Rebecca Litchfield is somewhat of an un-categorized hybrid, she shoots fashion (and does it darn well), but she is also very well known for her urbex (urban Exploring) photography. I’ve been following Rebecca Litchfield’s work for a long time, but it was only when I saw her great talk over at the photography show that we made the connection and started an interview. I knew it was going to be fascinating, I just did not know how much.
I’m often intrigued when my worlds collide. When I left my career as a lawyer behind, I never realized just how often it would encroach on– if not occasionally take over– my photography career. And yet, when it comes to model releases, client contracts, licensing agreements, protecting my copyright, and a host of other issues, I shouldn’t be at all surprised that my arsenal of legal knowledge and expertise still continues to pay dividends– even now, ten years since I’ve seen the inside of a courtroom. I usually see the legal issues coming a mile away, but a recent meeting with a new wedding client caught me completely off guard. She’d been referred to me by a mutual friend, but I was not the first photographer she’d interviewed. For the most part, it had been a very typical meeting. We talked about her venue, where she’d met her fiance, what she was looking for in a photographer– the standard stuff. She was flipping through a portfolio, though, when she looked up and asked a question that was anything but standard.
Imagine being surrounded by tens of thousands of bees trying to collect honey. What is one man’s nightmare is a way of life for the Gurung tribe of Central Nepal.
Twice a year the tribe travels to the largest beehive in the world to harvest honey. While they have been doing this for centuries, climate changes, tourism and commercial interest put their way of life in danger.
Travel photographer Andrew Newey (Facebook) went a two weeks expedition to document their lives, including a 3 days honey hunt travel. Andrew was king enough to allow us to post some of the photographs he made during the expedition.[Read More…]
Budapest based photographer and artist Sarolta Bán wanted to put her talent and social impact to a good use. Over the years her surreal style drove a following of over 124,000 Facebook fan and now she is giving something back to the community.
Ban is using her talent to aid sheltered dogs find a new home by taking their photos and recomposing them into surreal works of art.
The project asks for photos of animals in need of shelter. Ban will then create a wonderful composite of him/her/it to raise visibility for adoption and will later award the photo to anyone who adopts the dog. On the project page she shares:[Read More…]
What if superman had was wearing a GoPro? Of course he does not probably need it having super memory, laser vision and that huge holodeck in the pole. But what if did?
His day may have looked something like this. The creative team at Corridor Digital made a short video showing the man in blue returning a camera to its owners, while flying the blue skies of LA.
Of course, CD did not actually have access to Clark Kent so they used a DJI Phantom 2 and a GoPro 3+ to take the flying shots and a real (cape wearing) actor to take the person shots and have a bit of a shake to cover the cut point.[Read More…]
Daniel Woods was moving from one day job to another and wan not really happy. He had it up to the point where he quite it all and became an adventure photographer. What he does is take folks about for trips out of Vegas and takes them out to have a good experience in the amazing nature in Nevada (as opposed to a night club on the strip).
Story sounds familiar, it may remind you of another creative that was bored to death in work – Benjamin Von Wong, who was a mining engineer until he decided to be a photographer full time. So it is no wonder that the two found a mutual language and collaborated in a story about Daniel’s passion and drive. With both those stories it is amazing to see where passion, courage and persistence can get you.
[Creating meaning through Adventure | Von Wong]
He is one of the most iconic American photographers, an innovator in his time responsible for aiding in the awareness that led to the preservation of some of our most spectacular natural treasures. He has left millions awestruck by the imagery he captured and inspired millions more to aspire to follow in his steps. His skills were commissioned by government agencies, and the value of his original prints stretches well into the millions. He is Ansel Adams, and his camera was an outdated, antiquated piece of rubbish.
I am certain most, if not all, photographers have experienced it at one time or another: the feeling that you and your skills are made inferior by the equipment you are using, a condition commonly known as camera shame. We shrink back into the shadows around other photographers with “more-pro” gear than us, we avoid conversations with photographers who are knowledgeable about equipment, we miss or turn down opportunities out of embarrassment, and we find ourselves tripping over ourselves in the pursuit of “the next great thing” in hopes of being able to hold our heads high in public.[Read More…]
68 years old photographer Flo Fox is winning the war against will power every day. Born blind in one eye, she has been shooting for over 40 years, ever since she got her first paycheck and bought a camera.
She jokes that she had a built in advantage in the fact that she did not have to close one eye to take a picture going from 3D to a two dimensional state just to take a photograph.
Around 30 years ago, her eye situation deteriorated and her healthy eye started texturing and loosing sight as well, and she needed a cane. She than discovered that she had MS (Multiple sclerosis), and she slowly started to loose motoric functions.[Read More…]
It had been a while since I had shot on a DSLR, most of last year I had shot on the Fuji X-Pro or a Pentax 645d. I was starting to shoot more and more video and thought that maybe it was time to pick up a 5dm2 or something similar. I even thought about the 5dm3 and was just about to buy one when my good friend Martin Gillman announced he was selling his D800, humm, I thought.. Yes.. Deal. I picked the Sigma 35mm Art lens and the 105mm macro (will be looking at the 50mm Sigma too). For video, I will be renting things like the Zeiss Compact zooms.
Martin dropped the camera off and I just needed to shoot asap, I spoke to my lovely lady friend Ameila and we formed plan to shoot some lingerie with Penny Grimley on the make up. The styling was made up from a few places and things we could find quickly. (Fleur of England, Cristina Adami and Henry Hunt).
I am a big Fuji X-Pro fan, in fact I am a Fuji X-Photographer, I spent most of last year without a DSLR at all and I started to really miss one. The idea of such a powerful multi-use tool started to really make sense. From Leaf to Leica, d90 to 645d, I have shot with and worked with everything. Pretty much all of last year, I didn’t touch a DSLR and after picked up the D800 again…. I can totally say with full confidence, DSLR is always going to be the future. Such multi-use, powerful cameras will never die. There is a place in the market for Compact System Cameras (CSC), DSLRs & Medium formats (MF). I still don’t think we need FF CSC’s though, or CMOS Hassy’s. I like that each has it’s own area and use. Maybe DSLR is the new Bridge camera from hobby to work tool ?? Either way.. The lenses are getting better to cope with the sensors and the 35mm Sigma and the 55mm Zeiss make the D800 seem like a totally different camera to the one I took to the USA and Africa a couple of years ago ! It is good to see that the lens and camera manufacturers are putting time into getting good glass out there into the market. Thank you Fuji, Nikon, Sigma and Zeiss… Love you all !![Read More…]
For those who don’t know, cartography is the making of maps. The word comes from the french terms carte and -graphie, which literally mean map and writing. Daniel Boschung is a face cartographer, and he does exactly what that title suggests: he makes geographic landscapes out of portraits of the human face.
The maximum resolution of a perfect human eye is around 450 pixels per inch (PPI). That means if you’ve got a smartphone, like the iPhone 5S, you probably wouldn’t notice the separate tiny pixels that make up the screen because of its display of 326 PPI. The screen looks almost as sharp as real life. Keeping that in mind, if you were to take a 90 x 90 inch portrait of one of the faces photographed by Daniel Boschung in this project, the final resolution of the picture would amount to somewhere at 111,000 PPI.[Read More…]