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Kolari mod solves EOS R5 over heating – Costs $399 and probably voids your warranty

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The folks at Kolari Vision have been working hard on trying to solve the Canon EOS R5 overheating issues for a while now. They were the first to tear open the EOS R6 and publish what they saw. They also identified the timer that was causing the camera to shut down at the predetermined times with the original firmware.

When Canon updated the EOS R5 firmware, though, it now seemed to be looking at the actual temperature rather than using a timer – which opened up the possibilities for cooling. Matt Perks had a go at it quite successfully, but now Kolari Vision has also solved it, with a passive cooling mod. But, it costs $399 to them implement it and it will almost certainly void your warranty.

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Kolari Vision’s new clip-in filters for the EOS R5 & R6 live between your lens and sensor

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Kolari Vision has announced a new set of clip-in magnetic filters for the Canon EOS R5. They mount inside the camera body in front of the sensor but behind the lens. It’s compatible with native RF mount lenses or when using the EF to RF adapter. Kolari initially announced the clip-in filter system for the EOS R system last September.

Now, though, it’s finally here. There are two types of filters available. One fits the EOS R, R5 and R6. The other is for the EOS RP. Both are available in various flavours, designed to work with cameras converted to full-spectrum (seeing both IR and UV, as well as visible light). The filters allow you to cut the range back down to see just the wavelengths you want.

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This UV filter can survive a 100ft drop

Many photographers use UV filters to protect their lenses from scratches or any other damage. Well, this filter will sure protect them. Kolari Vision has announced the new Pro UV Cut Protective Filter that’s so durable that it can survive a 100 ft (30 m) drop nearly without a scratch.

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Tearing down the Sigma fp – the world’s smallest and lightest full-frame mirrorless camera

Since making is debut in July of 2019, the Sigma fp has gained notoriety as a very capable camera among its mixed reviews. The decidedly lowercase ‘fp’ is Sigma’s first full-frame sensor. The fp was released the same year that all other major camera manufacturers that aren’t Sony were releasing their first or second full-frame mirrorless cameras, and in typical Sigma fashion, the fp stood out from the crowd.

It’s certainly doing its part now to popularize the sensor-in-box style form factor that makes so much sense for video shooters. This design also makes it a great candidate for conversion to Infrared!

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Kolari Vision releases new drop-in filters for Canon EF to RF adapter and they’re available now

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While Kolari Vision might not have been the first company to announce the release of drop-in filters for the Canon EF to RF drop-in filter adapter, they are the first to bring them to market. Kolari Vision has now announced the release and immediate availability of a range of filters designed specifically for the Canon EF to RF drop-in filter adapter. All the filters are similarly sized which is a nice storage feature, although the glass part will vary in size.

Breakthrough filters announced their filters for the Canon EF to RF drop-in filter adapter a couple of weeks ago, but they don’t ship until later this month. Kolari Vision, on the other hand, has some of their new range of drop-in filters shipping already. And they have aluminium frames, not plastic, for maximum durability.

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EOS R6 teardown reveals the timer chip that’s holding the camera back

Here at Kolari Vision, we love tearing into the newest camera gears to learn how they work and if they can be modded for infrared photography, full spectrum photography, or other things. We’ve been really excited about the R5/R6 release, and had plans to add some cooling mods and overhaul it into a proper video camera.

Reports from EOSHD that Canon uses an overheat timer rather than actual temperature readings left us a bit disappointed and calls into question whether physically cooling down the camera can actually give any more shooting time. Andrew Reid was able to bypass this timer by using a screw to override the safety shutoff switch in the battery door compartment and do a hard shutdown during recording, but this seems to corrupt video files.

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Take a peek inside the Canon EOS R6 mirrorless camera in this disassembly and teardown

Here at Kolari Vision, we love tearing into the newest camera gears to learn how they work and if they can be modded for infrared photography, full spectrum photography, or other things. We’ve been really excited about the Canon EOS R5 & EOS R6 release and had plans to add some cooling mods and overhaul it into a proper video camera.

Reports that Canon uses a clock rather than temperature readings left us a bit disappointed and calls into question whether physically cooling down the camera can actually give any more shooting time. While we don’t have an R5 yet, we did get an R6 this week and tore it down to see what’s inside. Here we’ll go over the basics that we found inside, how the thermals are handled, and later share some insights we learned about how the Canon clock circuit works.

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Kolari Vision’s new neutral density filter works with both visible light and infrared cameras

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Neutral density filters have long been in the bags of photographers. Whether it’s to bring your exposure down below flash sync speed or simply to be able to create long exposures during bright conditions. But infrared is often a problem. Many filters let in too much. So-called “IRND filters” were released to block all IR and alleviate the issue. But what if you want to shoot an infrared long exposure?

Kolari Vision’s new Kolari Pro IRND filter is not like the IRNDs we’re used to, which completely block infrared. This one blocks both infrared and the visible spectrum in equal amounts, meaning that you can use for both types of photography with (in theory at least) and should offer virtually none of the colour cast typically associated with strong ND filters.

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Tearing down the Sony A7R IV to see what makes it tick

2020 is just around the corner, and if there is one thing we can be sure of, it’s that Sony probably isn’t going to be slowing down. While every iteration of the different A7 and a6000 camera lines launch with significant improvements over their predecessors, the most recent A7R took leaps and bounds in both capability and design progress.

We’re at 61 megapixels on a full-frame now. The A7R IV brought us here, past the D850, the 5Ds, and even Fuji’s GFX 50 cameras. With that, it brings a 10fps continuous drive rate and all the top-notch AF and video capability we’ve come to expect from Sony. The body itself is just a little different on the outside. The grip is definitely a little beefier than before.

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We tore down the Panasonic Lumix S1R to see what makes it tick

We really didn’t know what to expect going into this. Panasonic hasn’t even made an APS-C body before, nevermind a full-frame flagship mirrorless camera. Though, it seems they realized the S1 series needed to make a splash if its release was going to trail behind Canon and Nikon’s first foray into professional-grade mirrorless cameras because the Panasonic S1R is massive.

This body is titanic compared to its competitors: the A7R III, Z7, and EOS R. Panasonic has decisively abandoned the notion that photographers want mirrorless cameras because of their reduced size and weight. The Panasonic S1R weighs in at 1.98 pounds. That’s about half a pound heavier than the Z7, or less than an ounce shy of the medium format Fuji GFX 50S! This camera is a beast!

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