Well, actually, the right title for this one should be “Endeavors Of A New Home”, since I am building a whole home and not just a studio, but hey! This is a photography blog, so focus is on lighting and studio. Of course the new place will be packed with tricks, but now, it is in the building process.[Read More…]
My gift to you readers for DIYP 3rd Year Aniversarry – 43 Photography Hacks, Mods And DIY Projects. (And some shameless self promotion)
10. V Cards
When I was a kid, there was nothing I liked more the swords. And space. This is why I was so exited when the Return of the Jedi came out. WOW a sword that you battle with on a spaceship – I was instantly hooked. This was the first Starwars film I saw and I watched all the series in no time. (Mind you, this was before DVD rental era, so Daddy had to kindly drive me around various theaters around the country).
Now I am a grown up, and love grown up films where you get two people in a room and let them talk about love, death and marriage for ninety minutes. NOT! I’d still choose a robots-fighting-in-space-with-swords movie over any film featuring Kathy Bates. Unless, of course, Bates is playing a giant robot smacking some other robot in space with a sword.
So how does this all connect to photography? As you may have noticed, one of my photography loves is Light Painting. This is why I was so thrilled when Ben Matthews created a Lightsabers for his light painting works. Just before you read on, check out Ben’s great light painting gallery. See what great art he does with them Sabers. Read on to discover the magic that Ben created, and to get detailed instructions on creating your own Lightpainting Lightsabers:
As you probably know, I am a big fan of small flashes. (*cough* Strobist *cough), but sometimes small flashes just don’t have the juice to light up a scene. It may be a big place that needs tons of power or a huge light sucking modifier that eats up all the light from your strobe. (Try using the SB 900 on the westcott 2.15 meters octabank, that would be an interesting strobe challenge). So I do have one big 400WS flash. (Ok, just before you hit me with the “you call 400WS big?? ppffffhhh!”, I’d say that it was big enough for me when I bought it, and it was I could afford.
So anyway, if you are in a studio this is no biggy. Plug the flash to the wall socket, dial up the power and you are good to go. But what if you are outside the studio. On the beach, park, moon? [Image by andyarmstrong]
I just had a really wacky weekend, where I volunteered to shoot thirty something little hurricanes kids at my daughter’s Kindergarten.
They had a huge custom party and wanted some portraits to remember. As the teacher knows I carry a camera on occasion, she asked. How did I byte into this one could I say no? I’ll post a complete on assignment on this soon. In the meantime, here is a little tip: How to Child Proof A Lightstand.
First a confession, I really like Flash Frog. FF is a blog with a nifty idea – create great images, post the entire shooting process, help others get inspired. Just before zetson AKA Joakim Tangstad goes into the details of his Film Noir setup, a few words about Flash Frog.
I find FF to be a great companion to strobist readers. Allot of the theory and ideas that David shares on strobist get to life with a creativity twist on Flash Frogs. I really get myself lost whenever I visit FF, finding ideas, techniques and inspiration. This is why I got really exited when zetson (Flickr stream) – the person behind the blog – agreed to do a guest post here on DIYP. Read on for Film Noir setup details.
As you probably know, one of my favorite techniques is light painting.
This is why I was so happy when reader and artists Chris Kroeger from Light Paint Photography agreed to share one of his special light painting techniques with DIYP readers. Just a word of caution, this is not your ordinary light painting.
The art of light paint photography is thought to of begun with Pablo Picasso. His simple black and white image with nothing more than a few light scribbles spawning a new art. Today most light painting closely resembles Picasso first image, a image that light painting is added to draw in something that is not in the original image.
I hope to help change all of that.
Remember the story about that king from ancient Greek called Midas? Midas was a greedy, greedy king that loved gold more then life itself.
In fact Midas loved gold so much that he prayed the gods to grant him a golden touch. His wish was granted, and now, everything the king touched turned into gold.
This was quite a party trick with the wooden cup, table cloth and the chicken and apples. Wait a minute, chicken and apples? Yes. Midas could not eat. With his fear of starving to death he prayed the gods again to take his gift away. His new wish was granted. Moral at the and of the post.
Here is another great one from Martin Kimeldorf, converting a LumiQuest popup diffuser into a softbox thingy. This will work great to add some direct flash fill in. Now, I am not saying that you should run and buy one of those just to mod it, you can start with silk and some black Bristol and get the same place.
I liked the LumiQuest Diffuser for Pop Up flashes except that the diffuser panel hung rather limply on my camera and thus produced an unreliable surface shape. Also, I wondered about the light escaping the sides. Then I thought, I could add sides and create a miniature soft box, especially if the inside had a silvered lining.
Don’t we all love to make Lighting diagrams? They help us explain our lighting setups. They can also help us design a setup in advance.
UPDATE 3: The The Lighting Diagram Creator now supports export to jpeg. Man, Huy has really done great work with this one, It even allows adding sound gear.
UPDATE2: Lets try and make the online diagram creator complete. read on for making a stamp on the history of online lighting diagrams tools.
UPDATE1: Due to licensing issues the tool has been revised to use Don Gianatti PSD file – It is still a great way to create lighting diagrams online.
In the past I have written about a great PSD file created by Kevin Kertz. This PSD file allows you to describe (almost) any lighting setup you create. I have used this excellent method myself in Shooting The Team series.
There are other lighting diagrams creating tools out there, but none was as complete as Kevin’s. The only drawback to the PSD file is that you had to install Photoshop or The GIMP to use the file (yap, PSD is Adobe’s Photoshop native format).