If you want to turn your love for photography into a business, there’s a lot to take into consideration. To make things easier for you, Peter McKinnon has created a great video about the things he wishes he’d known sooner. If you’re about to turn pro, this will spare you some mistakes many photographers make at the beginning of their career.
I’ve been shooting for about 5 years now and here are 4 things, that, had I learned them earlier, I could have saved so much time and taken many better pictures and gotten better so much faster.
And I’m curious – what things did you learn, that you wish you had learned sooner?
Double exposure photography involves combining two or more images into a single frame. This allows you to work with your shots and add textures to create surreal scenes. Words don’t really do them justice so here are some of my examples:
My photography started as a hobby, which became and passion and led to me becoming a professional. Mainly being self-taught, I was one of the first in my field to use portable lighting, and I now light all my subjects; from nature, portraits to architecture and of course motorbikes!
I cover Motocross race meets throughout the UK and provide track days for amateur photographers to learn how to light and shoot fast moving motorbikes. I also make tutorial videos on lighting.
I undertake projects for one of the largest lighting companies in the UK and have published a book called ‘Light, Shoot, Capture’ which gives full details on lighting setups and what you can expect to gain from lighting your subjects.
Here are my best seven tips for action sports photography…
If you’ve ever tried to photograph a person underwater, you know how important crystal clear water is to producing usable images.
I do most of my underwater photography in Georgian Bay which is exceptionally clean and clear.
It’s also freezing cold, and far away from urban areas – which complicates the logistics required to produce a commercial photography session (it’s a 3 or 4 hour drive for me and most models, stylists, make up artists etc. and there is a window of about two weeks in August when it’s warm enough to swim without a wet suit).
However, I live right beside Lake Ontario (which is not exactly known for being clean or clear), so I thought I’d try an underwater photography session here – with easy access to talent from Toronto.
In this article I will share a few of my tips and tricks for underwater photography in murky water.
DIYP friend, photographer Don Giannatti, has just published a new book – What I’ve Learned So Far: Four Decades in Photography. He kindly shared a chapter with DIYP readers, and you can read it below. But wait! You can also download the book for free on Amazon for the next two days. In the meantime, enjoy the excerpt Don has shared with you below.
Photographing the sea and the waves can be both challenging and fun. People often ask me what are ‘the right settings’ to shoot moving water so I decided to write a little guide on it. There are many options depending on what look you’re going for. By using some examples of my own I’ll explain how I shoot my seascapes.
I remember the first photography workshop that I took part in, one of the coolest things that came from it was that, for at least two to three weeks after the workshop, I was seeing potential images everywhere I looked. It was like some switch had been turned on in my brain and suddenly I was seeing the world in a totally different light.
And then, as time went by and I got caught up in the everyday work of everyday life, that switch in my brain slowly reduced in strength. It never completely goes away but, like any muscle, if you’re not regularly exercising that area of your brain, your photography fitness will wane. So what are some exercises that you can do that can help keep your image making fitness going?
We are all familiar with the common ones of making sure focus is correct, rule of thirds, tangents, and great gear. However, there are a few ways of looking at the image while we are shooting that can help us see what we are creating with more clarity and deliberateness.
And while exposure is often discussed, what is not discussed is “placing” the exposure and the ability of the photographer to have control over where the values should be.