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Kolari Vision releases new drop-in filters for Canon EF to RF adapter and they’re available now

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While Kolari Vision might not have been the first company to announce the release of drop-in filters for the Canon EF to RF drop-in filter adapter, they are the first to bring them to market. Kolari Vision has now announced the release and immediate availability of a range of filters designed specifically for the Canon EF to RF drop-in filter adapter.

Breakthrough filters announced their filters for the Canon EF to RF drop-in filter adapter a couple of weeks ago, but they don’t ship until later this month. Kolari Vision, on the other hand, has some of their new range of drop-in filters shipping already. And they have aluminium frames, not plastic, for maximum durability.

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EOS R6 teardown reveals the timer chip that’s holding the camera back

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Here at Kolari Vision, we love tearing into the newest camera gears to learn how they work and if they can be modded for infrared photography, full spectrum photography, or other things. We’ve been really excited about the R5/R6 release, and had plans to add some cooling mods and overhaul it into a proper video camera.

Reports from EOSHD that Canon uses an overheat timer rather than actual temperature readings left us a bit disappointed and calls into question whether physically cooling down the camera can actually give any more shooting time. Andrew Reid was able to bypass this timer by using a screw to override the safety shutoff switch in the battery door compartment and do a hard shutdown during recording, but this seems to corrupt video files.

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Take a peek inside the Canon EOS R6 mirrorless camera in this disassembly and teardown

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Here at Kolari Vision, we love tearing into the newest camera gears to learn how they work and if they can be modded for infrared photography, full spectrum photography, or other things. We’ve been really excited about the Canon EOS R5 & EOS R6 release and had plans to add some cooling mods and overhaul it into a proper video camera.

Reports that Canon uses a clock rather than temperature readings left us a bit disappointed and calls into question whether physically cooling down the camera can actually give any more shooting time. While we don’t have an R5 yet, we did get an R6 this week and tore it down to see what’s inside. Here we’ll go over the basics that we found inside, how the thermals are handled, and later share some insights we learned about how the Canon clock circuit works.

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Kolari Vision’s new neutral density filter works with both visible light and infrared cameras

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Neutral density filters have long been in the bags of photographers. Whether it’s to bring your exposure down below flash sync speed or simply to be able to create long exposures during bright conditions. But infrared is often a problem. Many filters let in too much. So-called “IRND filters” were released to block all IR and alleviate the issue. But what if you want to shoot an infrared long exposure?

Kolari Vision’s new Kolari Pro IRND filter is not like the IRNDs we’re used to, which completely block infrared. This one blocks both infrared and the visible spectrum in equal amounts, meaning that you can use for both types of photography with (in theory at least) and should offer virtually none of the colour cast typically associated with strong ND filters.

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Tearing down the Sony A7R IV to see what makes it tick

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2020 is just around the corner, and if there is one thing we can be sure of, it’s that Sony probably isn’t going to be slowing down. While every iteration of the different A7 and a6000 camera lines launch with significant improvements over their predecessors, the most recent A7R took leaps and bounds in both capability and design progress.

We’re at 61 megapixels on a full-frame now. The A7R IV brought us here, past the D850, the 5Ds, and even Fuji’s GFX 50 cameras. With that, it brings a 10fps continuous drive rate and all the top-notch AF and video capability we’ve come to expect from Sony. The body itself is just a little different on the outside. The grip is definitely a little beefier than before.

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We tore down the Panasonic Lumix S1R to see what makes it tick

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We really didn’t know what to expect going into this. Panasonic hasn’t even made an APS-C body before, nevermind a full-frame flagship mirrorless camera. Though, it seems they realized the S1 series needed to make a splash if its release was going to trail behind Canon and Nikon’s first foray into professional-grade mirrorless cameras because the Panasonic S1R is massive.

This body is titanic compared to its competitors: the A7R III, Z7, and EOS R. Panasonic has decisively abandoned the notion that photographers want mirrorless cameras because of their reduced size and weight. The Panasonic S1R weighs in at 1.98 pounds. That’s about half a pound heavier than the Z7, or less than an ounce shy of the medium format Fuji GFX 50S! This camera is a beast!

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This photographer converted his Sony A7R to full spectrum for infrared photography

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There are two things common to many photographers. We’d like to be able to shoot infrared – because why not? It’s a lot of fun – and we probably have an old DSLR or mirrorless camera or six laying around somewhere just gathering dust. Photographer Davin Lavikka fell into those categories, so he decided to do something about

While there are many conversion services out there around hte world now, Davin decided to convert his old Sony A7R into a full spectrum camera all by himself. If you want to follow Davin’s lead and try the same, you do so at your own risk!

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This DJI Mavic Pro 2 shoots infrared and the footage is stunning

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The DJI Mavic 2 Pro was made with high image quality in mind. And what happens when you modify the Mavic 2 Pro’s camera to shoot infrared? Well, you get a stunning and surreal aerial footage. Philip Bloom had his drone camera converted and here’s the video showing just how amazing it looks to shoot infrared video from air.

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Dismantling the new Canon EOS RP in this extreme teardown

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I’d think most people were pleasantly surprised with the release of the EOS RP. Full-frame mirrorless cameras were getting increasingly sophisticated, which is a good thing, but they were getting increasingly expensive along the way. After all, it’s the enthusiast and prosumer crowd that wants mirrorless cameras more than anyone else.

Top tier professional photographers are still largely sticking with traditional DSLRs, for now. The only full-frame mirrorless options for that growing crowd of serious but not seriously paid photographers were the now-5-year-old (time is really flying) Sony A7 II or the even older and clunkier A7. Anything with current tech would run you $2,000 minimum, namely the A7 III. I’m not saying this camera wasn’t an absolute steal considering what it can do, but $2,000 is still a lot of money for most people who do not shoot full-time for a living and leaves little room for modern, mount-native glass. If only there was something to fill that gap.

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Nikon Z6 teardown shows that it’s just as solid and well-built as the Z7

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Nearly two months ago, we dove into the Nikon Z7 and showed you what was happing inside all the way down to the sensor. Today, we did the same with the Z7’s standard resolution counterpart, the Nikon Z6. At 25 megapixels and just under $2000 MSRP, the Z6 is encroaching on the Sony A7 III’s turf. The A7 III has proven itself to be a high-performing, tuned down version of the A7R III, “the basic model”, delivering beyond what the market is accustomed to at that price point. So, does the Z6 meet this new standard for the $2000 camera body? The specs certainly check out, but what about the build? Is the Z6 as well built as the Z7, or did Nikon cut corners to meet the lower price point?

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