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How does the 10-year-old Canon 5D Mark III compare with a modern Fuji GFX 100S medium format mirrorless camera?

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The Canon 5D Mark III marks its 10th birthday this year. It doesn’t feel like it’s been anywhere near that long to me. Of course, the last couple of years have all kinda blurred into a single long month for most of us. But nope, 10 years old it is this month, having been released in March 2012. But how does this ancient DSLR stand up to today’s technology?

Well, photographer Zach Sutton at LensRentals decided to find out and see how it compared to a modern medium format mirrorless camera. Specifically, the Fuji GFX 100S. Camera tech has come a long way in the last decade, so you’d think the difference would be pretty big, right? Well, it might be a little more subtle than you think. At least on the web.

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This detailed comparison shows how the Sony A7 IV stand up to the Sony A7S III for video

People waited a long time for Sony to replace its ageing A7S II body. It finally came mid-2020 in the form of the not surprisingly named Sony A7S III. And despite being no slouch at stills, its video capabilities were its big selling point. It lacked the 8K capabilities of the Canon EOS R5 and it can’t record internal raw video, but it does offer the core of features that many Sony video shooters want.

Last year, we saw the release of the Sony A7 IV, the successor to the popular Sony A7 III. It, too, brought some very impressive video features with it and it offers some distinct advantages over the A7S III when it comes to shooting stills, but how do the two stand up when shooting video is your primary need? Well, in this in-depth comparison video, Caleb Pike answers exactly that question.

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The ultimate Canon EOS R5 vs R6 comparison – Which is the right camera for you?

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The issue of which is the “best camera” comes up every single day on social media. Many times. But the reality is that there’s no single best camera out there. If there was, it would be the only camera that people owned and the only camera available. There are cameras out there, though, that may not be objectively “the best”, but they’re certainly the best for your needs.

In this video, Kevin Raposo takes a side-by-side look at the Canon EOS R5 and EOS R6 mirrorless cameras in a very detailed 20+ minute breakdown going over 20 different aspects of both cameras to talk about where each one shines and why you might want to pick one over the other.

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Sony vs Fuji vs Canon vs Nikon shoot it out to find the APS-C mirrorless camera king

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Now that all of the major brands finally have APS-C mirrorless cameras. Or, well, now that Nikon’s finally caught up with everybody else and released an APS-C mirrorless camera, which is the best?

Well, Chris and Jordan at DPReview TV took the four best APS-C mirrorless cameras from each brand and put them all to the test to see where each one shines and where each one… Well, kinda sucks. In the running are the Sony A6600, Fujifilm X-T4, Canon EOS M6 Mark II and Nikon Z50.

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Camera comparison: Can the overpriced Sony a1 beat the Canon R5?

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The Sony a1 checks about every single box I could possibly want in a camera. In this video, we compare the Sony a1 camera vs the Canon R5. Does Sony leave the Canon R5 in the dust? And what about price? Is the Sony a1 Worth It? Or would you choose the Canon R5? Who would pay this much and why? Let us know if you would choose one of these and why?

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Reality check – Comparing the Sony A1 vs A7S III vs A9 II

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So, Sony has announced a new camera – something they do with some regularity. But this one’s different. The Sony A1 is their first camera that’s truly worthy of the title “flagship”. It certainly seems to beat both the Canon 1DX Mark III and Nikon D6 in almost every aspect, but how does it compare to Sony’s other higher-end models like the A9 II speed demon and the recently released A7S III?

I wanted to take a somewhat objective look at the three cameras and how they compare on-paper – which is all we can really do for sure right now, as the A1 isn’t going to be out in the wild for at least a couple of months.

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Does sensor size matter? Part 2 – What the heck is equivalency?

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Equivalency is one of those topics that not only confuses a lot of people but also turns into some pretty heated arguments. It’s why people think that a lens of one focal length “turns” into another when you put it on a camera with a differently sized sensor. It’s why your depth of field both does and doesn’t change at the same time.

The video above was made as a follow-up to a video recently published by The Slanted Lens to ask does size really matter?. Naturally, when comparing medium format, full-frame, APS-C and Micro Four Thirds cameras, each with their own unique sensor sizes, it raises a lot of questions. And it did. So, this video is designed to answer them.

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Olympus vs Panasonic – Who’s the king of Micro Four Thirds?

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Micro Four Thirds occupies a strange part of the photographic world. You’ve got people who’ll never consider it purely because of the size of the sensor, regardless of what it might be able to do, and then you’ve got the other extreme that is ridiculously loyal to the format, regardless of whether they’re shooting Panasonic or Olympus.

This video from DPReview looks at two of Olympus and Panasonic’s flagship cameras, the Olympus E-M1 Mark III and the Panasonic G9 to see which deserves to be crowned king.

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Comparing sensor sizes from Medium Format to Micro Four Thirds – Can you tell the difference?

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The title of this post is a somewhat rhetorical question, because whether or not you’ll be able to tell the difference largely depends on what you’re shooting, the lens you’re using, the level of tech in the sensor and how the final image is going to be displayed. But there are definitely some differences between sensors at different sizes.

In this video, The Slanted lens takes a look at four cameras with different sensor sizes in various conditions to see how they stack up against each other. Interestingly, they don’t just pixel peep on the computer screen, either. They also make 24″ prints to see if you can really spot the difference in the real world.

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The DJI Osmo Pocket goes up against the Hero 7 Black in these side-by-side comparisons

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When the GoPro Hero 7 Black was announced it was lauded as the “Gimbal killer” with some pretty amazing built-in image stabilisation. It’s even convinced a few people to finally upgrade from their GoPro Hero 4. But has DJI just announced a “GoPro killer”?

DJI recently announced the new DJI Osmo Pocket. A teeny tiny gimbal that seems to easily match the Hero 7 on specs, but features a true mechanical built-in gimbal rather than electronic image stabilisation. Dave Altizer at Kinotika took the two out for a spin to see how they compare.

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