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Maximising space – A tour of our new not-huge studio

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We moved to our new studio a few months ago and we have been gradually building things as we go. This will be the first of several videos in this series where we will try and give a look at what we tried to accomplish with our studio.

Our new studio isn’t big, it is actually about the size of a mid size room (close to 40 square meters which is just over 400 square feet). It has quite low ceilings which isn’t ideal for photography in many respects but we tried to get the best out of it and it does have some advantages for what we have been doing as you will see later on.

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The Tilta Nucleus Nano adds a wireless focus wheel & motor to your gimbal

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If you’ve been jealous of the focus wheels available on the Zhiyun Crane 2 and Crane 3 LAB because your gimbal doesn’t have one, then lust no longer. Tilta has now released the Nucleus-Nano wireless follow focus system for gimbals that don’t have this feature built into the unit. It comes with adapters for the DJI Ronin-S as well as other Zhiyun Crane gimbals that don’t have a built-in focus wheel. And it’s only $229.

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How to mod an old 35mm SLR lens to make your own DIY “Anamorfake” lens

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Anamorphic lenses have become very popular again, ever since somebody realised you could mount one to a DSLR and then stretch the footage out in post. But anamorphic lenses are not cheap, not by any stretch of the imagination. They do produce a very unique look, though, that a lot of people find attractive.

In this video from Todd Blankenship at Shutterstock, we see how to modify an older 35mm SLR lens to produce a similar look to an anamorphic lens.

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How to shoot a dark dramatic scene lit by computer monitors

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When I first saw this video from The Film Look pop up in my feed, I thought it was going to be about how to simulate computer monitor light with studio lights, but it’s actually not. Here they used actual computer monitors to light the subjects to film this scene.

They did add a couple of small LED lights as well, to help light up the background and add rim lights, but it’s a very simple setup for recording a dramatically lit scene and making the most out of practical lighting (well, monitors) to light your shot.

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Five filmmaking tricks and techniques that you need to learn

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Everybody’s always looking for tips, tricks and shortcuts to make their lives easier. Whether it’s photoshop, filmmaking, or just about any part of our lives. With filmmaking, especially, there are a lot of different things to learn and experiment with. So videos like this one from the folks at Film Riot are always welcome.

In it, Ryan Connolly gives us five of his favourite filmmaking tips that he’s used regularly over the past 10 years. Things that every filmmaker should at least try and know a little bit about for those times when it might just be the perfect solution to a problem that pops up.

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Here’s how to combine practical effects with CGI in videos

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If you’re shooting videos, you can find both practical effects and CGI useful. But combining them can give you limitless creative possibilities. In this video, Liran Friedman of Artlist will show you how you can bring practical visual effects and CGI together and shoot an original and fun video.

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Filmmakers, you can win over $1 million in prizes in 2019 My RØDE Reel competition

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For the sixth year in a row, RØDE is announcing My RØDE Reel, the world’s largest short film competition. This year’s prize pool is the biggest yet, offering over $1 million in prizes over nearly 30 contest categories. Everyone can enter and win some of the valuable prizes from the filmmaking industry’s biggest brands, all you need to do is make an awesome short.

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G-Technology shows how their kit can integrate into DIT carts on movie shoots

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The Digital Imaging Technician Cart (or “DIT Cart”) is where all of the media is ingested from a shoot and organised once it’s captured. G-Technology was showing off how some of their kit integrates into a DIT cart at NAB 2019, so we had a chat with them to find out more about it and how it helps with film set workflow.

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Blackmagic DaVinci Resolve 16 now comes with “Content-aware Fill” style features for video

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The big news lately from the Adobe camp is Content-aware Fill for video in Adobe After Effects. But Adobe isn’t the only company who has been working on such a feature. Blackmagic’s latest DaVinci Resolve 16 Beta update also includes a similar feature, along with a slew of other major updates.

We spoke with Blackmagic at NAB 2019 to find out more about the new features that have come to DaVinci Resolve 16 Beta.

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