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Automotive photography isn’t just another subject. It’s a way of life

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Many of us own a car, or will at some point in our lives. Even if we don’t, we may have access to nice cars, and almost certainly know somebody who owns one. For a large proportion of photographers, cars are just another subject at which we point our cameras. But for petrol headed photographer, Easton Chang, they’re not just another subject, they’re a way of life.

The Art of Style and Speed is a short film about Chang and his passion, created by SmugMug Films in collaboration with RGGEDU. In it, Chang talks about his inspiration and what car photography means to him. We also get to see behind the scenes on some pretty cool photos.

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Nikon R&D suggests new Nikon mirrorless camera will be full frame

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Nikon’s history with mirrorless hasn’t been all that great. The Nikon 1 was a good idea, but badly executed. They weren’t very popular in either the low or high end markets, which is why they’re killing them off. Overall they have been largely disappointing when compared to the competition. Nikon’s President recently confirmed that a completely new Nikon mirrorless system is in the works.

A recent interview with Nikon R&D General Manager, Tetsuro Goto suggests that any new mirrorless camera coming from Nikon “must be full frame”. If true, this would be very cool. Nikon Rumors published a translation of the interview, Overall, it looks rather promising for the future of Nikon mirrorless.

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See the pros and cons of using natural light and off camera flash outdoors

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Before the proliferation of speedlights and portable strobes over the last few years, people always asked me why I’d take flash out in the daytime. It was often difficult to formulate an answer that they’d accept. They never really “got it” unless I took them on a shoot with me so they could see first hand.

This video from photographer Manny Ortiz embodies the answer in my head, though. Essentially it’s about having options. Sometimes the natural light will give me exactly what I want, and sometimes it won’t. In the horrible British weather, for me it’s more often won’t. So, I take flash with me.

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How to develop your own efficient editing workflow

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When it comes to video editing, there’s more than one way to do any given task. It doesn’t matter whether it’s organising your media, picking your selects, or assembling everything together on a timeline. And everybody has their own way. But when you’re new, learning from others, finding your own way can be a long, slow process.

In this video from TravelFeels, Matti Haapoja talks to us about his YouTube video editing workflow. He covers his complete workflow from organising his files to outputting the final render, and all the steps in between.

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Photos show Profoto is expanding their range with first ever speedlight

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Well, this is an exciting bit of news. It looks like Profoto will soon be announcing their first hotshoe flash. Yes, that’s right, a Profoto speedlight. It’s a bold, but inevitable, move, I think. The existing flash companies have to do something to survive and compete, or they disappear. There’s so much more gear available now, and a lot more pressure on companies to innovate and really deliver what users want instead of what the company simply wants to sell.

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How to DIY a $15 tactical bag into a custom audio kit bag

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When you start to get more serious about video and recording your audio separately, the gear can be a pain. Sure, you start off with a Tascam DR-100 recorder or something, with its little pouch that clips onto your belt. But then, before you know it, you need 4 channels (bigger recorder), wireless mic receivers, battery packs and all kinds of doohickies.

Purpose designed audio bags are available, but can be very expensive. You may decide you want a pricey one eventually, but right at the start? Surely it’s better to just modify a cheap general purpose $15 tactical bag? This video from Devin at DSLR Film Noob shows us how to adapt this bag to your field recording needs.

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HP’s new Z8 workstation lets you edit 8K in realtime with up to 3TB RAM and 48TB storage

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Aside from the regular Apple Macbook Pro updates, we don’t really cover computers all that much on here. Occasionally, though, something pretty exceptional comes along for those interested in photography or video. Something like the Microsoft Surface Studio (or the Dell clone), for example. Now, though, HP have revealed a truly insane powerhouse of a PC.

Housing dual Xeon CPUs with 56 processing cores, Hewlett Packard’s new Z8 workstation takes up to 3TB of RAM (I know!) and 48TB of storage space. While a fully decked Z8 might be out of the price range of most creatives, the base price isn’t actually that bad, at a mere $2,439. For comparison, the 6 core Apple Mac Pro with 16GB RAM starts at $2,999.

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Why the iPhone shoots 4K 60fps but your camera doesn’t

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For video lovers, the biggest point about the new iPhone 8, 8 Plus and X is the ability to shoot 4K UHD video at 60fps. They also all shoot 1080p at up to 240fps. 4K UHD at 60 frames per second is starting to become more common, though. the YI 4K action camera has been able to do it for over a year now. So why can’t our regular cameras?

In this video, video tech YouTuber, Max Yuryev explains the answer to that question. There are a number of contributing factors, but the main cause of them is that the processors inside most DSLRs and mirrorless cameras just aren’t good enough.

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Phase One takes on the human eye with new $45,000 IQ3 100MP Trichromatic digital back

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Phase One have today introduced a new variant of their IQ3 100MP digital back. The IQ3 100MP Trichromatic. Featuring a new Bayer filter CMOS sensor design, developed in partnership with Sony, the IQ3 100MP Trichromatic attempts to replicate how the human eye sees colour.

The technology, Phase One say, promises that the Trichromatic back will bring “unsurpassed colour quality to the hands of the finest photographers across the globe”. A pretty bold claim to make, but knowing Phase One, they wouldn’t make it if they didn’t feel they could back it up.

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It doesn’t matter why this photographer switched from the Fuji X100 to the X-T20

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We often hear stories from both sides of the fence on how much gear really matters. And there are many arguments both for and against Gear Acquisition Syndrome (GAS). We all go through the feelings of it at some point. I know I have. Whether or not we act on it is another matter entirely.

Photographer Sean Tucker decided that he was going to switch out his Fuji X100, a camera which he loves and often raves about, for an X-T20. So, he did exactly that. He picked up an X-T20 along with used 23mm and 35mm lenses. When he posted a photo of it to Instagram, he was hit with wildly varying comments, and lots of them. In this video, he talks about them, offers his response.

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