People frequently ask me what exactly is fine art photography? Before I answer, I usually take a big breath and brace myself to answer the question in the time it takes to ride a few floors in an elevator as they usually expect a quick answer. And, despite my apprehension to answering their question, I have come to realize that most good answers are the ones that are simple and direct. Hence, I begin by clarifying that fine art photography does indeed have objective criteria despite falling in the subjective and vast realm of art.
The principal and underlying criteria that distinguishes fine art photography from other fields in photography is that fine art photography is not about digitally recording a subject. Using a camera to document what exactly appears in front of the photographer usually falls under the category of photo-journalism and is frequently found in publications that feature images of a scene as it exactly existed at a precise moment in time.
Fine art photography, on the other hand, is first and foremost about the artist. It is not about capturing what the camera sees but instead is about capturing what the artist envisions. In fine art photography, therefore, the artist uses the camera as one more tool to create a work of art. The camera is used to make an art piece that reveals the vision of the artist and makes a statement of that vision rather than documenting the subject before the lens. For example, Georgia O’Keeffe’s famous desert paintings are an expression of her vision of the New Mexico landscape; on the other hand, if a dozen photographers with tripods set their settings to the required exposure after light-metering and took an image of the landscape next to Mrs. O’Keeffe’s easel, the results would be images that would have recorded the scene but not have presented the artistic statement required of a fine art photograph. Hence, a fine art photograph must contain elements of control similar to the controls Mrs. O’Keeffe and all artists use in making an art piece. Ansel Adams’ expressed it best in the quote below:
“Art implies control of reality, for reality itself possesses no sense of the aesthetic. Photography becomes art when certain controls are applied.”
— Ansel Adams
So, a fine art photograph must go beyond the literal representation of a scene or subject. It must deeply express the feelings and vision of the photographer and clearly reveal that it was created by an artist and not by just the camera. It must be clear that it involved an original, deliberate creation and that every aspect of making the photograph in the field and in the photographer’s post-processing digital studio, including the printing, are an individual expression from within the artist. Below are examples of four fine art photographs which I recently completed:
About the Author
Brian Rivera Uncapher is a U.S. based natural world photographer specializing in photographic techniques that include panning, long exposure/filter combinations, and subject/environment relationships. If you would like to see more of his work, visit his website and follow him on Instagram and Twitter. This article was also published here and shared with permission.