The photographer who won the 2021 Buglife Bug Photographer of the Year Award has been vilified on social media for his apparently unethical methods to keep the insects from moving while he photographs them.
Autumn is a magical time of year and a great opportunity to get outside and go looking for those amazing organisms called fungi. This video by Tom Mackie shows you how to take advantage of the fall and create some awesome macro shots of toadstools and mushrooms.
Macro is a whole lot of fun, especially if you have a macro rail that lets you rack the camera to shoot a bunch of photos at different focal planes that you can stack together in post. We’ve covered macro rails on DIYP before, like this one from NiSi and they are extremely handy. Spinning that handle by hand, though, can be a slow and inaccurate process.
Well, the DIY Fast Stacker 2.0 from Sergey Mashchenko solves these issues by automating the entire process using stepper motors and a fancy controller. We featured the first version of Sergey’s Fast Stacker here on DIYP, but the new update is much more accurate and offers a much-improved user interface.
Macro is always a popular photography subject. Even if it’s not something you shoot all the time, it’s something that pretty much all of us will have a go at given the chance. But macro lenses are expensive, so it’s not something that a lot of people will try, even if they want to. There are less expensive options out there, though, especially if you own a 3D printer.
We’ve featured photographer Nick Sherlock and his 3D printed extension tubes and macro accessories before, but this pair of extension tubes is particularly interesting. They’re variable extension tubes with ranges of 0-35mm and 50-150mm, designed to let you adjust their length to whatever you need using Canon EF mount lenses on Sony E mount bodies.
The trend in camera flashes over the last few years has generally been to make them more powerful, yet more portable at the same time. Well, bucking this trend, Godox has gone the opposite way, producing a flash that’s on the lower end of the output scale, with the new Godox MF12 Macro Flash. It’s very reminiscent of Nikon’s R1C1 “Wireless Close-up Speedlight System” but at a much lower cost.
Technically, the MF12 is just the individual flash units – like the Nikon SB-R200 is to the R1C1 – and like the Nikon kit, you can attach several of them to a ring that fits around your lens, allowing you to place the light just where you need it. And they’re all controlled from the Godox trigger sitting on top of your hotshoe.
Macro can be a tricky subject, especially if you want to be able to do it well. Chances are, most of us who’ve tried to have a go at macro have made some or all of mistakes at some point. Some of us spot them as soon as we’ve made them and figure out how to work around them. But those mistakes are not always so obvious.
I’ve certainly made a few macro mistakes over the years, where images haven’t turned out exactly the way I wanted, but wasn’t sure why. In this video, macro photographer Micael Widell shows us the eight most common beginner mistakes he sees in macro photography and how you can avoid them.
When looking from afar, all bees look the same. But just like they’re complex and intelligent creatures, they also look different from each other. Photographer and drone operator Josh Forwood wanted to show these differences, so he took a series of macro bee portraits. His photos let us meet bees up close (and I mean, really close) and see how different their little faces really are.
I’ve said it before and I’ll say it again: I love it when two different forms of art intertwine to create something new and unique. Such is the project Too Close for Comfort by the UK-based photographer Courtenay Florence. Florence mixes macro photography and writing, adds a generous amount of intimacy, psychology, and subconscious, and sprinkles it with a bit of horror. Her photos show skin up close and personal, and each of them tells a story that will send shivers down your spine.
Last week, Canon rehoused a couple of its old EF lenses into RF cases, but also released something brand new. A macro lens that wasn’t just an old design with an EF to RF adapter bolted on the end, but a whole new design. That lens is the Canon RF 100mm f/2.8L Macro IS USM and it brings with it a new and very unique feature – Spherical Aberration Control.
It’s a ring just behind the focus ring that lets you adjust how the out of focus areas of the scene are rendered within your shot. But what does that mean in the real world? How does it make them look? Well, this video from Canon Europe answers that with some examples from pro macro photographer, Oliver Wright, who’s been using it with the Canon EOS R5.