We live in such a strange world. As major camera manufacturers abandon their analog cameras, young companies such as MiNT build new ones. Today, they just released new details regarding the InstantKon RF70 instant camera. It features a classic design with full manual control, and you can pre-order it now for $849.
Sometimes, we see something that we want to make a photograph of. But we don’t just want to grab a quick snap and go on our merry way. We instantly have a vision in our heads. We know how we want that final image to look. But we can’t. We don’t have our gear with us, or it’s the wrong type of weather or time of year. Whatever.
That’s how photographer Nick Carver felt when he stumbled across this liquor store while visiting his future in-laws in Santa Barbara. Instantly he fell in love with it and knew he had to photograph it. He’s been waiting a long time to do it, but he finally has, and he documented his process of shooting it on super wide 6×17 medium format film.
I’ve been wanting to try this experience for a long time now and finally got the opportunity to shoot a roll of expired Agfa Precisa CT 100 then got it crossed-processed in C-41 chemistry by my lab Nation Photo.
Precisa is probably one of the least known slide films that exists (at least it was to me) and I honestly had no idea how it would perform, knowing that it expired somewhere in 2005. After investigating a little, it appears that Precisa is actually a repacked Fuji Provia 100F but it costs half the price!
Everybody seems to be getting into film photography these days. New photographers are discovering it for the first time, and many who made the switch from film to digital are now adding it back into the mix. But the film choices today aren’t quite the same as they were in film’s heyday. In this video, Jay P Morgan compares a whole bunch of 120 medium format colour and black & white films from Ilford, Kodak, Fujifilm and CineStill.
Rollei hasn’t released a new Rolleiflex twin-lens reflex camera in years. This year, however, the iconic brand is poised to “reintroduce the TLR for the modern era” with the Rollei Instant Kamera. In an attempt to attract a new generation of photographers, their new product is going to be compatible with the widely available Fujifilm Instax.
Well, this is an interesting turn up for the books. It turns out that while many photographers are trying to adapt their old film cameras to their shiny new Sony cameras, one photographer, Alexander Gee, was doing the opposite. He wanted a film camera that would work with his modern Sony E-Mount lenses.
LEX, as the camera is called, is a one-man operation, and it seems to have come quite far already. Gee plans to make LEX fully open source, once complete, with much of the camera being easily 3D printable and easy to modify. Don’t have Sony lenses? No problem, just modify it for another camera mount and print that out instead.
The Chroma 4×5 large format technical camera has intrigued me since it was announced last February. When I found out its creator, Steve Lloyd, was UK based, I got in touch to find out if he’d planned to visit The Photography Show this year. It turned out that he had, so I asked if he could bring along one of his Chroma cameras so I could see it for myself.
We’ve seen quite a bit of film being discontinued in the last years. Some Velvia and Provia, Agfa Vista, and many others. We reported that some Fuji Acros was going to go away back on October 07, and completely forgot about it.
But it seems that the time has come, and the Casual Photophile reports that communication was sent to Japanese dealers telling them that Fuji will stop production on the 35mm and 120 Acros films. (Get some here, here and here while stock lasts).
Oh boy, he’s finally here! Welcoming little Street Candy ATM400 to the world…! It mesures 35mm, weight 21 grams and mommy is fine 😂 Yes that’s right, there’s a newborn in the Black & White Film family.
Over the past few months I’ve been working on making this new film a reality and it’s finally available!