A Beginner’s Guide to Using Double Exposure in Photoshop

Last month, we shared some work by Alon Avissar, where he implemented double exposure photography by putting together different models with different seasons. The results were both colorful and incredibly eye-catching.

So how did it all get put together? Photographer Andrew Klokow sat down and made a quick, easy to follow tutorial for us, and it’ll show you exactly that. Though it doesn’t involve the seasonal aspect of the project, this video basically guides us along with a picture of a a woman and a bouquet of flowers. If you’re a wedding photographer, the tutorial might actually hold some extra interest for you.

Some of Alon Avissar's Work

Some of Alon Avissar’s Work

The cool thing about double-exposure is that there’s so much that can be done with it to make a project that really draws someone’s attention. Even if there isn’t a premise, putting two photos together just always manages to look interesting. But at the end of the day, it can be tricky. With all the blending options, alignment, and opacity issues working with double exposure brings onto the table, it can be a bit frustrating. So take this video and start off with the basics; after you get the hang of it, you’ll start experimenting more and more down the road.

[Via Fstoppers]

  • Chris28mm

    Sorry but I’ve got to chime in here. No mater what tool you use in PS, this is not double exposure. This is layering that looks like double exposure. Double exposure is accomplished in camera not inPS and is totally different art. This is not DE.

    • Grive

      Aw, c’mon. Don’t be a spoilsport.

      By convention, a lot of what one does in photoshop is named after the in-camera or darkroom technique it’s supposed to replicate. We’re not actually burning anything, either, nor are we taking a sponge to the monitor.

      So when someone says “using double exposure in photoshop”, it’s coloquially understood to be “replicating double exposure”.

      • Chris28mm

        Except that is not double exposure. Not even close really. The two techniques are completely different and only vaguely resemble one another. Why not just call it what it is, layering. There are a ton of photo groups out there that showcase double exposure as it is done IN CAMERA wether that be on Film or digital and the results are often radically different than what you would get from this PS technique.

        • Grive

          You can get close enough results. Especially with film. Make a silhouette shot where the background is absolutely, completely blown out, and then make your double exposure. You’ll get something like this.

          Actually, seeing the photoshop process, it’s a pretty similar process and technique. The first photo works as a screen (that’s even the command!: The overexposed zones saturate the film, and thus the second exposure is shown throughout the parts of the first photo that weren’t blown.

          So, yesh. Also, some cameras cannot do double exposures. This is a good stopgap measure.

  • Gavin Phillips

    Its very close to in camera DE. Its very hit and miss trying to get anything interesting in camera DE. Photoshop gives you far more creative control. And there are great artists making them in Photoshop, its not only the province of in camera DE.

  • Gavin Phillips

    Actually looking at it again, this is exactly how in camera double exposure (DE) looks, the only difference is that Alon is adding textures or colored backgrounds.

    Photographer Sarah Byrne is creating in Camera DE’s with her Canon 5D MKIII. They look exactly like Photoshop created DE. See for yourself

    http://dylandsara.com/canon-5d-mark-iii-double-exposure-tutorial/

    The difference between in camera DE and Photoshop DE is that you have far more more creative control in Photoshop. You can blend your main subject with any background photo you have shot, and by using masking, can fade any part of the main image to blend with the background.

    You also do not need a $3000 pro camera either.

    I will never limit myself creatively to just what I can achieve in a camera, when you can create amazing art beyond the lens.