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10 tips for filming miniatures to make them look larger than life to the camera

Miniatures have been a part of filmmaking pretty much since filmmaking began. They’re typically used when building a full-sized set or prop would be impractical or just flat out impossible. Sometimes they’re used to create forced perspective shots to make a miniature look like it’s part of the real world or to be able to blow something up that they couldn’t blow up in real life or to create something that could just never really exist in the real world.

Whatever your reasons for using them, they’re a lot of fun and can be very effective when done right. But how do you do them right? Well, you can start by watching this video from Steve Ramsden where he goes over his top 10 filmmaking tips for filming miniatures to make them look (and act) like they’re a part of the full-sized real world.

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Nope, those 30-year-old Terminator 2 bullet effects weren’t CGI, they were practical effects

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When 1991’s Terminator 2 was first released, it was an effects marvel, in terms of both Special Effects and Visual Effects. The two terms are essentially differentiated by their use of computer graphics, and Terminator 2 was pretty groundbreaking in terms of the latter. But it still contained a lot of practical effects – and that included the bullet hits on the mimetic polyalloy (“liquid metal”) T-1000 Terminator, portrayed by Robert Patrick.

A recent post to the Stan Winston School Instagram account recently shared a behind the scenes clip along with an excerpt from The Winston Effect: The Art and History of Stan Winston Studio by Jody Duncan. It demonstrates and explains how the bullet impacts were created using “vacumetalized” latex, foam and a spring-loaded mechanism triggered by an RC controller.

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Recreating the Apollo 13 rocket launch with practical models at home

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Winner of multiple Oscars, BAFTAs and SAG awards, Apollo 13 was a pretty epic movie. And with a budget of $52 million it had some pretty spectacular effects, too. Apollo 13 was a mix of model and miniature effects as well as CG and compositing, with one of the most memorable scenes being the launch itself.

DIY filmmaking and effects guru Steve Ramsden wanted to have a go at remaking this scene for himself with the help of a model rocket, some stock footage and Google Earth. Ironically, this was exactly the way the VFX team on the actual movie didn’t want to shoot it, but Steve’s interpretation turned out pretty well.

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This is how special effects artists made the muscle and “fat” suits for Bill & Ted Face the Music

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Many of us will remember the original adventures of Ted Theodore Logan and Bill S. Preston Esq., and their long-awaited third movie was finally released last month. There was quite a bit of makeup and effects for certain parts of the movie, though, as… well, this post will likely contain spoilers so I’ll save it for after the jump.

But this 9-minute behind the scenes look goes through the process of how special effects artists like Kevin Yagher (who worked on the first two Bill & Ted movies, countless others and is also creator of the original Chucky) built the muscle and “fat suits” for Keanu Reeves and Alex Winter for various scenes during their reprisal of those two iconic characters.

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This is why your green screen shots look terrible and how to prevent it

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There are many tips, tricks, and techniques to get green screen shots right. However, it still sometimes looks terrible, even in big-budget movies and TV shows. What’s the problem? Why is it that we can sometimes clearly tell when something was shot in front of a green screen? In this video, Tom Scott addresses these problems in an informative, yet highly amusing way. So, if you just can’t seem to get your green screen shots right – maybe you’re making one of these mistakes.

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Five filmmaking tricks and techniques that you need to learn

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Everybody’s always looking for tips, tricks and shortcuts to make their lives easier. Whether it’s photoshop, filmmaking, or just about any part of our lives. With filmmaking, especially, there are a lot of different things to learn and experiment with. So videos like this one from the folks at Film Riot are always welcome.

In it, Ryan Connolly gives us five of his favourite filmmaking tips that he’s used regularly over the past 10 years. Things that every filmmaker should at least try and know a little bit about for those times when it might just be the perfect solution to a problem that pops up.

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This is how famous breathtaking stunts were performed before we had green screens and after effects

Silent films of the early 20th century had some pretty breathtaking stunts that would be made using a green screen in modern days. Just think of Harold Lloyd’s famous clock scene or Charlie Chaplin’s roller skating scene. Some of the stunts they filmed even seemed quite dangerous, but this video shows that it was, in fact, all a matter of perspective and clever planning.

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Here are four green screen tricks you can make without the green screen

Green screen is a popular and useful tool for creating all kinds of visual effects. You can DIY it, you can even paint it, but there are some awesome green screen tricks which don’t even require it! In this video, Jordy and Yannick of Cinecom.net demonstrate four of these tricks you can pull off without using an actual green screen, but by chroma keying smaller objects.

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How to use Photoshop’s “Blend If” feature like a pro

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Blend If is a very useful Photoshop tool. Jesús Ramirez of Photoshop Training Channel calls it “the unsung hero,” and he wants to teach you how to use this handy feature. In his video tutorial, you’ll learn some theory about “Blend If” and how to use it to replace the sky, create special effects and apply textures in Photoshop.

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