Unless you have a dedicated boom arm, or a voice activated lightstand (an assistant) to do the job for you, booming microphones and lights overhead can prove to be a little tricky. Good boom arm stands can be expensive, especially if you want stability.
This solution from the Frugal Filmmaker couldn’t have come at a better time for me, as I’ve been in the market for something to hold my microphone boom pole for a little while now. Being able to utilise a tripod I already own and would already be taking on shoots with me anyway will make life much easier.
The materials list for this is extremely small, requirng only three items for the basic setup.
Total cost is around $15, give or take a $ depending on what deals you can find, which is a lot cheaper than buying a dedicated boom arm stand, and lets you utilise your expensive tripod that you already own.
If you wanted to go a little more heavy duty on the plate, or if you have a tripod with an Arca Swiss compatible head, you could go for something like this.
This plate offers a little more thickness and stability than the camera/flash bracket shown in the video and still keeps the whole thing around $20 or less in total.
The claw type holders tend to run between $20-30, but that would necessitate carrying another extra light stand, as well as a grip head. This would not only bump the cost up quite drastically over the option presented above, but also add a lot more weight that I’d have to carry around on location.
This is a very simple solution to a problem that can pop up surprisingly often when shooting on location that adds very little extra weight at minimal cost. So, if you’ve wondered how you can support that boom arm without having to have an extra assistant hanging around, now you know.
How do you support your boom arms for lights or microphones when working on location? Do you have an expensive stand designed for the job, or have you come up with your own DIY solution? Let us know in the comments.