Should you switch from APS-C to full-frame? Or perhaps shoot large format? Does it matter? What will it change? Ah, so many questions. In this video, Jay P. Morgan and Kenneth Meryl have decided to test four sensor sizes side by side and give you the answers. They shot with a large format, a full-frame, an APS-C and a micro 4/3 camera. Here you can see the side-by-side comparison of the images they took and see for yourself how much of a difference there is.
Intrepid launches new 4×5 enlarger & “scanner” on Kickstarter
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Intrepid, the creators of the wooden 4×5 large format camera have now announced their new 4×5 enlarger. It mounts to the top of a tripod and is designed to be used in conjunction with the 4×5 large format camera you already own. This brings the cost down to a ridiculous £119 (~$155). It launched on Kickstarter yesterday and it’s already 300% funded.
The Cameradactyl is a new 4×5 large format 3D printed camera
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The other day, I posted on here about The Standard 4×5 large format 3D printed camera. I was a little sceptical about The Standard at first until I saw that the project files would be released into the open source world upon completion of the campaign and deliveries to backers.
Now, another new 3D printed large format camera has popped up on Kickstarter. The Cameradactyl. This one, though, won’t be releasing the files and doesn’t quite leave me with the same warm fuzzies.
The Standard 4×5 is a 3D printed large format camera
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I love that large format seems to be coming back in fashion. I really do. In the last couple of years we’ve seen some great new large format cameras come into existence, like the Intrepid, and the Chroma – the latter of which we saw in person at The Photography Show.
Now we have a new one, The Standard 4×5, which is made from 3D printed parts. It’s is being billed as a DIY 4×5 large format camera that you can build yourself – which is a really awesome idea. It’s being funded through Kickstarter, and the prices aren’t that bad, either (even though the early birds have already sold out).
The ultimate portrait bokeh shootout – Crop vs full frame vs large format
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When it comes to the discussion fo bokeh, we often hear of the “benefits of full frame”. There are many comparisons out there all over the web, extolling the virtues of a larger sensor, and how a full frame mirrorless or DSLR is the “ultimate”. It’s really not, though, if that’s your goal, which this video from photographer Bill Lawson sets out to prove.
In this side-by-side shootout, he compares a Nikon D7000 DX body, along with a Nikon D700 full frame DSLR and 4×5 large format. He uses 50mm, 85mm and 300mm lenses to achieve a similar field of view with each of the different cameras, and gets to work.
Zeiss announces ‘Supreme Prime’ lenses for full frame cameras
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Zeiss has announced their newest set of cinema lenses for advertising and movie production. Although these lenses are smaller than their counterparts, the German company promises that they will offer top of the line results for filmmakers.
This is what it’s like to shoot ultra large format wet plate macro in a cherry blossom tree
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Because the snowdrop shoot what so much fun, I wanted to do something like that again. After I saw the cherry blossoms on my tree, it was crystal clear what comes up next. I wanna shoot one of these with my wet plate camera, but this time I will shoot them on the tree.
When I was little, this tree was my climbing adventure. This tree has seen better days – the weather from the recent years started to ruin some parts of it. But it is still beautiful in the springtime.
The world’s first single shot 8×10 large format digital camera can be yours for a mere $106,000
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Large format digital cameras aren’t an entirely new idea. They’ve been around for a little while now, and a number of people have built their own. But they’ve had one big drawback. Because it’s difficult and expensive to make sensors so large, they typically use scanning backs. In the case of DIY options, it’s often the internals of a flatbed scanner.
Now, though, an 8×10 large format camera which uses a 9×11 inch monochrome CMOS sensor to record a single shot all at once is available to buy. Created by Bill Charbonnet, who left his “real job” in 2014 to start LargeSense LLC, the LargeSense LS911 can be yours for only $106,000. Oh, and yes, it shoots 4K video, too.
DIYP takes a look at the new Chroma 4×5 large format technical camera
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The Chroma 4×5 large format technical camera has intrigued me since it was announced last February. When I found out its creator, Steve Lloyd, was UK based, I got in touch to find out if he’d planned to visit The Photography Show this year. It turned out that he had, so I asked if he could bring along one of his Chroma cameras so I could see it for myself.
Pixel peeping at an impressive 709MP drum scan of 8×10 slide film
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100 megapixels or 400 megapixels sounds like a whole lot, doesn’t it? Well, large format wilderness photographer Ben Horne takes it even further and gets a 709.6-megapixel file. With a little help from his friend Michael Strickland, Ben scans his large format 8×10 slide film with a very high-resolution drum scanner. Check out his video to see the result and how he managed to do it.
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