Hacking Photography - one Picture at a time
The other day, I posted on here about The Standard 4×5 large format 3D printed camera. I was a little sceptical about The Standard at first until I saw that the project files would be released into the open source world upon completion of the campaign and deliveries to backers.
Now, another new 3D printed large format camera has popped up on Kickstarter. The Cameradactyl. This one, though, won’t be releasing the files and doesn’t quite leave me with the same warm fuzzies.
Film is definitely back on the rise, to the point where Fuji may even be bringing some of theirs back. While most of the films available today are C-41 negative films, E-6 transparency film (also known as slide film) is still available, and quite popular for certain things. But how do you know when to use which? And what are its limits?
That’s what Jay P Morgan explores in this video. What is transparency film? What is its dynamic range? How does it compare to standard C41 negative film? Why and when would you choose slide film over negative film? He compares Kodak Portra, Fujifilm Provia and Fujifilm Velvia to find out.
I love that large format seems to be coming back in fashion. I really do. In the last couple of years we’ve seen some great new large format cameras come into existence, like the Intrepid, and the Chroma – the latter of which we saw in person at The Photography Show.
Now we have a new one, The Standard 4×5, which is made from 3D printed parts. It’s is being billed as a DIY 4×5 large format camera that you can build yourself – which is a really awesome idea. It’s being funded through Kickstarter, and the prices aren’t that bad, either (even though the early birds have already sold out).
We all know that digital images are made up of red, green and blue “pixels”. Often, to capture this, sensors are in some kind of side-by-side pixel array, like with Bayer and X-Trans or layered, like Foveon. But that’s not the only way to create a full colour image. Many video cameras do it with the use of a prism splitter and three separate sensors capturing red, green and blue signals which are then merged together.
Mike and JohnBen at Clovehitch Productions wanted to try to replicate this last method using black and white film. They wanted to see if it was possible to capture just the red, green and blue parts of the spectrum on three separate shots, and then merge them back together to produce a full colour image.
Lucus Landers is a film photographer and camera maker. He has recently captured some pretty unique black and white wildlife photos with his Canon 1N. His series shows zebras, buffalos, elephants and many other animals in their natural habitat. But there’s a catch – these photos weren’t made in the wild at all! They were all taken in the Museum of Natural History in New York. Would you ever figure it out?
With film’s usage on the rise, the issue many film shoots have is how to share those images with the world. How can we get them onto the computer to post them to social media or website portfolios? Many go with a scanning service when they send off their film to be developed. But if you develop yourself, you’ve basically got two options. Scan it or photograph it.
Scanners, especially quality ones, can be extremely expensive, particularly when you jump up to 4×5 large format. Photographing them is a more cost-effective option and with the resolution of today’s cameras a viable one. But holding film and keeping it flat can be troublesome. That’s where the pixl-latr steps in. It’s a film holder for 35mm, 120 and 4×5 large format film for digitising.
For 100 years, the name Kodak was a synonym for photography. But in recent years they went from being the industry leader to filing for bankruptcy. In this video, Company Man explored the decline of the company and tries to answer the question: what happened to Kodak?
The return of Ektachrome has been getting many film photographers very excited. Announced at CES in January last year, Kodak went on to commit to a launch in 2018. It may be a little later than that announcement suggested, but Kodak has now finally released the first test shots from the new Ektachrome film. And it looks wonderful.
After 80 years, Canon has officially discontinued their last remaining film camera, the EOS-1V. This move marks the official end of the company’s film camera business, and the Canon EOS-1V no longer exist in the company’s inventory.
You’ve probably never heard of Kodak Alaris, but they’re the reason why you still get to enjoy using Kodak films to this day. Just this year, they’ve announced the reintroduction of Ektachrome and T-MAX P3200. Apart from keeping film stocks alive, they also continue to manufacture and sell disposable cameras. In fact, according to photographyblog, they just released a new single-use daylight camera with ISO 800 film today, and you might want to check it out.
We did not find any supporting evidence aside from that mention so we are treating this as a rumor.
You can find out more about John on his website and follow his adventures on YouTube and Facebook.
can change a lens mid-rappel, swap a memory card while treading water, or use a camel as a light stand.
To see more of his work please visit his studio website blurMEDIAphotography, or follow him on Twitter, 500px, Google Plus or YouTube.
JP’s photography is available for licensing at Stocksy United.
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