fbpx

DIY Photography

Hacking Photography - one Picture at a time

Search

Submit A Story

Viewers “raging” over camera’s dead pixels in Zack Snyder’s Army of the Dead

by 28 Comments

For movie watchers, there’s nothing more upsetting than settling in to watch the latest overhyped movie only to turn on your fancy, way-too-big, expensive TV to discover you’ve got dead pixels on your screen. They just sit there, taunting you, spoiling your viewing experience.

That’s the experience felt by quite a few people who sat down to watch the new Zack Snyder Netflix movie Army of the Dead. At least, it was until they realised that those dead pixels weren’t on their TV, but in-camera, recorded for all time in the movie itself, turning their dispair into “rage”.

I’ve yet to see the movie myself, but the reports indicate that the first dead pixel issue arises quite early on in the film with one of its establishing scenes involving Dave Bautista’s character discussing a plot point that I’m not going to mention with a well-to-do billionaire. One Twitter user described it best with the caption “Army of the Dead Pixel”.

The fault is not visible in every scene – which would make sense. Productions like this generally don’t rely on a single camera to shoot everything, and the issue is probably just with a single camera out of however many they did end up using to shoot the film.

 

 

Despite the dead pixel issue (and its two-and-a-half-hour runtime), the film seems to have largely seen quite favourable reviews, offering descriptions such as “Dawn of the Dead meets Ocean’s Eleven” – which were both pretty decent movies.

It is quite surprising that Zack (or somebody, anybody) didn’t spot these during the editing process and fix them in post before the final film went out.

[via The Independent]

Related posts:

The secret to those dreamy shallow depth of field shots in Army of the Dead was a 60-year-old Canon lens Adobe changed all its app icons and designers are absolutely raging Is Unsplash killing the industry? Zack Arias interviews it’s founder Burning wire wool through a macro lens becomes a raging firestorm

About John Aldred

John Aldred is a photographer with over 20 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter - and occasional beta tester - of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

Recent Posts