Slightly missing the focus on the eyes when shooting portraits – this has happened to me more times than I’d like to admit. But what if you photograph a client and they choose one of these slightly out-of-focus photos? In this quick tutorial from KelbyOne, Kristina Sherk will show you how to fix it in a few simple steps.
Making cameras see things that our eyes cannot is something that’s always really fascinated me about photography. Whether it’s super extreme macro, infrared & ultraviolet or, as is the case here, heat and shockwaves.
In this video, Kelly Hoffer at Theory of Curiosity talks us through Background-Oriented Schlieren (BOS). It’s a technique that lets you see heat and other atmospheric distortions in photographs. Here, Kelly shows it off using just a regular camera and Photoshop.
The umbrella is one of the most underrated modifiers in photography, I think. It’s one of the first that many of us usually encounter once we start working with speedlights or strobes, and Bowens even used to include umbrellas in their strobe kits.
But we often feel that we “outgrow” them, in favour of softboxes and beauty dishes. This video from photographer Miguel Quiles, however, demonstrates that we shouldn’t be so quick to discount umbrellas. He shows us five ways to use umbrellas to get some pretty amazing results.
There is one genre of photography that is black and white. There is another genre that is exactly the opposite and it is full of color. Today’s breakdown belongs to the second genre.
With the prolific use of flash in photography these days, and the amount of information that is out there, you’d think it would be quite a simple task by now for somebody to figure out a path for their lighting needs. But because there’s so much information out there, newer users can actually find flash quite intimidating.
In this four-part video series, photographer Ed Verosky goes through a complete crash course on flash. He starts off with the basics of using your flash on the camera, through getting it off the camera in a studio environment, to taking it out into the wild and mixing it with existing lighting.
We often hear that people meter with their histograms. And although that method comes with some caveats, it can be a fantastic way to meter your shot and fine tune your exposure. In this video, Becki & Chris (well, mostly Chris), walk us through what the histogram is, how to read it and how to apply it to your photography.
Photographing glass can seem tricky and difficult to do right. But in this video from Adorama, photographer David Bergman shows you that it’s easier than you might think. In only two minutes, you’ll see the lighting setups and a few tricks that will help you create different looks of your images and end up with professional-looking results.
Christmas has gone. We’re almost to the new year. In a few hours, we’ll be there. But it’s never too late for a festive wintery themed photo shoot. Winter’s still going to be here for a while yet. In this video, photographer and educator Gavin Hoey walks us through his process to create this festive fine art composite portrait in the studio.
When increasing saturation in Photoshop, it happens that we get a little carried away and end up overdoing it. In this video, Unmesh Dinda of PiXimperfect proposes an interesting method for increasing saturation, yet keeping the image natural-looking. It takes only a few seconds, and it does make a great result.