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Learn how to use sound design to add massive impact to your videos

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Sound design is an often-ignored part of video production for many people outside of the world of big movie studios. But it’s an important part of the overall production that can add a lot of value to the end result. It’s not just for feature-length movies, either. It can be used very effectively in your vlogs and travel videos, too.

In this video, filmmaker Bryn North talks us through the process of adding sound to your videos. To demonstrate that you can do it with just about anything, Bryn downloaded a bunch of clips from ArtGrid and cut them together. Then he walks us through the types of sounds and why he chose certain shots for certain clips.

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Irix expands its Cine lens lineup with the new Irix Cine 15mm T2.6

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Irix has today announced the addition of the new Irix Cine 15mm T2.6 to their cinema lens lineup. Teased a few days ago, it joins the 11mm T4.3, 45mm T1.5 and 150mm T3.0 Macro lenses in the Irix range of cinema lenses. Irix says that it’s designed for super-high-resolution 8K video, with minimal distortion, and compact and lightweight construction.

Like most cinema lenses, it features built-in toothed gears on the focus and aperture rings for use with follow focus systems and is weather sealed to stand up to a wide range of shooting environments. It’s available in several popular mounts, including Canon EF, Sony E, Micro Four Thirds and PL.

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Use these three techniques to shoot manual focus lenses on a gimbal

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I don’t shoot on a gimbal all that often. When I do, it’s usually for b-roll. But I’m usually doing it with manual focus lenses. It presents some challenges, but they’re pretty easy to overcome. Sure, plenty of cameras have autofocus these days when shooting video, and it’s getting better and better all the time, although it’s still not perfect.

Imperfect systems that are quite easy to confuse are the problem that wedding photographer and filmmaker Matt Johnson has with autofocus when shooting on a gimbal, too. So, in this video, he talks about three of his top tips for shooting video on a gimbal using manual focus lenses.

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8 stupid photography and filmmaking mistakes we’re almost all guilty of making

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While most of us aren’t out shooting, now is a perfect time to sit and reflect on the photographic and filmmaking mistakes we’ve made, and how we can stop making them going forward. In this video, Joris Hermans talks about 8 of the dumbest photography and filmmaking mistakes he’s made (and sometimes still makes). They’re mistakes that almost all of us have made at some point.

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Four ideas for recreating Hollywood shots with stuff you have at home

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A lack of gear or budget is frustrating, but it shouldn’t stop you from creating. To help you get stunning shots even on a tight budget, Dan Mace has prepared a fun and useful video. He recreated four shots from movies and TV shows with almost no budget. Mainly he used objects he found around his house and he even acted as his own stuntman. So, if you need low-budget filmmaking ideas, check out his video below.

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Zacuto scales down their Recoil Rigs with new “ACT” line for DSLRs and mirrorless cameras

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Zacuto believes that DSLRs and mirrorless cameras still have a big place in video, and have now announced a new line of ACT Recoil Rigs designed specifically for use with them. Claiming they can handle everything from the teeny tiny Sigma fp up to a giant Canon 1DX Mark III. They come ready-to-shoot right out of the box, and come in a variety of different kits for various specific camera models, and there’s a universal option to cover the rest.

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The Maxima 7 flicker-free LED light is a 1200 PAR HMI equivalent with 700 Watts of power

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LED lighting technology has come very far over the last decade. It’s replaced the more traditional incandescent “hot lights” we used to see in video, movie and photography studios. The Maxima 7 is a new 5600K Chip-on-board (COB) LED light that’s the equivalent of a 1.2K HMI that lets you pretty much recreate the sun on your set.

It’s being developed by a company in Italy, and while there are other 1.2K equivalent LED lights out there on the market, this one wants to separate itself by form factor, light output and versatility. It even has a Bowens mount to let you use softboxes and other modifiers.

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Here are five bad filmmaking habits you definitely want to avoid

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Whenever you’re learning something, or even when doing it every day as your profession, you’re going to make mistakes. It’s just a fact of life. What’s important is how we deal with those mistakes and what we learn from them.

Jordy over at Cinecom has almost certainly made his fair share of mistakes over the years and in this video, he’s going to help you benefit from them. Here he shares five of the biggest mistakes he’s made so that you don’t have to.

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How to blend time with motion control from planning to post production

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Motion control is one of the most fascinating topics of photography and filmmaking for me. It combines several of my favourite subjects. Photography, electronics, engineering and programming. Motion control allows us to create some amazing imagery that just wouldn’t be possible in any other way. It also allows us to do it over and over again consistently.

That’s what drew YouTube channel Media Division to motion control and The Marmalade production house to record their new video intro. Consistency and repeatability. Their goal was to create a composite clip, shot with a moving camera, blending four different speeds of footage from real-time to 25% speed seamlessly.

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Five epic camera movements you can pull off with your 360 camera and $0 budget

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We love DIY camera tricks, and 360˚ cameras open up a whole new world of possibilities. Director and filmmaker Karen X. Cheng has some brilliant ideas for camera movements that look darn epic, yet they require virtually no budget. Grab your 360˚ camera, some stuff you probably have at home, and let’s dive in!

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