Ethics and law in street photography is something that can create a lot of confusion and debate in the community. No matter how well you know the law, you’ll often come upon situations that will be new to you. Also, not everything is black and white in street photography: sometimes even lawful things can still be unethical. To help you answer the most common questions on the law and ethics in street photography, Sean Tucker has filmed yet another fantastic video. He interviewed Nick Dunmur, a member of the legal team at the Association of Photographers (AOP), who will help you deal with anything that might be baffling you.
Last month, street photographer Math Roberts attended Notting Hill Carnival in order to take photos at one of the world’s largest street festivals. While he was shooting on the final day of the carnival, Math found himself in an unpleasant situation which quickly escalated. The man he was photographing assaulted him and smashed both the photographer and his camera.
Ah, the night. What a wonderful time to go out and do some street photography! As a photographer who got his start in the streets of Tokyo, it was inevitable that I would end up photographing mostly at night. To me, the city becomes its ‘true self’ when the sun sets, and the artificial lights come on and illuminate the metropolis. But let’s save my romanticism for another time.
I hope to share with you my methodology, some tips and tricks, for night street photography. First off, please don’t expect any magic tips or secrets. I keep my photographic approach pretty simple, but fundamentals used well lead to great photography!
If you want to capture genuine, candid moments in street photography, you need to be discreet. Oftentimes, getting noticed by your subject will completely ruin the moment you wanted to photograph. So, you need some techniques to stay unnoticed, yet don’t seem like a creep. In this video, Samuel Lintaro Hopf will show you ten tricks that will keep you low-key just the right way.
Street photography can be a lot of fun, and it’s something that a lot of people all over the world really enjoy doing. But street photographers can be a strange bunch, usually very set in their ways. They have a workflow that works for them, and they don’t want to differ from that. Many still choose to shoot it only on film, while others are happy to just work digitally. Some do both.
But what are the advantages and disadvantages of each when it comes to shooting street photography? Photographer Robin Schimk shoots both and in this video, he talks about the pros and cons of shooting both film and digital for street photography.
I believe we all hate it when we get stuck in a creative rut. But hey, it happens, and there are ways to overcome it. One of the ways to get out of it is to try a different genre, and that’s exactly what Manny Ortiz did. The portrait photographer hit the streets and tried something new – street photography. It didn’t go quite as he expected, but he learned a lesson that will be valuable to all of you who are currently experiencing the creative block.
Photographer interviews can often be quite insightful. Especially so when that photographer is a world-renowned Magnum street photographer like Bruce Gilden. And then even more so when the person asking the questions is the equally iconic, and also a Magnum photographer, Martin Parr.
Martin’s been doing a series of “Sofa Sessions” interviews with photographers recently on the Martin Parr Foundation YouTube channel. In this third one, Martin sits and talks with Bruce about his work and journey through photography from its very beginning. It’s a fascinating watch.
Street Photography is hard to do well. Really hard. Even if you are great, most of your shots will not be.
The internet is filled with boring street photography. The biggest problem is people thinking any photo taken on the street is now Street Photography. There is so much more to Street Photography than that so how do you capture more in your Street Photography?
One way to strive for great Street Photography is by avoiding some of the habits of boring Street Photography.
Here are 7 of the Most Common Habits of Boring Street Photography:
This morning I woke up to one of those emails. Yes, that’s right, another SmugMug Film is being launched today. This one follows street photographer Alan Schaller as he walks around New York City talking about street photography, what it means to him, what he looks for to make an image, and his general thoughts on humanity and the city.