Leica has announced the newest addition to its L Mount lens lineup, the Leica APO-Summicron-SL 50mm f/2 ASPH. Priced at a mere $4,495, Leica says the new lens “sets an even higher benchmark for the Summicron-SL family” of lenses. It consists of twelve elements in 10 groups to offer what Leica describes as “natural skin tones, smooth bokeh, outstanding contrast and consistent sharpness from corner-to-corner”.
Panasonic has now officially announced the new full-frame L mount mirrorless S1H camera. With 6K 3:2 24p video capabilities, 14+ stops of dynamic range, the camera is still technically in the development stages, but it is now definitely on the way. They’re hoping to release it in Autumn 2019, though, and is expected to have a price tag of around $4,000.
Panasonic is expected to announce a new full frame Lumix camera tomorrow. The name “S1S” had been thrown around, but it seems that it’ll actually be called the S1H, according to an early leak of the announcement and photos from French website Magazine Video.
Not too much has been released about its specs yet, except that it’ll shoot 6K 30fps and 4K DCI 60fps 10-bit video, feature V-Log/V-Gamut with a dynamic range of 14 stops, and that it will have no shooting time limit.
So here’s an interesting bit of news, if true. Panasonic is apparently getting ready to announce a new “Cine LUMIX” camera at the end of the month, according to a post on L-Rumors. There isn’t much information about it yet, or, well, any at all, really, except for rumours, but they have high confidence that they’re true.
The Sigma/Leica/Panasonic alliance has been big news since it was officially announced at Photokina 2018. We’ve already seen two new full frame L mount cameras from Panasonic, and now Sigma’s Art series prime lenses are going L mount. Sigma brought some of the new L Mount prototype lenses to NAB 2019 so we had a quick look. Yyou’ll also be able to use your Canon EF & Sigma SA lenses with the new Panasonic S1 and S1R using the MC-21 mount adapter.
Last October, when Leica manager Stephan Schulz was badmouthing Sony’s E Mount, and how it simply couldn’t handle faster lenses due to its small stature, Sony come back not long after they said that they could absolutely do f/1.0 lenses. They just don’t think it’s worth the hassle and that the demand simply isn’t there.
Well, they seem to have taken things a little further now. With Nikon’s claim of theoretical f/0.65 lenses, Sony claims that they could produce f/0.63 lenses. And they have diagrams to prove it!
If you’ve been thinking about pre-ordering a Panasonic S1 or S1R mirrorless camera but were worried about lens options, then worry no more. Sigma has today announced that 11 of their Art series prime lenses are coming to L mount, along with a pair of new MC-21 adapters allowing you to mount your Canon EF and Sigma SA mount lenses onto Sigma, Panasonic and Leica L mount bodies.
There’s been a lot of rumours and speculation over the past few months since Panasonic unveiled their alliance with Leica and Sigma at Photokina and briefly introduced us to their two new full-frame mirrorless cameras; the Panasonic Lumix S1 and S1R. Now, they’re finally here. Well, at least to pre-order. But here’s all the info, specs and capabilities.
Well, it’s (almost) official. The launch of the Panasonic S1 and S1R full-frame mirrorless cameras was expected in March, presumably, so they could tease them at The Photography Show, and then show them off properly at Photokina. Since Photokina was cancelled, however, Panasonic let out a new teaser letting us know to expect an announcement on January 31st (today).
It looks like UK retailers Park Cameras and CVP might have jumped the gun slightly, though, because, for a brief time, they listed the new cameras and various lens combos on their websites for pre-order, along with prices. Well, Park had prices, CVP didn’t.
One of the things that many people seem to have noticed about the new Nikon Z6/7 and Canon EOS R full frame mirrorless cameras is that the lens mount is huge. They look at their Sony with its relatively small E-Mount and wonder what the big deal is? Is it all just marketing hype from Nikon and Canon to sell super fast aperture lenses?
Maybe not. Leica manager Stephan Schulz backs up the idea that Sony’s E Mount wasn’t designed for full frame cameras in a recent interview with Reddotforum. He also explains why the L mount was developed to address the needs of full frame mirrorless cameras and lenses with autofocus.