We were all beginners once, and it was only after a few years’ experience that we noticed some mistakes we made back then. This is why the older and experienced version of Matthew Vandeputte created this video for his younger self, a beginner in timelapse photography. These ten tips come from years of experience, and if you are new to timelapse photography, this video is for you.
No matter if you’re a wedding photographer or videographer, you can use a drone to create some unforgettable shots of the bride and groom. Alina and Stewart of Drone Film Guide share with you 12 helpful tips that will raise your drone wedding photos and videos to a new level and help you make the best out of them.
Lighting glossy metal objects can be really tricky when you incorporate them in photos. They don’t only reflect light in a pretty harsh way, but they also reflect the scene. In this video, Jay P. Morgan teaches you how to light shiny metal objects so you make them look their best in your shots. He guides you through his setup and gives an example of lighting a BB gun in a studio.
Silverware can be a beautiful and often important addition to food photos. But the trouble with it is that it reflects light, and these reflections can be so strong that they ruin your shots. Fortunately, there are ways to manage these reflections, and Joanie Simon of The Bite Shot will teach you how to do it in this fantastic video.
Light painting with tubes is a popular technique and it lets you create all sorts of interesting shapes. But if you want to make this shape a circle, it can be a challenge to get it right and to make it perfect. But Eric Paré and his partner Kim Henry will help you with that. In this video, they share and demonstrate some techniques that will help you light-paint perfect circles in your images.
Someone’s wedding day is one of the most important days in a person’s life. This entire day is one big and beautiful story, and it’s your task to tell it with images. In this video from B&H, wedding and portrait photographer Cliff Mautner shares five quick but powerful tips for telling a story with your wedding photos.
Scanning film is one of the biggest issues with shooting film today. It’s not that it’s particularly difficult, it’s just a pain because most of us tend to do it so little. Maybe a roll or two every few weeks. Pulling out the scanner and hooking it up can be a chore, so we put it off and just never get around to it. I’ve got plenty of rolls here that have been developed but not scanned yet.
Photographer, Matt Day, however, has a simple solution to this problem. A solution that’s compact, quicker to set up than a scanner on your computer, as well as being faster and easier to actually “scan” in your images. Using a simple copy stand and an LED panel, he can get through a lot of film through very quickly and easily.
Lightroom presets can be a handy tool for learning how to edit. However, it’s easy to fall into a trap of thinking that they’re a quick fix for all of your images. In this video, Mark Denney explains why buying presets isn’t such a good idea. Instead of investing money, it’s much better to invest some time and create your own presets, and here are three big reasons why.
To shoot directly into the sun is both challenging and fun. Challenging because it can be difficult to control the light and, not least, our images are very often marred by sunflare. One simple way of avoiding flare is to shoot an extra exposure with one finger or more obscuring the sun.
Admittedly, it happens that I forget to follow that simple step, or I am too lazy or I believe that clouds or mist sufficiently diffuse the light so that the lens won’t produce any flare. In the example below I believed that mist would prevent any flare. I was wrong something which became very evident when examining the raw file in Lightroom.
The phrase “dual native ISO” seems to be coming to more and more cameras these days. Certainly not to all of them, but to many, especially when it comes to video. Panasonic’s done it with the GH5S, Blackmagic’s done it with the Pocket Cinema Camera 4K, and it’s out there on a few more, too.
But what exactly is it? I mean, we get what the end result is, but how does it work? What is this voodoo? And how does it really affect how we shoot? John Hess from Filmmaker IQ dives deep into dual ISO and the effect it has on dynamic range with the BMPCC4K in this video, and it’s probably the best explanation I’ve seen so far on how it all works.