LomoChrome Classicolor 200: Lomography’s New ISO 200 Film Offers a Fresh Take for Film Photographers

Dunja Đuđić

Dunja Djudjic is a multi-talented artist based in Novi Sad, Serbia. With 15 years of experience as a photographer, she specializes in capturing the beauty of nature, travel, concerts, and fine art. In addition to her photography, Dunja also expresses her creativity through writing, embroidery, and jewelry making.

LomoChrome Classicolor 200

Lomography has just released its latest color film: LomoChrome Classicolor 200, a daylight-balanced ISO 200 film promising cinematic tones and subtle warmth for everyday shooting.  Judging from Lomography’s description, this one scratches a nostalgic itch while still feeling like something new.

I really love that films are making a comeback. Sure, it’s not a dramatic comeback, so every new color negative film is still big news for film shooters. LomoChrome Classicolor 200 is part of Lomography’s ongoing commitment to analog experimentation. However, unlike the more extreme tones of their Turquoise or Purple variants, Classicolor is more grounded. It’s subtle, warm, and versatile.

Lomography describes it as “quietly sophisticated,” and based on early samples, I’d say that’s fair. This isn’t an attention-grabbing, contrast-punching gimmick roll. Instead, it delivers true-to-life tones with a bit of artistic flair to make things more interesting.

How Does LomoChrome Classicolor 200 Look?

Here’s a breakdown of what you can expect when shooting this film:

  • Reds pop without bleeding – great for brick buildings, signage, or street scenes.
  • Yellows lean warm and rich, especially in direct sunlight.
  • Greens and blues are crisp but remain grounded (no surreal color shifts).
  • Skin tones are flattered, with a warm blush.
  • Shadow detail holds better than expected for ISO 200, even in low contrast light.
  • Medium grain adds texture without becoming distracting

While the marketing leans into “cinematic” and “everyday beauty,” LomoChrome Classicolor 200 is surprisingly practical. The ISO 200 speed hits a sweet spot: usable in daylight without being too fast, and forgiving enough for indoor shots if you’re pushing a stop or two.

Whether you’re scanning at home or sending out for lab work, Lomography promises that the film holds latitude well. It doesn’t punish overexposure too harshly, and shadows retain texture if you meter carefully.

If you shoot film regularly, you already know options are thinning. Classicolor 200 offers something different without being super-niche. It’s not a replacement for Portra or Gold, but it seems like it’s its own thing. If you’re new to film, this could be a forgiving, creatively rewarding roll to experiment with.

LomoChrome Classicolor 200 Specs

FeatureDetails
TypeColor Negative 35mm
ISO200
GrainMedium
Color ProfileTrue-to-life with warm highlights, crisp reds and blues
Ideal ForDaylight, golden hour, portraiture, street photography
Pushable?Yes, up to 1 stop with mild contrast boost
Developed InStandard C-41 process

Pricing and Availability

LomoChrome Classicolor ISO 200 is currently available for preorder on Lomography’s official site, priced at €9.99 (around US $11.70) per 36-exposure roll. Lomography promises an estimated shipping date for initial orders to be November 2025.


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Dunja Đuđić

Dunja Đuđić

Dunja Djudjic is a multi-talented artist based in Novi Sad, Serbia. With 15 years of experience as a photographer, she specializes in capturing the beauty of nature, travel, concerts, and fine art. In addition to her photography, Dunja also expresses her creativity through writing, embroidery, and jewelry making.

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