t want to blow our disguise. Cause after all, if you don’t know every button of your camera by heart you have no right to photograph in public right?

But what is the deal about not being an electro-engineer and knowing all the functions of your camera inside out? For Street Photography only a few functions are relevant and even the fully automatic mode is appropriate for this kind of genre. Looking like an amateur can even be an advantage because we want to dismiss anything that makes us look like the next professional paparazzi.

Don’t be afraid to test your camera out in the field and get familiar with it in the field. You don’t have to be able to recite the manual to justify taking pictures in public. Acquire all the knowledge you need and then you will learn how to control the camera through practice.

Standing out

Humans are social beings that form in groups to survive. This strategy has been working greatly for us, but as Street Photographers assimilation wouldn’t work out for us. Especially in the western we are inoculated from birth that strangers pose more harm than good. As a result we may be worried to get in contact with people on the street we don’t know. To avoid any attention we try to fit in.

Since our goal is to create extraordinary pictures we won’t get them if we photograph like anyone else. Fitting in only leads to ordinary images, that may be good, but not outstanding. Therefore as Street Photographers we have to unlearn the negative implications of engaging with different people. Instead of having a negative mindset, we should be more inclined to make our own decisions.

It is not a bad thing to not do what everyone else does. In fact what does it even mean to attract attention? Are there any negative outcomes that come with it automatically? Or does it even make a real difference?

False Perception

While being out on the street for the first weeks I had the feeling that everyone was staring at me like I was a lunatic just because of my camera. Truth is, that most people are just curious and don’t judge you in a negative way. The second question is if you really grab a lot more attention than usually?

Do you notice all the eye-contacts or looks you are receiving while grocery shopping? Probably not, because you absolutely don’t care and just mind your own business. So why should a little camera make such a big difference?

The difference lies in our own perception. As we are on the hunt for great pictures we observe our surrounding very thoroughly, thus noticing every little detail and people that might take a quick glance at our camera.

If you compared those both numbers of people that “stare” at you with or without a camera there probably isn’t a big difference. The disparity comes from our self-perception and consciousness that distorts reality.

Worrying about Others People’s Thoughts

One thing that often concerns us is what other people are thinking about us. We are putting a lot of emphasize on making a good appearance. As there is no second chance for a first impression we also have the anxiety to please total strangers.

As weird as this seems this our human nature that is also instilled by society and our upbringing. Like most social norms these totally have a place, but are a hinderance for Street Photographers and furthermore they are based mostly on false perception.

Maybe you are afraid of taking pictures in public because you are concerned what other people are thinking about you. “What a weirdo” might be a sentence that arises in their minds that you absolutely don’t want to provoke.

Once again our own self-consciousness is playing tricks on you. In reality every person is more concerned about what others might think about themselves than having strong opinions on other people. This means that if you are out photographing most people will be more focused on themselves and not you. Maybe they are questioning if you photographed them or other self-centered thoughts. But they are not forming strong and lasting opinions on the Photographer that is just taking pictures in public.

If everyone is more worried about what other might think about them, there is no one left to actually develop bad thoughts.

Apart from the nonsense that a total stranger’s opinion should be of our concern, hopefully you realize that most people are like you and more worried about themselves than others.

Feeling of Guilt

Another reason why you might have doubts and anxiety of photographing on the street is that you might feel guilty taking a total stranger’s photo. You might think that you “stole” something from them that you have no right to own. Maybe you are also contemplating that the pictures are not worth sharing to the Street Photography Community.

If this is the case I’d recommend you to practice until you find yourself comfortable enough to share your work. Otherwise you can keep the pictures in private and still have fun engaging on the street.

For the other part, I don’t feel “guilty” taking pictures of the human life on the street. In my opinion this kind of documentary photography has an important function in art and culture. It represents the zeitgeist of a certain time at a certain place. True candid pictures aren’t distorted like most other artificial media that try to sell a certain story.

