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Watch this crazy video combining fire, water, capoeira and slow motion

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Slow-motion video is a lot of fun to shoot. I’ve been playing around with it myself a bit since recently receiving the Insta360 ONE R, which is capable of shooting up to 200fps. It can be tricky, though. You need subjects that benefit from being slowed right down for a start. And if you’re using artificial lights, you need ones that are flicker-free at the fast shutter speeds required for high frame rates.

Filmmaker Edden Ram recently teamed up with the folks at Spiffy Gear to overcome both of these challenges, bringing skateboarders, capoeira and fire dancers and more together to bring water, light and motion together for a pretty awesome final result.

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These clips show how different frame rates affect a final shot

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Chris Vanderschaaf is a cinematographer specializing in slow motion video. He goes to the world armed with a Phantom Flex4K to capture amazing footage (check out @chrisvtv).

Today though, Chris shares with DIYP readers some of the tests he regularly makes to show how different frame rates affect final footage.

Some of the tests are absolutely stunning, especially when they involve liquids, fire or explosions that are hard to fully see with the naked eye.

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How to shoot epic slow motion food commercials without $100K+ robot arms

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We’ve all seen those fancy slow-motion food videos with ingredients slamming into each other in midair. Such videos often require expensive rigs involving multiple motion control robots that cost more than your house. But you don’t necessarily need to spend quite that much to start having a go at this kind of thing yourself.

After watching some of Steve Giralt’s work, the guys from Syrp were inspired to try it with a couple of their Magic Carpet sliders and Genie Mini heads to see if they could pull off a food video that had a similar look. I think they managed to do it quite well, and they were able to control the whole setup from just an iPad.

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Apple wants to trademark “Slofie”, the slow-motion selfie

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iPhone 11 was announced earlier this month, and it’s all about the camera(s). It’s aimed at mobile photographers, filmmakers, and of course – selfie-takers. The latest iPhone has slow-motion capabilities on the front camera so you can take slow-motion selfies, or as Apple calls them, “slofies.” Apple seems to like their made-up term so much, that they have applied for a US trademark.

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This insane camera rig spins a Phantom slow motion camera at 150rpm (32mph)

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Steve Giralt is pretty well known for pushing things to the extreme when it comes to super slow-motion video. This time, though, he’s gone way overboard, by making a rig that spins a Phantom VEO 4K high-speed camera around a platform at 150 revolutions per minute.

The rig was made to film Jack Daniel’s Honey. They wanted to show a piece of lime spinning as it was falling into the drink as the whole thing was rotating around in front of the camera. Naturally, they couldn’t easily spin the lime as it fell, and they couldn’t really spin the drink, so the solution was obvious. Spin the camera.

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This 960fps slow motion footage makes the busy streets of New York look frozen in time

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It’s difficult for me to imagine that anything can move slowly on the busy streets of New York. But thanks to his super slo-mo video, filmmaker Glen Vivaris made people and cars appear almost as they’re frozen in time. All it took was a smartphone and an idea, and the result looks like a tense and almost surreal movie scene.

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The Slow Mo Guys actually managed to film light at 10 trillion frames per second

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Every new Slow Mo Guys video just makes me go “wow!”. Seething every day things shot at tens or hundreds of thousand frames per second and then massively slowed down just reveals such amazing things. It might be something incredibly beautiful, or funny, or just plain fascinating to watch.

One thing they get asked about regularly, though, is to film light itself. A seemingly impossible task, but now they’ve done it, using a camera that shoots at an extremely crazy 10,000,000,000,000 frames per second.

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This look inside the IIHS shows us what it takes to make crash test photography for cars

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This video from the Insuurance Institute for Highway Safety (IIHS) takes us behind the scenes to see their camera rigs for shooting video and stills of car crashes. The footage and photos they produce are used to help make vehicles safer in the event of a crash, but it’s also used a lot for other research and it’s even appeared in movies.

It takes a whole lot of rather technical planning and preparation to get each shot and to be able to repeat it with multiple vehicles over a period of time. Every camera is calibrated, measured and positioned very exactly to be able to reproduce the same shot days or even months apart.

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