One of the most commonly discussed topics in the photography world now is the mirrorless vs. DSLR battle. A common opinion among many photographers is that the DSLR is already obsolete and has no shelf life. However, is this true? Is the DSLR tech really so outdated?[Read More…]
As a result, many photographers and video producers (including myself) turn their attention toward the Canon R6, which currently sells for almost the same price brand new. And because I spent hours comparing these two cameras for myself, I decided to put together an in-depth, comprehensive comparison video – breaking down every difference between the Canon 5D Mark IV with the Canon R6.
With all of the rampant excitement around the Blackmagic Pocket Cinema Camera 4k (BMPCC4k as if that’s easier). The one question on everyone’s mind is: Can the BMPCC4K replace cinema cameras? Can it REALLY be compared to an Arri Alexa or cameras of that caliber?
To which the answer is obviously: No.
However, it’s not that simple, there are so many complex questions and answers which put this (not really pocket-sized) tiny cinema camera back on the table for discussion. Especially when talking about high-end/cinema productions.
Sigma has been crashing the competition with its Global vision line up. Combination of no compromise image quality and fair price is creating havoc in Canon and Nikon tents. And the recent launch of Sony E mount lenses will surely disturb Sony’s first party glass business. (will also drive Sony’s mirrorless business by providing true 3rd party lens support). In 2013 I bought my first prime lens Sigma 35 f/1.4 art till this day it never leaves my camera bag. Since then I have added Sigma’s 85 f/1.4 and 135 f/1.8 into my arsenal.
I treat my camera like I treat a car, it has one core job and that’s what I use it for with very little interest or need for the peripheral add-ons and shiny new features that may also be part of that product. A car gets you from point A to B and everything else is fairly superfluous, sure there are often quality-of-life features but when it comes down to it, we buy a car for transport not seat warmers and illuminated mirrors in the sun visor. A camera, like a car, is a tool.
Face it, if you want an action-light (those small on-your-motorcycle cube lights), there are two options in the market: the Lume Cube (Amazon, B&H) and the Litra Torch (Amazon, B&H). They are both great lights if you are doing any sorts of action sports photography, they are compact, light, have some resistance to the elements and hold a few hours if you avoid max power. But which is the better light? Which of those light will give you the most bang for your buck? we set out to find out and ran the two lights through a battery of (sometimes ridiculous) tests.
With the recent announcement from DJI about the Mavic air, DJI now has a drone at each $200/$300 step (give or take) from the $499 Spark*, through the $799 Mavic Air ending with the $999 Mavic pro (or $1,100 for the Platinum Pro).
But which is the drone you
want need? With the steps being so small it is tempting to jump to the next level for just a few more dollars, but should you? Here is a breakdown on what each of those drones will do for you and which is better for each of their intended uses.
Choosing your portrait lens is not a trivial thing. most good portrait lenses are not cheap, and they will probably serve you for a long time. Preferences may depend on budget, size, focal length, aperture and any other number of factors.
Photographer Manny Ortiz has a quick video up comparing two fo the more Sony popular portrait lenses: The 85mm 1.4 GM and the 70-200mm 2.8 GM. While this is not a pixel peeping kind of review (frankly they are both really nice lenses), it sheds some light on how each one performs and how they feel in the real world.
YI camera (which we love) just rocked the boat, shifting from a GoPro wanna be to a technology leader. Yesterday the company showed off their new YI 4K+ which is capable not only of shooting 4K (everyone does that now), but shooting 4K at 60 frames per second. Now this is a first. And it’s not just a first in the race vs. GoPro, it’s a first in the industry.