Swedish photographer Erik Johansson is known for his dreamy and surreal images. This time, he decided to depict the change between day and night. As always, the artist of great imagination took a lot of time and effort to turn his idea into a photo, and in this video, he takes you behind the scenes of his latest project.
Did you know your laundry is toxic? Tests show that billions of people drink water with plastic fibers, and we can blame our washing machines for it. Photographer Benjamin Von Wong decided to point out to this issue in his usual way – by creating an epic photo project. He aims at raising awareness and hopefully getting electronics companies come up with washing machines which will prevent the pollution.
For his latest project, #FixToxicLaundry, Ben gathered a number of volunteers. Together, they created amazing “laundry monsters” luring from washing machines, representing the “monsters” which pollute our tap water and endanger our health. Their materials were limited, but the efforts were huge. And as a result, Ben ended up with another brilliant set of photos.
I was recently scouring the Interweb when I came across a fantastic, post apocalyptic, promo image. As I looked further it seemed to be for a new TV show, but as I dug a little deeper, I found out it was the brainchild of Jeff Madison.
Jeff is a photographer from New York, and his new photo series Mad World is based on a fictional TV show that comes on after AMC’s The Walking Dead! I like nothing more than when a photographer/digital artist who goes the whole hog and creates detailed stories with their images. I myself tend to write backstories and write down full character sheets before any actual shooting begins. So I was happy to see Jeff building a whole world with his imagination.[Read More…]
Forged from rock and steel in the welsh valleys, photographer Ian Munro brings to photography a determination and dedication to keep inspiring viewers with his conceptual storytelling .
His images blur the lines of surrealism and humour. Frozen in time, with shades of Georges Méliès, and mad genius, he creates large sets, sometimes building them from scratch for his models to act in.
Ah, “photography”, you loosely defined word that everyone seems to have their own definition of. It’s amazing how polarizing you can be, isn’t it?
And one of your most polarizing aspects seems to be exactly how much retouching is considered reasonable. Purists claim no retouching of any kind is allowed (then they usually reference Ansel Adams, which is quite ironic considering the amount of dodging and burning he brought to the field), while others gladly accept Photoshop as a regular part of their photography tool-belt.
In general though, there’s a viewpoint around the photography community, that too much Photoshop is a bad thing. That it destroys photography as we know it, and those who retouch an absurd amount should be banned or beheaded or at least mildly reprimanded (depending on which Facebook group you happen to be in). But before we all start gathering our pitchforks, can we maybe examine this concept of over-retouching for just a second?
Artist Angelo Musco created what, at first glance, seems to be a digital feather. But upon closer inspection (and I mean if you go really up close), you see that this is not a feather at all.
Musco composited tens of thousands of nude photos to create this feather and the details of the finished feather (as well as the individual bodies) is staggering.
(Some artistic nude after the jump)
Do you remember your first eye-opening experience with lighting in photography? I think it happend to me while watching one of David Hobby’s tutorials, realizing that the justification for flash lighting is so much more then just “being able to shoot at ISO 100”. Lighting sets the mood, creates separation, defines spacial relation and, sometimes, makes the impossible possible. Today, let’s look at a lighting trick, I’ve only recently come across together with photographer (and good friend) Ethan Oelman while joining him on one of his personal projects. If you love to experiment with mobile flash equipment as well, check out “The Strobe” section bellow – you can win one of the awesome new Elinchrom ELB 400 strobe packs!
We have been big supported on the vision over gear approach for a long time now (1, 2), but photographer Robert Cornelius is taking this approach to the next level, basically claiming that regardless of gear used, your Photoshop skills is will have far greater impact on the final piece that any of the gear used.