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Voigtländer

Voigtlander announces the ultra-bright Nokton 50mm f/1.0 and Super Wide-Heliar 15mm f/4.5 lenses for Nikon Z

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Cosina has announced two new lenses for the Nikon Z mount mirrorless system. One is an extremely impressive-sounding Voigtlander NOKTON 50mm f/1.0 Aspherical full-frame lens. A standard field of view with an ultra-wide and bright aperture that’s anything but standard. The other is the Voigtlander SUPER WIDE-HELIAR 15mm f/4.5 Aspherical lens, which is also full frame, offering an extremely wide field of view.

The lenses aren’t entirely new. The Nokton 50mm f/1.0 is already available in Leica M mount. The Super Wide-Heliar 15mm f/4.5 is also available for Sony E mount. But the addition of another mount expands the possibilities for Nikon Z mount shooters – even if they are both manual focus lenses.

Cosina announces Voigtländer 50mm f/2, 35mm f/2, 23mm f/1.2 lenses for Nikon Z; 23mm f/1.2 for Fuji X

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Cosina has anounced four new Voigtländer prime lenses for mirrorless shooters. Out of those, three are made for Nikon Z cameras, and one is intended for Fiji X shooters.

The 50mm f/2 and 35mm are made for full-frame Nikon Z cameras. Of course, you can attach them to an APS-C body too and get 75mm or ~52mm equivalent focal length. The 23mm f/1.2 comes in Nikon Z and Fuji X version, and it was made for APS-C cameras, but it can be used in the crop mode of your full-frame camera.

Cosina has announced three new 35mm f/2 Voigtlander lenses for Leica M and Sony E

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Cosina has announced three new Voigtlander 35mm f/2 lenses. One of them is the Voigtlander Ultron Vintage Line 35mm F2 Aspherical Type II VM for Leica M, available in Black or Silver and the other two are Leica M and Sony E mount versions of the Voigtlander Apo-Lanthar 35mm F2 Aspherical VM.

The horrendously named Voigtlander Ultron Vintage Line 35mm F2 Aspherical Type II VM (we’ll just call it Ultron 2 from here on out) is an update to the existing Ultron 35mm F2 Aspherical lens. It’s designed to be small and compact, which is the opposite of the Apo-Lanthar 35mm F2, which seems to strive for image quality above all else.

Voigtländer announces super-fast 29mm f/0.8 aspherical lens for MFT

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Voigtländer SUPER NOKTON 29mm f/0.8 Aspherical lens has officially been announced. This super-fast lens will be available in MFT mount, and it offers 58mm equivalent focal length. The wide aperture is ideal for shooting in low light conditions, but it also gives you a very pleasing bokeh. So, let’s jump in and see what the new Voigtländer lens offers.

Voigtländer announces three fast primes for Sony FE: 35mm f/1.2, 40mm f/1.2, and 50mm f/1.2

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German lens manufacturer Voigtländer has just announced three new fast primes for Sony full-frame mirrorless cameras: 35mm f/1.2 SE, 40mm f/1.2 SE, and 50mm f/1.2 SE. The “SE” stands for “Still Edition,” meaning that they’re aimed particularly at still shooters. The reason for this is clickable aperture, but it also makes them more affordable than the Sony counterparts.

Cosina has officially announced the Voigtlander NOKTON 60mm f/0.95 lens for Micro Four Thirds

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This one’s been anticipated for a while now, with lots of hushed talk and whispers whenever its name was mentioned. But it’s finally official. Cosina has now announced the new super-bright aperture Voigtlander NOKTON 60mm f/0.95mm lens for Micro Four Thirds cameras.

On the Micro Four Thirds cameras for which it is intended, it offers a field of view equivalent to that of 120mm focal length on a full-frame body. As such, it’s designed primarily for portraits, and should offer a look with depth of field similar to something like the Sigma 105mm f/1.4 Art, but with a slightly tighter field of view. Of course, it has an extra stop and a bit of brightness over f/1.4 for shooting in lower light conditions or at lower ISO to reduce noise.

9 Lenses with very special bokeh

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I have played with photography a little bit since I was a boy, first with an old Olympus 35mm film point-and-shoot, then with a GameBoy camera and later a pretty terrible mobile phone. At age 18 I got my first DSLR and instantly fell in love with out-of-focus backgrounds, and now almost 10 years later I still have a passion for bokeh.

Most new lenses aim to have bokeh that is very smooth. Some people really like this, and in most lens comparisons and reviews, the smoother bokeh is considered the winner. And while I do like the smoother bokeh from some lenses, sometimes I find it can be a bit boring to me. An example of this is the Sigma Art 35mm f1.4, a lens that is very highly regarded, and I have absolutely nothing against it, it’s just not to my taste.

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