Stop shoving your camera in people’s faces, use these street photography techniques instead

Dunja Đuđić

Dunja Djudjic is a multi-talented artist based in Novi Sad, Serbia. With 15 years of experience as a photographer, she specializes in capturing the beauty of nature, travel, concerts, and fine art. In addition to her photography, Dunja also expresses her creativity through writing, embroidery, and jewelry making.

When discussing street photography, it’s important to consider the complexities and potential ethical concerns involved. While Robert Capa’s quote, “If your photos aren’t good enough, you’re not close enough,” may hold true in some situations, it’s essential to acknowledge all the factors that may hinder one from getting physically close.

In his recent video, Oliver Krumes highlights a crucial aspect of street photography: respecting our subjects and the art form itself. While the classic quote “get close” might have held true in Robert Capa’s era, there’s a more nuanced approach in today’s complex world. So, Oliver proposes five ways to up your street photography game while maintaining a positive reputation for the craft.

Oliver refers to obstacles that may hold you from getting too close and personal with your subjects. There are legal restrictions, cultural unfamiliarity, personal safety, and simply respecting individual privacy. Therefore, in street photography, it’s crucial to approach the practice with sensitivity and respect for everyone involved. Here are the techniques Oliver suggests for staying stealth and respectful yet capturing powerful street photos.

1. Become invisible with “fishing”

Instead of chasing people, turn the tables. Find a captivating light spot and frame your shot. Let people walk into your composition. To truly disappear, pretend to be engrossed in your phone while snapping photos with your other hand. People will blissfully continue on, and you’ll capture those candid moments you’re looking for.

2. Embrace the power of distance

A captivating scene doesn’t require being right in someone’s face. Often, a wider perspective enhances the composition. Unrecognizable figures, particularly silhouettes, can ironically be more relatable. A viewer can project themselves onto that anonymous figure, creating a universal connection that transcends age or gender.

3. Blend into the background

Certain locations buzz with constant activity – cafes, parks, or busy squares. Find a comfortable spot, grab a drink, and observe the scene. Become a part of it. People won’t see you as a lurking photographer but as an interested observer. After a while, you’ll have a relaxed experience and some great photos.

4. Explore reflections

Shop windows, cars, and public transport offer hidden canvases. Compose your shot using the reflection, uniquely capturing the world. It’s unobtrusive and allows for intriguing juxtapositions of different scenes.

5. Look beyond the obvious

Street photography isn’t limited to faces. A hand reaching for a door, a pair of feet disappearing around a corner, or even a dog gazing out a window – these details can be more captivating than the whole picture. Look for these subtle moments, or capture the “aftermath” – a cigarette butt, a coffee cup – all hinting at human presence without being intrusive.

By following these tips, you can create stunning street photographs while fostering a positive perception of this art form. Remember, capturing the essence of life on the streets is about being respectful and creative, not aggressive. So grab your camera, hone your observation skills, and get ready to elevate your street photography to new heights.


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Dunja Đuđić

Dunja Đuđić

Dunja Djudjic is a multi-talented artist based in Novi Sad, Serbia. With 15 years of experience as a photographer, she specializes in capturing the beauty of nature, travel, concerts, and fine art. In addition to her photography, Dunja also expresses her creativity through writing, embroidery, and jewelry making.

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2 responses to “Stop shoving your camera in people’s faces, use these street photography techniques instead”

  1. Carl-Erik Paulin Avatar
    Carl-Erik Paulin

    Street photography is not random snapshots of people in the streets,it’s way more to it.

  2. Carter Tune Avatar
    Carter Tune

    Just who’s “shoving” a camera &lens in anyone’s face??? How would that produce an unposed, natural shot? With a 70-210mm it wouldn’t “focus” if shoved in someone’s face.