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TTArtisan has released a black “brassed” version of their tiny shoe mounted light meter

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While pretty much all cameras today have some form of light meter built-in, there are still plenty of older film cameras that don’t. Short of going by the Sunny 16 rule and hoping you’re close, there isn’t much you can do to ensure a good exposure besides using an actual light meter. Sure, you could carry around a big bulky Sekonic or even a little slender Sekonic, but why not mount one to your camera’s hotshoe?

The TTArtisan Light Meter has been available in black and silver, both made from aviation aluminium, at a cost of $62 for a while now, but the company’s just added a new black version made from brass into the mix, that shines through as the light meter goes through use and the black markings are worn away. The new brass version costs $88 and comes in at almost 3x the weight of the aluminium version.

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Negative Supply’s LM1 is a tiny all-metal colour and light meter for ambient and flash

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I’ve used light meters for as long as I can remember in my photography. While many don’t believe they’re still required with digital photography, I still always have my trusty Sekonic in my bag. They are very popular with film shooters, though. Light meter design hasn’t really changed all that much over the years, but one company believes they don’t really fit the aesthetic of modern film shooters.

Negative Supply (you might remember their film scanning holder from a couple of years ago) believes most people are shooting old metal cameras and so they should have a metal light meter to go with it. So, they’ve released the Negative Supply LM1, an all-metal, pocket-sized light meter that measures both ambient light and flash, as well as colour temperature, via Kickstarter.

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Reveni Labs is back with a new teeny tiny spot meter

Reveni Labs, the company responsible for the tiny on-camera light meter for old SLRs that don’t have one built-in is back. And they’ve brought a new meter with them. This time it’s a still-tiny-but-not-quite-as-tiny-as-the-original-meter spot meter – once a very common tool amongst film photographers, particularly medium and large format landscape shooters, and one that’s still built into just every DSLR and mirrorless camera today.

And, yes, there are companies like Sekonic still producing excellent spot meters, but they’re not exactly cheap. Even older, used ones can still be fairly expensive. Reveni Labs’ goal with this is to print the price down to a more manageable amount for those who don’t need the advanced capabilities of more expensive meters.

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This sleek and tiny light meter attaches to your film camera’s hot shoe

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If you’re into film photography and have a camera without a light meter, it can be pretty tricky to get the exposure right. Lime One is a neat-looking light meter that should solve the problem.  It’s a small reflective light meter, and it’s mounted straight on your camera’s accessory shoe.

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Sekonic is releasing a Godox module for the L-858D light meter this year

Last year, Sekonic put out a questionnaire on their Twitter feed asking if anybody was interested in them looking into the possibility of creating a Godox module for their light meters. It was suggested at the time that the two possible options for a Godox module would be their flagship L-858D and L-478D light meters. It’s been pretty much radio silence ever since, though. Until now.

After a user commented on one of Sekonic’s posts on their Facebook page that they were having issues getting their Sekonic L-858D-U light meter to talk with their Godox AD600, Sekonic responded with some positive news. Yes, that’s right, that Godox module is finally being released, and it’s coming this year.

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This tiny hotshoe mounted light meter helps you expose your old film cameras

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In this modern digital age, we just take for granted that our cameras contain light meters. And in mirrorless cameras, we can even see our final exposure before we even hit the shutter. But in the days of film, it wasn’t always so easy. Sure, towards the end of film’s mainstream days we got some pretty advanced 35mm SLRs, but a lot of the older ones in use today don’t contain a meter at all.

Electronics engineer and inventor Matt Bechberger wants to solve this problem with the Reveni Labs Light Meter. Currently on Kickstarter, it’s a tiny light meter that sits in the camera’s hotshoe, looks at the scene in front of it and then gives you a readout on a little OLED display.

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Sekonic wants your feedback for adding Godox compatibility to its light meters

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Native Godox support with Sekonic light meters is something I’ve seen many Godox, Pixapro and Flashpoint users asking about for a long time. It seems that Sekonic has been listening, though, and are finally looking into the possibility of doing it. And I think this idea will make a lot of people very happy.

Sekonic has emailed out a questionnaire, which has since been posted several times by recipients to Facebook, in order to get some feedback from users of Godox lights, and its various rebrands around the world, suggesting two possible options for the Sekonic L858D and L-478D light meters.

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Sekonic’s new L-308X light meter is targeting both filmmakers and photographers

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The Sekonic L-308S meter is by far their most popular light meter. Fairly basic but very accurate and affordable, it’s the model that often introduces photographers to light meters. Perhaps they may eventually step up to something fancy like the L-478 or L-858, but the L-308 is usually where they started and the one they recommend to new photographers looking to get their first meter.

Now, in the form of the Sekonic L-308X-U, Sekonic have combined the best features of the L-308S for photographers and the L-308DC for filmmakers. The L-308X-U is a single unit designed for the next generation of both photographers and filmmakers. It also includes a couple of new, often requested features, too. Like a backlit LCD and ISO850 setting for modern cinema cameras.

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Real life impressions of the Neo 2 LED light suggest there still leaves a bit to be desired

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The Rototolight Neo 2 seemed to cause a little controversy when it was first announced. The specs on-paper didn’t look all that great. Rotolight were quick to respond and dispute the assertions being made against the Neo 2. Now, it’s out in the wild, and videos are starting to show up to see just how it compares.

For example, this one from photographer Luis Gabrial, who compares the Neo 2 with a Godox speedlight. Testing their output side-by-side with the Sekonic L-858 meter. And I have to say, it doesn’t give me much confidence in the Neo 2’s ability.

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When, why and how to use a light meter to nail your exposure every time

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Light meters seem to be a controversial subject these days. On the one side, you’ve got those who swear by them, wouldn’t shoot without them. On the other, you’ve got those that just don’t see the point and consider them a waste of money. They’ll both defend their position to the bitter end. Then you’ve got the rest of us. Those who choose to use them or not, but don’t really care if others do or don’t.

Personally, I own one. An old Sekonic L718. Sometimes I use it, and sometimes I don’t. It really all depends on what I’m shooting. For those that aren’t sure how they work, though, or have debated whether it’s worth getting one, have a watch of this video. In it, filmmaker Tom Antos walks us through exactly how they work, and when and why you might use one.

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