Voigtländer SUPER NOKTON 29mm f/0.8 Aspherical lens has officially been announced. This super-fast lens will be available in MFT mount, and it offers 58mm equivalent focal length. The wide aperture is ideal for shooting in low light conditions, but it also gives you a very pleasing bokeh. So, let’s jump in and see what the new Voigtländer lens offers.
Voigtländer announces three fast primes for Sony FE: 35mm f/1.2, 40mm f/1.2, and 50mm f/1.2
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German lens manufacturer Voigtländer has just announced three new fast primes for Sony full-frame mirrorless cameras: 35mm f/1.2 SE, 40mm f/1.2 SE, and 50mm f/1.2 SE. The “SE” stands for “Still Edition,” meaning that they’re aimed particularly at still shooters. The reason for this is clickable aperture, but it also makes them more affordable than the Sony counterparts.
Cosina has officially announced the Voigtlander NOKTON 60mm f/0.95 lens for Micro Four Thirds
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This one’s been anticipated for a while now, with lots of hushed talk and whispers whenever its name was mentioned. But it’s finally official. Cosina has now announced the new super-bright aperture Voigtlander NOKTON 60mm f/0.95mm lens for Micro Four Thirds cameras.
On the Micro Four Thirds cameras for which it is intended, it offers a field of view equivalent to that of 120mm focal length on a full-frame body. As such, it’s designed primarily for portraits, and should offer a look with depth of field similar to something like the Sigma 105mm f/1.4 Art, but with a slightly tighter field of view. Of course, it has an extra stop and a bit of brightness over f/1.4 for shooting in lower light conditions or at lower ISO to reduce noise.
Voigtländer announces Nokton 21mm f/1.4 Aspherical lens for Sony E-mount
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German lens manufacturer Voigtländer has launched Nokton 21mm f/1.4 Aspherical lens for Sony E-mount. Since it’s a manual focus and de-clickable, this fast and wide prime lens can be a good choice for both photographers and filmmakers.
9 Lenses with very special bokeh
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I have played with photography a little bit since I was a boy, first with an old Olympus 35mm film point-and-shoot, then with a GameBoy camera and later a pretty terrible mobile phone. At age 18 I got my first DSLR and instantly fell in love with out-of-focus backgrounds, and now almost 10 years later I still have a passion for bokeh.
Most new lenses aim to have bokeh that is very smooth. Some people really like this, and in most lens comparisons and reviews, the smoother bokeh is considered the winner. And while I do like the smoother bokeh from some lenses, sometimes I find it can be a bit boring to me. An example of this is the Sigma Art 35mm f1.4, a lens that is very highly regarded, and I have absolutely nothing against it, it’s just not to my taste.
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