The lens has a series of low dispersion and aspherical elements for sharp and clear photos. It also provides controlled fringing and aberrations. In addition, it’s durable, with splash-, dust- and freeze-proof features.
Video responses might be a thing of the past as far as YouTube’s concerned, but that’s not stopping Panasonic. There’s been a bit of talk around the web and YouTube since the Panasonic Lumix GH5’s release about its autofocus system. Well, Panasonic were listening and have responded. Surprisingly, that response comes to us via YouTube.
Lumix Luminary Joseph Linaschke (aka PhotoJoseph) reads the announcement in a video on his YouTube channel. It’s a fairly brief statement, which offers some recommendations for best results. Joseph also got together with fellow YouTuber and filmmaker Max Yuryev to do some comparisons. Two GH5 cameras, with different AF settings.
Recently, we showed you a somewhat expensive option for using Godox flashes with Fuji, Olympus and other brand cameras. There’s also been a rumour floating around that Godox were working to add native support for some of these brands. Now, though, it seems that support is starting to come quicker than anybody had anticipated.
Fuji and Olympus/Panasonic versions of the Godox TT350 TTL speedlights are now available for preorder, at least through Adorama. They’re Fuji and Olympus/Panasonic compatible versions of their Flashpoint Zoom-Mini TTL R2 Flash (AKA, Godox TT350).
During DIYP’s visit to the photography show in the UK, an unnamed source at Panasonic stand revealed information that will make you thrilled. According to the source, the long expected GH5 is shipping out as of tomorrow! While the expected availability was March 30, it’s possible that you’ll lay your hands on this camera sooner than you hoped.
For as long as I’ve been photographing, I’ve always had a soft spot for gear and the technical side of photography. In the beginning, I was obsessed with getting the best camera I could afford, which ironically was a refurbished entry-level Nikon DSLR – not exactly the pinnacle of camera technology at the time.
For the years following, I shot with Nikon DSLRs and these cameras are the ones that I first started my photography career with. At the time my needs for a camera were simple – good image quality. Most of my work was still travel photography but mainly posed portraiture, landscape work and the occasional ‘action’ shot. I didn’t care about weight or usability, in my mind DSLRs were the only way to do it.
Panasonic Lumix GH5 is a camera many Panasonic video shooters were anxiously waiting for. We recently reported about it as it was released for pre-orders. The shipment starts in late March 2017, so you’ll have to be patient for only a little more while. But in the meantime, you can take a look at how well this camera performs in low light conditions.
This is the one that many Panasonic video shooters have been waiting for. And it seems to have many of the features they’ve been asking for, too. The Panasonic GH5 has a new 20.3MP sensor with no low-pass filter, new processor, dual SD card slots, and in-body stabilisation. It boasts the highest ISO capabilities of any Lumix camera, for outstanding low light shots. It also has a new 225 point AF system, up from the GH4’s 49 point AF, which can track moving subjects for both stills and video.
Previous big announcements with this camera included a couple of major attractions for video shoots. One was that it would shoot 4K video at 60 frames per second, and the other was that it would shoot 4:2:2 10Bit footage. It is capable of these, but not at all framerates. At 60fps, 4K video is 4:2:0 at 150mbps. At 30fps, it will shoot 4:2:2 10Bit at 150mbps. It can, however, do 4:2:2 4K 60fps over the HDMI. In the future, however, a firmware is planned to allow 4:2:2 10Bit with 4K at up to 400mbps recorded internally to SD.
Knowing how well our camera produces jpg files might not be a high priority for a lot of photographers. If you’re only shooting raw, then what does it matter, right? Well, there are still a lot out there shooting jpg, and even pros may switch over to jpg for less important tasks. So, The Camera Store have challenged 8 popular cameras from leading manufacturers to the Great JPEG Shootout!
It’s an interesting comparison. Cameras from Nikon, Canon, Sony, Fuji, Pentax, Olympus and Panasonic are put head to head with an iPhone 7 Plus to see which produces the best looking images straight out of the camera. Perhaps not surprisingly, the iPhone didn’t do very well.
The new Panasonic Lumix GH5 will record 10Bit 4:2:2 video internally, but what exactly does that mean? how will it benefit you? Isn’t video just video? Why is this such a big deal? No, video isn’t just video, and it means quite a great deal.
Fortunately for us, Filmmaker Griffin Hammond is here to explain. In short, it offers more tone in colours with less risk of banding in gradients. It makes it easier to chroma key or green screen your footage. It also makes it easier to correct and grade your footage with minimal loss.
Japanese site Nikkan is reporting that the Fuji GH5 is to come with 6K video. If true, this is very exciting and completely ridiculous. We’re only just getting used to 4K, and even most of that is being downsampled to 1080p. So, why might one need a 6K camera? Well, as more and more 4K TVs get into the homes of the general public, we’re eventually going to need to deliver 4K content.
Shooting 6K footage for 4K delivery will increase quality. Just as shooting 4K today and scaling down to 1080p provides a better result than simply shooting 1080p. It also provides extra options in post for panning & zooming, or stabilising footage. But, is it too good to be true?