The use of color gels expands the possibilities and helps you create plenty of different looks. If you’re just discovering color gels, Ted Sim of Apurture shares eight ideas for using them. These will give you some inspiration why and how to add color to your shots. And while Ted focuses on moviemaking, you can also use gels to add color and change the mood of your photos.
Brazilian photographer Felipe Dalla Costa took a photo that immediately caught my eye, and made me want to find out more. In the photo, there’s a girl stands on the top of a small waterfall, and it looks like she’s dressed in water. DIYP contacted Felipe to ask for some more details, and he shared with us how he took and edited this interesting image.
Natural light is beautiful and can give you incredible shots if you know how to use it. But should you limit yourself only to the natural light? Photographer Jason Lanier discusses this matter in a very honest and objective way. As a photographer who used to shoot only in natural light and later learned artificial lighting, you’ll hear seven truths about being a “natural light photographer.”
In the last year, I’ve walked probably more than 2000 miles with my camera. I love photo walks, because they are so meditative. There is also great excitement when you get home to look at the photos, to see if you caught any great ones. It adds a dimension of extra beauty and flow to your regular long walks. Following, are the seven most important lessons I have learned, when it comes to getting the best possible enjoyment and results from your photo walks.
One of the first things we learned about composition is that our photos need to have a dominant subject. Photographer Ben Horne explores the topic I find very interesting – should we step away from the “rule” and create photos that are quite the opposite, without dominant subjects?
I like to think that rules should be broken sometimes, and I find this video interesting because Ben tells us what we can achieve by breaking this rule. While it may not always be the solution, it can often produce an interesting photo that will keep the viewer engaged even without the obvious subject.
Nikon’s Small World competition is a wonderful thing to see each year. It’s a fascinating blend of the scientific and the photographic. We get to see tiny worlds that simply aren’t possible with the naked eye. And even if we have seen some of these subjects through a microscope before, the entries usually allow us to see them in a whole new way.
A few years ago, Nikon started adding video to the Small World competition with Small World in Motion. It showcases some incredible footage, that almost defies belief. You’d swear some of these were created completely out of somebody’s mind in After Effects if you didn’t know better.
As photographers, you’ll often have to deal with the unknown. You won’t always be able to scout locations before the shoot, and sometimes you’ll just have to work with what you have. Photographer Manny Ortiz shares three tips that will help you shoot even in really bad locations. You need to take the most of what you have, and these tips will show you how to do it.
In most cases, Pixsy’s team of licensing experts and global network of law firms are effective in recovering monetary compensation for unauthorized use of a photographer’s work without the need to actually sue or go to court.
A strongly worded letter from a lawyer and the expertise to follow it up are usually all that is required.
However, in some cases the infringing party refuses to pay – or simply ignores Pixsy’s efforts to negotiate a settlement.
The next step is a lawsuit – but this brings up an interesting issue: is it ethical to sue over copyright infringement?[Read More…]
Non-pro, non-wedding photographer here. Last year I took a few pictures at my sister’s wedding. My cousin, having his own wedding coming up, saw some of my shots on Facebook and asked if I would photograph their wedding. I agreed.
I had 8 full months to prep. My experience and comfort zone consists mainly of landscapes, astrophotography, and some OK candid stuff, though I like to push into new styles and subjects to force myself to learn more.
One of the powers of photography is to teach us about the world and the places we may never see ourselves. Photographer Michele Zousmer traveled to Omo Valley in the southwest of Ethiopia. She brought back some striking photos, capturing daily lives of four tribes living in this area: Arbore, Konso, Hamer and Banna.
Michele captured the moments from their lives including the “everyday stuff” like going to a market, to one of the tribe’s rituals. Along with the images, there are the stories of the people in them, which give the whole project a new, more personal dimension.