It’s summer and the days are long and sunny. If you shoot portraits outdoors, the harsh midday sun may mess up with your plans. You can embrace it and incorporate it into your shots, but you can also create your own shade and modify or even block the harsh rays of the sun. In this 2-minute video, photographer David Bergman of Adorama will show you a couple of possible solutions for creating your own shade without changing the shooting location.
The position of light in relation with your subject can significantly affect the atmosphere of your shots. Depending on where you place the lighting, you can completely change the mood of the scene. In this video, Mark Wallace of Adorama teaches you the basics and gives you a quick preview of how the placement of light affects your portraits. If you’re new to portrait photography, you’ll find this especially useful.
The names under which Godox gear is rebranded around the world can get a little confusing at times. Here in the UK, this is the Pixapro CITI600 Pro. In the USA it’s the Flashpoint Xplor600 Pro and the Godox AD600Pro depending on where you buy it. In various other countries, it’s sold under other names, too. From here, I’ll just call it the “600Pro”. But wherever you buy it, no matter what it’s called, this is an outstanding portable strobe. I’ve had one myself for a few weeks now (review coming soon), and it never fails to impress me with its speed and power.
I love it when the warm light of the setting sun fills up the room. It looks nice in photos, and it’s good to know that you can recreate it at any time of day. In this video from Adorama TV, photographer David Bergman will show you how to mimic the warm sunlight using only a single speedlight.
Shooting portraits in the studio with flash can be daunting to newer photographers. They look at the setups like the one above and have no idea what each of the lights is doing, how or why. This video from photographer Mark Wallace is a primer to flash-lit portraits in the studio.
Mark explains what each light is, its purpose, and how each of them contribute toward the final shot. It’s a great breakdown showing you exactly what everything does. No matter how many lights or what lighting setup you’re using, the same principles apply.
In this article, I aim to explain what TTL is, what is does and how it can be implemented into a photographic workflow. I also go on to share my test images from a recent shoot where I tested the TTL abilities of the Godox AD600 / PixaPro Citi600 TTL / Flashpoint Xplor 600 TTL flash head. The test shots provided below show you exactly the strengths and the weaknesses of the function for a variety of situations.
The Godox AD200 flash has proven to be very popular since it was released a couple of months ago. A $299 200Ws flash with a similar form factor to a mid 90s cellphone, and interchangeable heads. Thus far, two different heads have been available for this unit, both of which come supplied. There’s the speedlight-style Fresnel head, and a strobe-like bare bulb, just like the AD360II.
At the moment, you can turn the Fresnel flash head continuous by enabling the modelling light. But now, Adorama have put up a new product for pre-order. A dedicated continuous LED head for the Godox AD200 (or eVOLV 200, as Adorama call it).
Recently, we showed you a somewhat expensive option for using Godox flashes with Fuji, Olympus and other brand cameras. There’s also been a rumour floating around that Godox were working to add native support for some of these brands. Now, though, it seems that support is starting to come quicker than anybody had anticipated.
Fuji and Olympus/Panasonic versions of the Godox TT350 TTL speedlights are now available for preorder, at least through Adorama. They’re Fuji and Olympus/Panasonic compatible versions of their Flashpoint Zoom-Mini TTL R2 Flash (AKA, Godox TT350).
We all get short on space sometimes. Perhaps you’re just starting out and don’t have a huge area to shoot in. Maybe you’ve been asked to photograph a friend in their home, or you just want to get some photos of the kids. Whatever the reasons, it’s not impossible to produce great portraits in a very small space.
Mark Wallace uses a small French hotel room to show us how he utilises a small space in this video. Using only a single light, Mark gets a good variety of different looks, from quite tight head shots to three quarter verticals.