I accidentally stumbled across Bryce Mironuck’s images on 500px this fall. He is one of those rare undiscovered gems whose landscape images were a joy to discover. When I began examining his body of work it struck me how well balanced his images are and, not least, that they are characterized by strong compositions and a pleasant visual impact. In this interview we get to know Bryce a little better and also learn about how he approaches landscape photography.
Photographer interviews can often be quite insightful. Especially so when that photographer is a world-renowned Magnum street photographer like Bruce Gilden. And then even more so when the person asking the questions is the equally iconic, and also a Magnum photographer, Martin Parr.
Martin’s been doing a series of “Sofa Sessions” interviews with photographers recently on the Martin Parr Foundation YouTube channel. In this third one, Martin sits and talks with Bruce about his work and journey through photography from its very beginning. It’s a fascinating watch.
If you’re a Fuji shooter (or even if you’re not) that was hoping they’d one day go full frame, then your dreams just got crushed. In an interview by DPReview at this year’s Photokina, with Fujifilm General Manager, Toshihisa Iida, they were told in no uncertain terms that Fujifilm will not be going full frame.
The three-point lighting is the basic and the best-known setup for portraits, but it’ also the bread-and-butter of interview lighting. Coming to you from Spiffy Gear, this video will show you the basics of three-point interview lighting in a clear and concise way. There’s a breakdown of the setup, and then you’ll see some small additions to the setup that make a big difference.
Sara is an Italian photographer, content creator, storyteller and world traveler, currently based in New York City. Sara’s work has been featured by many international brands and publications including the New York Times, Vanity Fair and Glamour.
In 2015 Sara created Quest for Beauty and began traveling the world to photograph women immersed in their everyday life “to show that real beauty can be found in every woman no matter the age, size, bone structure, skin tone or background”.
(We have also featured Sara before with her sensational article: Instagram Created a Monster – A No Nonsense Guide To What’s Really Going On.)
If you use Facebook, you may have come across a 360 image featuring a psych slasher murdering his victims shared by one of your friends. If you have, then there is a high possibility that you have already seen the work of Adam Martyn Ewings. Through the creation of these 360 images and a bucketload of creativity, Adam has amassed over 3 million followers on his Facebook page. I contacted Adam to get some insight into the dark depths of his mind.
[warning, strong graphics ahead, jump at your own risk]
I have always been a big fan of Scott’s concise, open and honest approach to photography education.
My first Kelby book was the The Adobe Photoshop Lightroom 2 Book back in 2008 (which I still refer to once in a while) and I regularly follow Scott’s Photoshop Insider blog and catch The Grid when I can.
I’m even more impressed after touring the KelbyOne space and finding out more about what goes on behind the scenes to produce all of that KelbyOne content and Scott’s approach to photography education.
Kurt Bradley is a former competitive driver turned motorsports photographer. He’s shot top-level international racing events such as Formula 1, MotoGP, and WEC, but also attends regional track days and car shows, plus the X-Games.
Kurt has experience with photographing the unique setting of nighttime road racing. Few races go into the night – two of the most famous are the 24 Hours of Le Mans and 24 Hours of Daytona – but the visuals are one-of-a-kind. Kurt attended Daytona this year and was able to share some his insights from the race, which he shot for Jalopnik, a popular automotive blog.
I’m amazed by the art talented photographers can make with toys, and one of such photographers is Mitchel Wu. He creates “Toy Stories” using the toys from the popular Pixar’s franchise. His photos show action frozen in time, but he doesn’t add the objects in Photoshop. Everything you see is created in the scene and in real time. So, it’s real water and coffee splashes, real “flying” objects, and even real fire! A real mess, but most of all, real fun.
Mitchel was kind enough to talk to us and tell us some more about his work and how he creates these amazing photos that freeze the action in time.
We’ve all seen the animations showing “how focal length affects your subject“. Whenever one gets posted, the smart ones chime in with “It’s nothing to do with your focal length, it’s all about subject distance”. And, they’re right. The confusion really all comes down to equivalent framing of the subject. If you stay where you are and just change focal length, nothing happens to the distortion in your subject’s face. They just get smaller or larger in the frame.
But, if you want to keep your subject the same size regardless of lens used, you have to move. With a longer lens you go further away. With a shorter one, you have to get closer. To illustrate this, the folks at Fstoppers have put a video together showing how the two work in combination with each other. The correlation between changing focal length and subject distance.