PPE 2017
First look at Manfrotto Nitrotech N12 video head
Manfrotto recently released two new video heads, the Nitrotech N8, and the Nitrotech N12. Those are high-load video heads which support 0-8kg and 4-12kg respectively. What is interesting about…
Watch me try to understand Sigma’s plans in the video market and fail miserably
I love Sigma, they brought quite a few innovations to the photography world: updatable lenses, ceramic filters, the Quattro camera family, and probably a few more that I am…
First look at the Irix Edge 100 filter system
When IRIX announced that they are making a new filter system, I was intrigued. I mean, IRIX is known for their prime lenses, and not…
Illuminati is a clever wireless light meter
Illuminati is a triangle that measures light and color and transmits them to a smartphone. We stopped by the Illuminati booth at Photo Plus Expo 2017,…
Edit and backup on the go without a laptop or a hard-drive – The Gnarbox
The Gnarbox (pronounces narbox) comes with an impressive promise. It will provide editing, backup, and preview for your videos (and stills) with no laptop while you…
Sigma release pricing & availability info on new 16mm f/1.4 DC DN Contemporary Lens
Just over two weeks ago, during PhotoPlus Expo, Sigma announced a new super wide super fast prime lens was on the way. The 16mm f/1.4…
Sony macro just got a lot more interesting with the new Novoflex reverse lens mount adapter
Well, this is pretty cool. A reverse lens mount adapter for Sony that you can actually autofocus with. Designed for the Sony E-Mount cmaeras, including…
A quick hands on with the Sony A7R III
I’m at Photo Plus Expo and Sony put quite a few Sony A7R III cameras on their booth to play with. I could not resist….
Pentax announce two new 50mm and 11-18mm “star series” lenses for super-high resolution photography
There’s been a whole lot of new lens announcements lately. This latest pair are coming from Ricoh, with a 50mm f/1.4 full frame prime and…
X-Rite announces new i1Studio end-to-end colour correction system for photographers
Colour management can be such a pain. You’ve got cameras and printers to profile, monitors to calibrate, all in an effort to reproduce accurate colour….









































