Green screening (also called chroma keying) is a very useful skill to have when shooting video. Even if you’re not using an actual grey screen, it can be handy to know how to easily mask out a particular colour, and composite something else in its place. In this video, Jordy at Cinecom walks through the top five things he’s learned when it comes to getting a good key.
Five tips for making green screen shots more realistic
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Green screen shots can look stunning, or they can be hilariously bad. I’m sure you want to create the former ones, and Ryan Connolly of Film Riot will help you with that. In this video, he shares five essential tips that will make green screen shots more realistic and believable.
Here are four green screen tricks you can make without the green screen
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Green screen is a popular and useful tool for creating all kinds of visual effects. You can DIY it, you can even paint it, but there are some awesome green screen tricks which don’t even require it! In this video, Jordy and Yannick of Cinecom.net demonstrate four of these tricks you can pull off without using an actual green screen, but by chroma keying smaller objects.
City of Yekaterinburg made a public green screen so everyone can make special effects movies
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If you need a green screen for your projects, you can DIY it. But if the road takes you to Yekaterinburg, you can just get out on the street and there it is – a large public green screen to help creators make special effect movies.
How to make your own DIY portable green screen with PVC pipe and a pillow case
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If you don’t quite have the budget to kill off green screen yet, or perhaps even the budget for a proper green screen, there are other options. For Dave Knop, the answer was some green pillow cases he found at his local Goodwill. In this video, he shows us how he turned them into a portable green screen panel with the help of some PVC pipe.
This futuristic movie was shot “in camera” with no green screen
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When he wanted to create a futuristic movie in his imaginary world, a green screen was not an option for Michael Plescia. It was too expensive and way too time-consuming to composite every frame. So, he gathered a dream team that helped him reinvent filmmaking and make his movie possible. He shares the story of how he killed the green screen and brought his idea to life.
This 62 year old “Grandma” became a YouTube star after teaching herself how to green screen
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Tatiana Subbotina, from Saint Petersburg, Russia, started making videos in 2013 while living in Thailand. The videos were aimed at children. But then she decided she wanted more from her creations. So, she decided to teach herself how to chroma key composite with a green screen and Adobe Premiere Pro. And it’s made her something of a YouTube hit.
With nearly 20,000 subscribers and over a million views of her videos in the past month, she’s certainly doing something right. While her videos are in Russian, some of the comments show that they go simply to watch, even if they can’t understand what she’s saying. Although, YouTube’s fancy algorithms do offer translated subtitles, they’re not always that reliable.
Adobe’s new deep learning tech might make green screen keying obsolete
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An Adobe Research paper titled Deep Image Matting, might just put an end to green and blue screen techniques. Adobe collaborated with the Beckman Institute for Advanced Science and Technology, to develop a new system based on deep convolution neural networks. This system extracts foreground content from its background accurately and intelligently without any kind of blue or green screen background.
Eliminating the green screen isn’t a completely new idea. Lyryo’s cinema cameras are able to do this based on depth perception. But this solution is 100% software based. The paper outlines the process to evaluate images. It then determines what needs to be cut from the background, and how.
5 Tips for lighting a green screen for a clean key
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One would think that lighting up a green screen would be similar to working with something like a white seamless backdrop. But there are a few differences. Unlike a white seamless, green screens aren’t blown out beyond your camera’s dynamic range. They can also reflect colour back onto your subject. And you’re usually shooting on a green background for different reasons than white.
In this video, Aputure’s Ted Sim teams up with David Carmichael from Corridor Digital to bring us five tips to light our green screens. The tips, are, of course, aimed primarily at video shooters, but green screen is becoming a common technique with photography, too. Many of us also shoot both stills and video, so having a single set up that can work for both is ideal.
The Olympic tennis court is a giant green screen and the Internet has noticed
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It’s always amusing when something shown on TV includes something ripe for chroma keying. This time around, it’s the Rio 2016 men’s singles tennis final between Andy Murray and Juan Martin Del Potro.
That they were playing on a giant green screen was noticed by imgur user factionman. After this, the obvious became inevitable. I would imagine these scenarios probably weren’t going through the players’ heads at the time of the game.
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