The World Press Photo has announced the regional winners of its 2023 photo contest. Just like last year, the selection includes incredible, moving images taken in all corners of the world. Other than making me cry, these images reminded me why Ai will never replace photography and why photojournalism and documentary photography are here to stay.
This year’s winners call attention to some of the most pressing issues facing the world today. And today’s world sure is facing many issues. Out of more than 60,000 entries by 3,752 entrants from 127 countries, the jury selected 24 winners and six honorable mentions. They cover stories from the front lines of conflict, culture, identity, migration, memories of the lost past, and glimpses of near and distant futures.
“Selecting these arresting winning images from tens of thousands of entries was a huge task for our independent jurors,” said Executive Director of the World Press Photo Foundation Joumana El Zein Khoury. “All of [them] demonstrated profound care, expertise and passion in reaching their decisions, delivering a stunning and globally balanced view of the past year.”
The importance of photojournalism
“In a world where dozens of journalists are still killed in the line of duty every year, I could not stop thinking about the journeys and risks these photographers – and often, their subjects – take to bring us these images of our world. I am humbled to present this selection and honored that we will be able to bring the vital stories they tell to millions more people.” – Joumana El Zein Khoury
Jury chair, Brent Lewis, New York Times photo editor and a co-founder of Diversify Photo, described these images as I would:
“For me, I was looking for pictures that grab you, and that won’t let go. There are images here that let you understand ‘this could be you’. That I can’t get away from.”
He describes the selected images as “indicative of this moment in time,” which will “serve as historical documents of what the year was like for future generations to look back on and hopefully learn from.”
I found many of the selected images extremely moving. Some of them stopped me in my tracks and made me cry. This is the reason why I mentioned AI in the title and the introduction. While AI will surely replace humans in many jobs (maybe even the job I’m doing right now), it will never replace genuine human experience and human contact. This is something I discuss with my friends often, and it’s definitely something I see in these photos. AI art can’t make me cry, no matter how great it looks and how moving the creator’s idea is. But connecting with real people and their experiences through real images, empathizing with them… That’s irreplaceable. And it’s what photography gives us.
World Press Photo 2023 global winners announcement
Four global winners (one per category) are chosen from the regional winners, so there’s more to come from this fantastic contest. The global winners will be announced on April 20, 2023 online, and go on an exhibition in Amsterdam on April 22. After that, it will travel around the world and get on display in over 60 cities around the world (including Rome, Berlin, Barcelona, Zurich, Tel Aviv, Taipei, Singapore, Mexico City, Jakarta, Sydney, and Toronto).
I leave you now to the fantastic regional winners of the World Press Photo 2023. You’ll find more information and backstories on the contest’s website.
WARNING: there are several graphic images that some readers may find disturbing.
Africa
Singles – The Big Forget
Stories – New Capital
- © Nick Hannes, Panos Pictures
- © Nick Hannes, Panos Pictures
- © Nick Hannes, Panos Pictures
- © Nick Hannes, Panos Pictures
Long-term projects – Before It’s Gone
- © M’hammed Kilito, VII Mentor Program / Visura
- © M’hammed Kilito, VII Mentor Program / Visura
- © M’hammed Kilito, VII Mentor Program / Visura
- © M’hammed Kilito, VII Mentor Program / Visura
- © M’hammed Kilito, VII Mentor Program / Visura
- © M’hammed Kilito, VII Mentor Program / Visura
- © M’hammed Kilito, VII Mentor Program / Visura
- © M’hammed Kilito, VII Mentor Program / Visura
Open format – Here, The Doors Don’t Know Me
- © Mohamed Mahdy
- © Mohamed Mahdy
- © Mohamed Mahdy
- © Mohamed Mahdy
Asia
Singles – Shireen Abu Akleh’s Funeral
Stories – The Price of Peace in Afghanistan
- © Mads Nissen, Politiken/Panos Pictures
- © Mads Nissen, Politiken/Panos Pictures
- © Mads Nissen, Politiken/Panos Pictures
- © Mads Nissen, Politiken/Panos Pictures
Long-term projects – Battered Waters
- © Anush Babajanyan, VII Agency/National Geographic Society
- © Anush Babajanyan, VII Agency/National Geographic Society
- © Anush Babajanyan, VII Agency/National Geographic Society
- © Anush Babajanyan, VII Agency/National Geographic Society
