Can DIY Modifiers Compete Against Pro Grade Modifiers?

Laya Gerlock

Laya Gerlock is a Portrait and Product photographer based in the Philippines. His passion is teaching and sharing his knowledge in Photograpy and has been doing this for 6 years.

Last week I wrote about why you would want to do a DIY photography project, but can it match up to pro gear? Challenge… Accepted!

This week I did a whole photoshoot using only DIY modifiers for main lights. With the help of my girlfriend and her friends to model for me, the challenge was on.

diy-vs-pro

The idea behind challenge was to prove that making your own modifiers and equipment is not all that bad compared to branded expensive material. (And before the first comment starts coming in, let me say that I do own a couple of Westcott softboxes and umbrellas, and I use them when needed or when working with high end clients, I just really like my DIY’s).

To start the shoot I used a DIY beauty dish (comparable here) as the main light boomed above the subject, and the subject really close to the grey wall in the studio.

diy modifier challenge (3)
I had an sb-600 through my DIY beauty dish boomed above the subject. I was shooting at f3.5 ISO 250, 1/160

I wanted a darker background so by moving my subject away from the background I can darken the grey wall.

diy modifier challenge (5)

To fill the shadow on the model, I got my DIY music stand triflector (comparable here) and placed it at the bottom of model.

diy modifier challenge (4)

diy modifier challenge (6)

My setup for this shot.

diy modifier challenge (11)
DIY beauty dish boomed above and a DIY music stand triflector below

I moved my setup to a white seamless paper and pointed a bare flash at the background to make it slightly white.

Still using the diy beauty dish and triflector for the mainlights. Shooting at a white seamless paper for the background
Still using the DIY beauty dish and triflector for the main lights. Shooting at a white seamless paper for the background

After that I used my 4 feet DIY ringlight (comparable here) for my light source. I started by only using the diy ring light as the mainlight.

diy modifier challenge (1)
Shot at f2.2, ISO 800, 1/160

I was shooting at tungsten white balance because of the color of the bulbs in the ringlight. I placed a bare flash behind the subject pointing at the background, the light became blue colored because of the tungsten WB I was using, very similar to this technique.

Shooting at WB tungsten(because of the tungsten bulb in the ringlight) made my flash in the background color blue
Shooting at WB tungsten(because of the tungsten bulb in the ringlight) made my flash in the background color blue
BTS Setup for the ringlight shot. My beautiful girlfriend as the diy wind machine
BTS Setup for the ringlight shot. My beautiful girlfriend as the diy wind machine

Using a bare flash, I placed illustration board with cutouts to create these shadows. (comparable here)

gobo part 2 (19)

diy modifier challenge

The last setup we did is a shot on white. For the white background I used a big umbrella on the back of the subject to also get some spill on the side of the face.

diy modifier challenge (2)

diy modifier challenge (8)

diy modifier challenge (10)
DIY beauty dish as the mainlight, diy triflector for fill, and big umbrella at the back for the background light

So there it is, a whole photoshoot using only diy lighting modifiers. Share your own diy photoshoot below in the comments!


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Laya Gerlock

Laya Gerlock

Laya Gerlock is a Portrait and Product photographer based in the Philippines. His passion is teaching and sharing his knowledge in Photograpy and has been doing this for 6 years.

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9 responses to “Can DIY Modifiers Compete Against Pro Grade Modifiers?”

  1. J Naphron Avatar
    J Naphron

    Thanks for the shootout Laya. This is an excellent article. One of the best I’ve read here on DIY Photog. Just goes to prove that one can do great things with less costly, home brewed gear and that it doesn’t always take high-end brands to make quality images. Having a model with a creamy-smooth completion, even skin tone and great makeup is a plus too.
    Sadly, in the professional world, clients are “Brand Snobs.” DIY might do just as good or better than branded gear but bring that on a pro location or have a client in the studio and the photographer would be labeled as an amateur and likely not considered again regardless of his/her talent.
    DIY Photography blog owners take note: More articles like this please.
    J. Naphron

    1. udi tirosh Avatar
    2. LSG Avatar
      LSG

      cheers and thank you :)

      1. J Naphron Avatar
        J Naphron

        Laya, a question: Your models have soft, youthful complexions and great bone structure. The soft lighting just adds to the look but are there any cases in the above examples where you used a post processing workflow to enhance the skin, eyes and makeup? Basically I am asking how much of these images is your lighting. how much is what nature gave these women and how much is post processing.

        1. J Naphron Avatar
          J Naphron

          Hmmmmm…

          1. LSG Avatar
            LSG

            woops, sorry about that :)

            It’s 90% lighting and preparation, and just 10% photoshop, normally for the photoshop part is just cleaning using healing brush, and a little bit of levels :)

  2. Phillip McCordall Avatar

    It’s not the modifiers that count , it’s what you do with them.

  3. Fred Smith Avatar
    Fred Smith

    All this proves is that light is light. It doesn’t matter if it goes through (or is reflected
    off) a $300 modifier or one made from scrap material. The expensive modifier might be a lot more convenient and look prettier, but the principles of using light don’t change. This is why the DIY articles are so interesting.

  4. merriweather Avatar
    merriweather

    This is an amazing post. Thanks for pulling it all together like that. Hope more shooters will do the same. Hey maybe I will. LOL. Thanks again!