If you’re looking for an alternative to Lightroom, Capture One could be the solution. No matter if you’re fully switching or just experimenting with new software, it takes some time to figure it out and get used to it. But here’s something to help you speed up the learning process. Michael Comeau shares a great in-depth video for all of you who want to edit photos in Capture One 20. He shows you five portraits and his editing process for each, but I’m sure you’ll find the video useful no matter what genre you usually shoot.
Adding creative lighting effects after the shot has been taken is easy, but nothing beats doing it properly.
There are a million-and-one ways to add creative flares and effects to your shots in post-production after you’ve taken the image, but nothing beats the look and feel of an image that has used in-camera flares and bokeh effects.
Do you like expressing yourself through self-portraits? That’s something I personally enjoy it, and I even think it can be beneficial in several ways. Sarah Lyndsay is a fellow photographer and she makes fantastic self-portraits. In this video, she will guide you through five steps that will help you to make breathtaking environmental self-portraits. And even if you’re not comfortable in front of the camera, you can still follow these steps when photographing someone else and end up with some epic shots.
It’s been a while since we’ve seen a video from Matthew Vandeputte, but now he’s back with a good one for all you aspiring hyperlapse shooters that don’t have high-end cameras and lenses, gimbals, or other expensive and fancy gadgets.
During a recent social media meet up in London, Matthew borrowed a friend’s Canon EOS 200D (Rebel SL2) with the 18-55mm kit lens to provide us with some tips to show us how we can shoot hyperlapse sequences with very inexpensive equipment.
One of the biggest issues with landscape photography is ensuring that you have enough depth of field to cover the entire front-to-back distance of the scene you want to capture. With some lenses, sure, if your nearest subject is at least a certain distance away, and your aperture’s small enough, you can get pretty close. But the only way to really ensure complete front-to-back sharpness is with focus stacking.
It’s a technique that’s more commonly associated with macro, where you often have a paper-thin depth of field. But it’s also very effective for shooting landscapes, too. In this video, Mark Denney walks us through his process for shooting and then compositing stacked images for maximum focal range.
Everybody knows the exposure triangle by now, right? ISO, aperture and shutter speed. Once you know your scene’s exposure value, you can just balance out the three to get a good exposure. And as you adjust one up or down, you need to adjust another in the opposite direction to compensate. Well, what if one of them isn’t really anything to do with exposure?
That’s the argument put forth by Chris Lee of the YouTube channel pal2tech, and it’s a compelling one. Back in the days of film, it was a little different, and your ISO really did reflect the sensitivity of the film stock to light. These days, though, with digital cameras, not so much.
You may think that a single light isn’t enough to shoot magazine-worthy and professional-looking editorial portraits. But in this video, Elaine Torres shows you how to pull it off. She demonstrates a photo shoot with a single light and a two-light setup, so you can pull it off in a small studio or even at home.
A very effective way to color-tone an image, is to use the RGB curves in Lightroom. This allows you to manipulate colors effectively, and you face no risk of adding any banding or harsh transition lines between colors. My goal is not to try to write an exhaustive tutorial, but I hope I can give you a few ideas so you can experiment on your own.
Sometimes you want to add a moon to a photo. Maybe it was missing in the frame to begin with. Maybe you made a mistake while shooting, and maybe you just want a nice photo with a moon in it. Today I’ll teach you how to add a moon to an image with photoshop.
You know how beer commercials instantly make you wanna crack open a cold one? If you’re into commercial video and photography, Justin Jones and Ted Sim of Indy Mogul will show you how to create your own. In this video, they share nine steps to shooting a beer commercial on a budget, yet making it look epic.