- © Anush Babajanyan, VII Agency/National Geographic Society
- © Anush Babajanyan, VII Agency/National Geographic Society
- © Anush Babajanyan, VII Agency/National Geographic Society
- © Anush Babajanyan, VII Agency/National Geographic Society
Open format – Woman, Life, Freedom
- © Hossein Fatemi
- © Hossein Fatemi
- © Hossein Fatemi
- © Hossein Fatemi
- © Hossein Fatemi
Honorable mention – Faint Light in the Unfinished Building
- © Weimin Chu
- © Weimin Chu
- © Weimin Chu
- © Weimin Chu
Europe
Singles – Yana and Victor
Stories – The Siege of Mariupol
- © Evgeniy Maloletka, Associated Press
- © Evgeniy Maloletka, Associated Press
- © Evgeniy Maloletka, Associated Press
- © Evgeniy Maloletka, Associated Press
Long-term projects – Net-Zero Transition
- © Simone Tramonte
- © Simone Tramonte
- © Simone Tramonte
- © Simone Tramonte
- © Simone Tramonte
- © Simone Tramonte
- © Simone Tramonte
- © Simone Tramonte
Open format – Passengers
- © Cesar Dezfuli, for De Volkskrant
- © Cesar Dezfuli, for De Volkskrant
- © Cesar Dezfuli, for De Volkskrant
- © Cesar Dezfuli, for De Volkskrant
Honorable mention – War Wounds
- © Emilio Morenatti, Spain, Associated Press
- © Emilio Morenatti, Spain, Associated Press
- © Emilio Morenatti, Spain, Associated Press
- © Emilio Morenatti, Spain, Associated Press
North and Central America
Singles – The Dying River
Stories – Maria’s Journey
- © Carlos Barria, Reuters
- © Carlos Barria, Reuters
- © Carlos Barria, Reuters
- © Carlos Barria, Reuters
Long-term projects – Beautiful Poison
- © Cristopher Rogel Blanquet, Mexico, W. Eugene Smith Grant/National System of Art Creators FONCA/Getty Images
- © Cristopher Rogel Blanquet, Mexico, W. Eugene Smith Grant/National System of Art Creators FONCA/Getty Images
- © Cristopher Rogel Blanquet, Mexico, W. Eugene Smith Grant/National System of Art Creators FONCA/Getty Images
- © Cristopher Rogel Blanquet, Mexico, W. Eugene Smith Grant/National System of Art Creators FONCA/Getty Images
- © Cristopher Rogel Blanquet, Mexico, W. Eugene Smith Grant/National System of Art Creators FONCA/Getty Images
- © Cristopher Rogel Blanquet, Mexico, W. Eugene Smith Grant/National System of Art Creators FONCA/Getty Images
- © Cristopher Rogel Blanquet, Mexico, W. Eugene Smith Grant/National System of Art Creators FONCA/Getty Images
- © Cristopher Rogel Blanquet, Mexico, W. Eugene Smith Grant/National System of Art Creators FONCA/Getty Images
Open format – The Voice of New York Is Drill
- © Ashley Peña, United States, for New York Magazine
- © Ashley Peña, United States, for New York Magazine
- © Ashley Peña, United States, for New York Magazine
- © Ashley Peña, United States, for New York Magazine
- © Ashley Peña, United States, for New York Magazine
- © Ashley Peña, United States, for New York Magazine
South America
Singles – Oil Spill in Lima
Stories – Alpaqueros
- © Alessandro Cinque, Pulitzer Center/National Geographic
- © Alessandro Cinque, Pulitzer Center/National Geographic
- © Alessandro Cinque, Pulitzer Center/National Geographic
- © Alessandro Cinque, Pulitzer Center/National Geographic
Long-term projects – I Can’t Hear the Birds
- © Fabiola Ferrero
- © Fabiola Ferrero
- © Fabiola Ferrero
- © Fabiola Ferrero
- © Fabiola Ferrero
- © Fabiola Ferrero
Open format – Shifting
Honorable mention – World Champions
- © Tomás Francisco Cuesta, Agence France-Presse
- © Tomás Francisco Cuesta, Agence France-Presse
- © Tomás Francisco Cuesta, Agence France-Presse
- © Tomás Francisco Cuesta, Agence France-Presse
Southeast Asia and Oceania
Singles – Retrieving the Dead
Stories – Home for the Golden Gays
- © Hannah Reyes Morales, for The New York Times
- © Hannah Reyes Morales, for The New York Times
- © Hannah Reyes Morales, for The New York Times
- © Hannah Reyes Morales, for The New York Times
Long-term projects – Death of a Nation
- © Kimberly dela Cruz, W. Eugene Smith Memorial Fund, VII Mentor Program
- © Kimberly dela Cruz, W. Eugene Smith Memorial Fund, VII Mentor Program
- © Kimberly dela Cruz, W. Eugene Smith Memorial Fund, VII Mentor Program
- © Kimberly dela Cruz, W. Eugene Smith Memorial Fund, VII Mentor Program
- © Kimberly dela Cruz, W. Eugene Smith Memorial Fund, VII Mentor Program
- © Kimberly dela Cruz, W. Eugene Smith Memorial Fund, VII Mentor Program
- © Kimberly dela Cruz, W. Eugene Smith Memorial Fund, VII Mentor Program
- © Kimberly dela Cruz, W. Eugene Smith Memorial Fund, VII Mentor Program
Open format – Australian Floods in Infrared
- © Chad Ajamian
- © Chad Ajamian
- © Chad Ajamian
- © Chad Ajamian
Honorable mention – Part of Me
- © Nadia Shira Cohen, for The New York Times
- © Nadia Shira Cohen, for The New York Times
- © Nadia Shira Cohen, for The New York Times
- © Nadia Shira Cohen, for The New York Times
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