According to a recent rumor, some or all of Kodak Alaris film business might be sold as soon as March current year. Reportedly, the company has out its film, paper and photo chemical assets up for sale in an attempt to cover around $2.7 billion worth of debt.
Film is very rarely used in music photography anymore. Primarily the reason for this is because of social media and instant news. There’s no time to go home and start pouring chemicals onto film to develop it, or wait until the morning until a lab opens to do it for you.
For festivals or stadium gigs we would bring our laptop with us and start sending out photos minutes after the artist stepped on stage. This is what people expect with modern technology.
To those who follow my work closely, you may know that I consider myself a large format photographer. I will photograph with a medium format camera, particularly when I’m trying to save weight on a backpacking trip or save time when I’m teaching a photography workshop, but 35mm has been somewhat shunned in my arsenal, being a format I deemed too small to be used effectively for my work.
Sometimes, you come across a DIY film camera that’s just beautiful in its simplicity. The LIMES 120 is one such camera. Made from an old Hasselblad medium format film back, it shoots 120 roll film and sports either an Industar 110mm f/4.5 lens and a tea can, or a pinhole.
Although it has been a while since digital cameras took over the market, some photographers still prefer shooting film. But is shooting film really worth the money, time and effort you put into it? How different it really is from shooting digital? In this video from Shutterstock, Logan Baker compares 35mm and medium format film with a full frame mirrorless camera to show you how they compare.
Kodak’s been struggling to regain its place in the world of photography ever since it filed for bankruptcy protection in 2012. At the time they said that “Since 2008, despite Kodak’s best efforts, restructuring costs and recessionary forces have continued to negatively impact the company’s liquidity position”. Basically, they’re not making enough money.
But why? Well, according to Cheddar’s take, it’s all down to the fact that they ignored the future of photography and the march towards digital. He suggests that Kodak intentionally shunned digital because it would be competing with and eating into the sales of its other primary product – film.
Personal and experimental projects can be a lot of fun for both those who create them and those who view them. This particular project was created by Italian film photographer Mario Cipriano, and it’s definitely a little bit odd, but pretty cool.
He combines film photographs he shot with his Leica M6 with a sound recorder to capture the five seconds leading up to the shot being taken, and the five seconds following it. Each photo then has 10 seconds of audio to accompany it. It’s fascinating to watch played back in video form.
If you only shoot digital, you may want to learn something new and try film photography for the first time. While it’s exciting (and nowadays kinda exotic) to shoot film, you might find it difficult to choose your first film camera. To make the decision easier and help you do it right, Casey Cavanaugh will show you the five most important things you should look for before you buy a film camera.
Have you ever wondered how some film cameras just know what speed ISO (or ASA) film you’re loading into it? Well, have you ever noticed those black and silver squares on the side of the roll? That’s called DX Encoding and that’s how the camera knows what film you’re using.
This video from photographer Azriel Knight goes deep into the origins of DX Encoding. He talks about how it was created, how it works, and how it was received when it was first introduced. And, no, it’s nothing to do with Nikon’s 1.5x crop cameras.