I’ve spent most of my career working as a photojournalist and director of photography, and I’m happy to have recently started working with Wonderful Machine as a freelance photo editor and creative consultant.
As a photographer, I work from my home base in Istanbul, completing assignments for places like The New York Times. But, just like everywhere else, COVID-19 has put a damper on normal human interactions in Turkey. So, when a photo editor at The New York Times gave me the option of shooting an assignment remotely, I was intrigued. In addition to health concerns, the three subjects I needed to photograph were worried about having their location disclosed for security reasons. And though it might have been possible for me to get to them, I had never tried a remote photoshoot; with all of us looking to minimize travel, I wanted to give it a go.