Without this genre we wouldn’t have iconic photos like this one that survived for more than 70 years and still excites viewers. Long after every protagonist and the photographer are gone, the pictures will still be present. Conserving such moments isn’t something we should feel ashamed of, but take proud in saving and showing them to future generations.

World War II sailor kissing a nurse by photographer Alfred Eisentaedt

World War II sailor kissing a nurse by photographer Alfred Eisentaedt

In terms of ethics I have the attitude, that I wouldn’t upload anything where I would feel uncomfortable to be the subject itself, or where I would be worried that someone find themselves in the images. Therefore I don’t have the fear that my pictures might actually be discovered.

Furthermore as I already explained you shouldn’t need to justify yourself to take pictures in public. Even if you feel they might be not good enough, it is still an honorable duty for society.

Take pride in being a Street Photographer and create images that stay relevant for future generations.

About the Author

Sebastian Jacobitz is a 28 year old Street Photographer from Berlin. You can see more of his work on his Flickr stream. This article was also published here and shared with permission

FIND THIS INTERESTING? SHARE IT WITH YOUR FRIENDS!

  • Share
  • Tweet
  • Flipboard
  • WhatsApp

Related posts:

Here are three tips to overcome your fear of photographing strangers How to overcome fear and to create when you’re just not feeling it How to overcome your fear of failure and become a successful photography business Can Models Suffer From Fear Public Speaking? Apparently Yes

Filed Under: Inspiration Tagged With: fears, Sebastian Jacobitz, street photography, street photography tips

Guest Author: from diyphotography.net

About Guest Author

This article was contributed to DIYP by a member of our community. If you would like to contribute an article, please contact us here.

« Can you improve your photography by reflecting on your life?
Five Photography Business Goals for The New Year »

Submit A Story

Get our FREE Lighting Book

DIYP lighting book cover

* download requires newsletter signup
DIYPhotography

Recent Comments

Free Resources

Advanced lighting book

Recent Posts

  • Here’s a bullet time video booth you can build yourself
  • Ricoh has discontinued the HD PENTAX-DA 21mm F3.2AL Limited silver lens
  • This “stellar flower” unravels the twilight’s evolution in 360 degrees
  • Strobes vs Continuous LEDs – Which is right for you?
  • Wave goodbye to Apple’s My Photo Stream next month

Udi Tirosh: from diyphotography.netUdi Tirosh is an entrepreneur, photography inventor, journalist, educator, and writer based in Israel. With over 25 years of experience in the photo-video industry, Udi has built and sold several photography-related brands. Udi has a double degree in mass media communications and computer science.

Alex Baker: from diyphotography.netAlex Baker is a portrait and lifestyle driven photographer based in Valencia, Spain. She works on a range of projects from commercial to fine art and has had work featured in publications such as The Daily Mail, Conde Nast Traveller and El Mundo, and has exhibited work across Europe

David Williams: from diyphotography.netDave Williams is an accomplished travel photographer, writer, and best-selling author from the UK. He is also a photography educator and published Aurora expert. Dave has traveled extensively in recent years, capturing stunning images from around the world in a modified van. His work has been featured in various publications and he has worked with notable brands such as Skoda, EE, Boeing, Huawei, Microsoft, BMW, Conde Nast, Electronic Arts, Discovery, BBC, The Guardian, ESPN, NBC, and many others.

John Aldred: from diyphotography.netJohn Aldred is a photographer with over 20 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter - and occasional beta tester - of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

Dunja Djudjic: from diyphotography.netDunja Djudjic is a multi-talented artist based in Novi Sad, Serbia. With 15 years of experience as a photographer, she specializes in capturing the beauty of nature, travel, and fine art. In addition to her photography, Dunja also expresses her creativity through writing, embroidery, and jewelry making.

Copyright © DIYPhotography 2006 - 2023 | About | Contact | Advertise | Write for DIYP | Full Disclosure | Privacy Policy