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Use Lightroom’s Virtual Copies to save storage space

Aug 31, 2016 by John Aldred 5 Comments

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lightroom_virtual_copies_feature

We’ve all had a situation where we think we’ve created the perfect image, but we want to try something. Perhaps it’s to test an idea, sometimes it’s just to see how it looks or play with a preset. Whatever the reason, the last thing we want to do is undo all the work that came before it.

“Undo” is great, but it’s easy to forget exactly where you were, especially with small changes. Making your own presets is also an option. Then you can easily revert to it after you’ve messed around with it. Virtual Copies are a much easier solution, and in this video from Phlearn, Aaron Nace shows you exactly how they work and how to use them.

Until lately, I’ve only really been using Lightroom to make profiles for the ColorChecker Passport. I’ve just preferred the Bridge/ACR workflow. Recently, though, I’ve found myself using Lightroom more instead of Bridge/ACR for my initial processing before bringing the images into Photoshop.

In the past, I’d end up making a completely new PSD file for each edit. Or, I’ll make different groups of layers within a single PSD for each version (especially if I need to do a lot of retouching). This way makes life much easier, much faster, and uses a lot less hard drive space.

lightroom_virtual_copies

Neither way is right or wrong, and there’s merits to both workflows. Now that I find myself using lightroom more often, though, I definitely need to start remembering that Virtual Copies exists.

Do you use Virtual Copies in Lightroom? Or do you prefer to keep multiple edits inside a single or several PSD files? Do you use something other than Lightroom? Does it offer a similar feature? Let us know in the comments.

[via Phlearn]

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Filed Under: Tutorials Tagged With: Aaron Nace, Adobe, lightroom, phlearn, post processing, Virtual Copies

John Aldred: from diyphotography.net

About John Aldred

John Aldred is a photographer with over 20 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter - and occasional beta tester - of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

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