Premiere Pro is about to make it easier to manage and organize your projects and share them with the members of your team. Productions a new feature set coming soon to Premiere Pro. Productions provides new tools for managing projects, sharing assets between them, aimed both at your solo projects and those on which you work with a team.
I see a lot of jibs, sliders, cranes and other doohickies appear across my screen as new gear is announced. Other than the ridiculous ones they use in Hollywood, not many of them grab my attention. But Edelkrone’s new JibONE certainly has. On first glance, it looks much like any other mini-jib for your camera, except that it has Edelkrone written on it. But this one also has built-in motors and can be controlled via your phone.
We haven’t heard much about Sharp’s 8K camera for a while. It was first shown off at CES 2019, a whole year ago, and it’s been pretty much radio silence ever since. At least, until CES 2020 last week where they had one on display, and a few updates to talk about – including a price point $1,000 lower than they said last year.
As the name of the filter alludes to, these lens filters do indeed lower the overall contrast of a shot. To clarify what that means in relation to photography; these filters will reduce the darkness of the shadows by allowing light to bleed into them from surrounding highlights.
It’s difficult to come up with original GoPro footage these days. Everything’s just been done. But this is something I haven’t seen before. YouTuber Mr. Michal secured what looks like a GoPro Hero 7 Silver one into his lathe and spun it at various speeds up to 1800 revolutions per minute.
At slower speeds, it looks pretty cool, like a handheld motorised gimbal in “vertigo” mode. As the speed increases, though, so does the nausea factor. But at certain rpms, you see the rotational speed sync up with the frame rate and the shutter speed and it gets pretty interesting. At 1800rpm it gets very cool.
One of the biggest struggles with making video content is finding good music at a decent price. There are two main models out there for music licensing. On one, you pay per song and on the other, you pay a subscription which provides access to all their content for you to use in your videos for as long as your account is active.
A new music service called Audiio appears to be based on the latter, offering an annual subscription for $199 per year (pretty standard these days), but to celebrate their launch, this $199 price will get you a lifetime subscription to their service if you sign up within the first 60 days.
When you want to shoot a passion project, a low budget can often be an obstacle, for both filmmakers and photographers. But there are ways to overcome it and bring your project to life even if the money is tight. In this video, Sherif Mokbel of THE DP JOURNEY shares seven tips for shooting with the budget as low as zero. He focuses on filmmaking and shares examples from his own and other filmmakers’ videos for even more inspiration. But, some of these tips can also be applied to photographers, so make sure to check them out even if you shoot stills.
Wireless video transmission used to be extremely expensive. It still can be if you need higher-end kit, but it’s started to come down to much more reasonable prices. One such reasonably priced wireless video transmission is the Hollyland Mars 400S which comes in at only $649 and supports both HDMI and SDI inputs and outputs.
I’ve been using the Mars 400S for a few weeks now, and have found it to be quite useful in situations where I wouldn’t normally be able to stand right next the camera to monitor what it sees while it’s recording. Is it the right system for you? Well, keep reading, and you’ll be able to make that decision for yourself.
The term “parfocal lens” has only really come into common usage amongst the general population over the last decade or so as our DSLRs and mirrorless cameras have allowed us to start shifting more towards shooting video content. But what exactly are they? And what’s the big deal?
As this video from Michael the Maven explains, parfocal lenses are zoom lenses, but they are zoom lenses which keep their focus distance through the entirety of their focal length range. What this means is that as you recompose for a tighter or wider shot of your subject, you don’t have to refocus the lens. It stays exactly where it was.
If you’re a filmmaker and look up to Martin Scorsese, you’ll love this video. StudioBinder brings you five key elements of Scorsese’s directing in a fun video showing excerpts from his movies and various interviews. It’s a great source of inspiration and an opportunity to learn some tricks from a directing master.