Tutorials
Lighting setup: Textured fashion lighting with coloured gels
I spent many, many years working in a busy studio that focused on quantity over quality. As photographers working there, we did our best to…
Learn to shoot wine bottles with this brilliant lighting breakdown
How many times have you been browsing an online wine catalogue or a magazine and stopped to really appreciate the photographs of the bottles? A…
How to make Foveon sensor-like images with a traditional Bayer sensor array camera
You can achieve Foveon-like images with deep colors and crisp individual pixels with your conventional (Bayer) camera. However, this comes at the price of losing…
How to build your visual identity as a photographer
The visual identity of a photographer is no different than that of any other company. Although you may have spent years creating a photographic style that is…
Should you use Jpeg or Png? Here’s the final answer to the question
I know, I know, you’ve all likely been up countless nights stressing about whether that image should have been saved as a Jpeg or a…
All you need to know about logos and making one as a photographer
The photographer logo or wordmark is the foundation of your visual identity — the visual representation of your company’s brand and core values. A logo…
50 drone tips for beginners and pros to take your footage up to the next level
No matter how long we’ve been flying drones or how much experience we have, there always seems to be more ways to improve with new…
Hard light vs soft light and how it applies to still life, food and product photography
The concept of hard vs soft light comes up all the time, particularly on YouTube, but it’s typically in relation to portraits and other photographs…
How to digitise your signature and watermark your photos with a one-click action in Photoshop
Whether you love them or hate them, watermarks are a thing and some people want it to be a bit more personal than just a…
Try this simple smartphone double exposure pano on your next photo walk
Once upon a time, I used to spend hours in the darkroom, making elaborate double exposures with negatives. Then, in the digital era, I started…







































