I first saw the DigitalFoto Ares 4th axis stabiliser a little while ago, but I really wanted to see one in person to see how well it performed. When we found out DigitalFoto were going to be at IBC 2019, we decided to pay them a visit so we could take a look. They also had something new with them, too, the Thanos Pro stabiliser kit, which includes a vest and arm system for stabilising those really heavy camera rigs.
DJI’s last two iterations of Osmo Mobile handheld gimbal for smartphones have been pretty popular. But like most smartphone gimbals, they can be a bit big when not in use, not that easy to transport. So, for the new Osmo Mobile 3 announced today (nope, it wasn’t a drone announcement), DJI has gone foldable. As well as being physically smaller than the Osmo Mobile 2, the price is a little smaller, too, at only $119 for the basic package.
A gimbal is a handy tool which can add so much to your filmmaking. But, there are also some things that you shouldn’t do with it once you start using it for filming. In this video, Alex of We Talk UAV talks about ten things you should never do with your gimbal if you really want to make the best of it.
The DJI Ronin-S has been a very popular gimbal ever since it was first released. But one of the biggest complaints against it is its weight. After trying the Ronin-S side-by-side with my Zhiyun Crane 2, I can certainly sympathise with those complaints. But it looks like DJI might be getting ready to announce a newer, lighter gimbal for DSLRs and mirrorless cameras.
The teaser image at the top of this page was posted to the DJI website with a link to sign up for notifications. It obviously shows a gimbal with a DSLR mounted on it and the claim “Lighter and Smarter than Ever?”. A short teaser video was also posted by DJI to Twitter.
Gimbals can be wonderful filmmaking tools, and they’re ideal for adding interesting movement to your shot with the minimum of fuss. But they’re not always easy to get to grips with instantly. To get the best out of them, you need to practice and experiment. If you’re very new, though, just searching on YouTube for gimbal tutorials can get overwhelming. Many of them cover advanced techniques without really showing you the basics.
In this video, Jason Vong goes through some gimbal basics to get you shooting cinematic footage as quickly as possible. And he not only talks about the techniques he uses but also his lens choice to get the most impact.
Gimbals are fantastic tools for filmmakers. Personally, I’m quite partial to Zhiyun, having a Smooth C, Crane 2 and Crane 3 LAB at my disposal. In this video from Mango Street, we see five shot transitions that you can only really get easily if using a gimbal. They’re using the DJI Ronin-S in the video, but you can apply these transitions to just about any gimbal these days.
If the Zhiyun WEEBILL was not a boy enough for you, how about the bigger brother, the Zhiyun Crane 3 LAB? We took this gimbal through the paces, and if you only have ten seconds for this review, here is the verdict: it’s the best gimbal we’ve used to date. Is it perfect, no? but it currently has a set of features that no other gimbal at this price point (or probably higher) provides.
As always, if you have any questions about the Crane 3, let me know in the comments and I will answer ASAP.
The Crane 3 is probably the best Gimbal you can buy for $899.00 (basic) or $1,199.00 (Creator Package). If you want a quick overview of what you’ll get with the box, here is a video to look at, but if you came here for function and performance, read on!
I really have no idea how I feel about this thing. This is the GimbalGun. It looks like something you’d use to take tanks out, but it’s actually a support system designed for use with single-handed gimbals to give you even more stability. It’s not available just yet, but it’s coming to Kickstarter soon.
Essentially it’s a long metal box with a bunch of 1/4-20″ holes for connecting devices. A gimbal, monitor, microphone, lights, mini tripods, or whatever you need to carry around with your gimbal. But its goal is to help take the weight off your arms and onto your more substantial shoulders.
Gimbals have become one of the most commonly used camera accessories when filming video. And for the most part, there have been two very different types. Gravity stabilisers, like the Glidecam, and motorised 3-axis gimbals, like the Zhiyun Weebill Lab and Crane 2. The SteadyCross seems to be something sort of in between.
It’s a 3-axis gimbal, however, it’s not powered by motors & electronics. Nor is it simply another gravity stabiliser. The SteadyCross keeps its level using magnets. It’s made using 3D printing with TitanX ABS engineering filament, and complete gimbals are currently available to backers through Indiegogo.
The concept of a camera that can follow a subject all by itself isn’t a new idea. Well, I say all by “itself”, the camera was usually paired with some kind of “homing device” on the wearer to tell the camera in which direction to point. But the Obsbot Tail needs no homing device. It uses AI tracking to follow a subject automatically, even if visual line of sight is broken.