With long exposure photography, you create unusual, surreal worlds in your photos. UK-based photographer Tim Gamble specializes in long exposure light photography and makes breath-taking artwork. One of his photos really caught our eye, so we wanted to hear more about how it was taken. We chatted with Tim about the photo he titled Love is a Burning Thing, and he shared with DIYP some details on how it was created.
This is the gear and props Tim used:
- Two Manfrotto tripods
- Pentax 28mm f/2.8 adapted to Sony
- Minolta 50 mm f/1.8 adapted to Sony
- Sony A7II
- A length of steel wool formed into a circle a lighter and a fractal filter.
- Light stand with one Yongnuo 560IV fired remotely, modified with an orange tank from a broken water pistol for the light behind the silhouette.
- Vape from an electric cigarette.
How it was taken
This photo was shot during a single long exposure in complete darkness. And the crazy effect you see was created entirely in camera, using tripod and lens swap. Tim gave us a detailed explanation of the process he used to create this fantastic image.
Tim and his friend went to a pitch black lime kiln in the Peak District to create this photo. First, Tim framed the circle of steel wool on the floor using the first tripod and the Minolta 50mm. Then, with the second tripod, he framed his silhouette to fall in the center of the frame using the Pentax 28mm. He worked out best settings to expose for both elements and started the shot.
Tim fired the shutter and lit the ring of steel wool on the floor letting it burn around the circle like a fuse. The mirroring effect is from the fractal filter mounted on the Minolta at f/22. Once the steel wool finished burning, he replaced the lens cap and moved to the second tripod. Whilst the camera was still exposing, he removed the 50mm and replaced it with the Pentax 28mm at f/5.6, with the lens cap on. He took up position and filled the air with vapor from his e-cigarette. His friend removed the lens cap and Tim fired the flash remotely to expose the silhouette in the middle.
Although the image looks like it has some special effects, it actually went through very little post-production. Tim converted the RAW file into JPEG in Lightroom and did some basic editing.
View this post on Instagram
#Love is a burning thing. 289/365. I had a very nice evening out in my favourite lime kiln and tunnel with @fastchrisuk @komeg.kolorizer and @teipelant Chris and I arrived early so set about doing my shot first. Mid-exposure tripod and lens swap from 50mm for the ring of fire to the Pentax 28mm for the silhouette. Back-lit using a flashgun on full power fired through the tank of a broken water pistol. Cheers to Chris for your help mate and great to catch up with everyone. Looking forward to seeing all your shots on the big screen too. Happy days. #light_painting #light_seekers #lightpaintingblog #murderdotcom #weownthenight_uk #abandoned_world #underground #cave #lightjunkies #sonyalpha #peakdistrict #explorepage #savageframes #lightup #litbyhand #longexpoelite #peakdistrict #lightcreators #visual_visuals #uk_shooters #uk_spinners #nightcreators #steelwool_daily #steelwoolphotography #windycityspinners #art #fractal
Some additional tips
We asked Tim if he had some tips for all those who want to take a photo like this. Considering that it involves tripod swapping and mix exposure lens swapping, you can first read more about those here and here.
“I use tripod swaps when I want to accurately line up two or more elements of a shot. For the lens swap I used two lenses here as I needed the circle of fire to reach the outside of the frame. I also wanted the silhouette to appear smaller in the frame and show more if the inside of the Lime Kiln. So I needed the wide angle field of view from the 28mm.”
There are lots of groups online like Light Junkies on Flickr and lots of light painting groups on Facebook where people are super-friendly and willing to share knowledge. You can join these and get plenty of useful advice, ideas, and feedback.
“Taking people to places that only exist in your head is an amazing thing,” as Tim puts it. And the best piece of advice he gives about light painting is: try to be original and use your imagination.