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creative workflow

How this three-principles editing template can help your creative vision

When I work with an image, I want to create something pleasing to the eyes, a piece of art with a wow-factor. I desire to produce a scene that takes the viewer on a journey from foreground to background.

When it comes to editing, it really helps to have a guiding template. It helps the creative process. Many call this a creative vision. That said, I would never advocate or introduce rules for landscape photography. My photography’s core motivation is the freedom to express myself in whatever artistic fashion I find fulfilling. It should be the same for you.

For me, though, I have always found it helpful to have some guidelines that outline the direction I am heading. Walking blindfolded isn’t something I enjoy. I have adopted three main principles for my post-processing, and I will explain each of them in detail.

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Do you want to become a better landscape photographer? Better make The Resolution

Is there a secret formula for success? Is it a five-step program? Or perhaps even ten steps? What does it take? Will external motivation alone help you reach your goals? I don’t think so. I firmly believe that internal motivation or inner drive is the key to almost everything.

But, before we move on, what is success? Is it to have millions of followers on Instagram, or is it something different entirely? I will discuss that in more detail at the end of the article.

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It’s not about the gear, it’s about the sweat you put in!

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I get asked a lot by people about equipment and settings, photoshop editing, and all manner of ‘technical stuff’.

I also get asked a lot about what my top advice is for taking better pictures, and the answer is not in a plugin or a shiny new camera. I find it funny that as photographers, when somebody outside our trade asks about a great picture that they have seen that as photographers, we often answer, stating that the camera is just a ‘tool’. No camera can make you take better pictures. However, when I see photographers discussing images online, I often read people banging on about ‘what settings were used’ what model of that camera did you use. What lens, what F stop and chewing on about if they had used this or that, and why don’t they use this or that…

My thoughts on this are simple, and after reading one such exchange earlier, I just wanted to write something here, I guess on what I think personally.

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Hey, photographer! Does social media make you feel inadequate? 

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After speaking with some friends it seems like I am not alone. The pressure to create and produce work has never been greater. Never before has it been faster or easier to immerse ourselves in a world of images. Sometimes, we can get lost seeing how easily other people make it look, while we struggling to just get by. We, as creatives, can risk burning out and being cynical about our work and the community around us. 

While doing research (about personal projects for a book I’m writing, I was talking to Aakaash Bali. He explained about a project called  The Shadow District . The concept is amazing, and the technical execution is perfect. I know these things should inspire us, but it just left me feeling inadequate.

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Ten pro photography tips I wish I knew ten years ago

It has recently come to my attention that exactly 10 years ago, almost to the date, I took my very first step into the world of photography. I was fresh out of high school when I got conscripted to the army and later served as a military photographer. Whether it was to my liking or not, this is how I was set on this long path which has, since then, flourished and developed my passion for photography into my current career as a traveling, cultural and documentary photographer.

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13 confessions of an amateur photographer

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After many years of doing photography as an amateur, I came to a few simple and rather trivial realizations.

1. Focusing on the flaws of your camera is just an excuse to buy new hardware. Re-reading reviews of your current camera is the best remedy for that. The awesome features that made you buy the camera and overlook its shortcomings are still there.

2. Practically any current DSLR and mirrorless camera from Sony, Olympus, Canon, and Nikon is more than good enough if you are an amateur or enthusiast. That has been true for a while.

3. Reading the manual that comes with your camera is not a bad idea at all.

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Why you shouldn’t buy new camera gear

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The truth is never easy to swallow. Take for example to answer for the oh-so-popular question, what camera should I buy? Most will suffix this questions with something like “I heard that the new Canon 5dmk4 is awesome” or “I am considering starting with the Sony A7III” to add some background.  This is a weird thing to ask, considering that gear does not make your photography better. Sure, some gear makes some types of photography possible, but it rarely makes it better. The right answer to this question will probably save you quite a lot of money, but also force you to take responsibility for your final photos.

In this short video, Pye Jirsa of SLR Lounge explains why the best investment in gear is never buying new gear. (ok, there is a point when that latest model does make sense, but it is usually far, far down the road).

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Making it work on real life budgets and why Content is King

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“Content is king” is what people say. Well, recently I delivered a video clip that was part of a series of clips I produced for a client. I wasn’t 100% proud of it on a technical level.  So why did I still deliver it to the client? This was, after all, only one part of a series of clips. I could have delivered all the rest and explained to the client that this one wasn’t quite perfect and so would rather not release it.

I still sent it to the client because I knew that the content in the clip, the story if you would, was very engaging. And if you have a great story and decent audio, I believe you can get away with it if some of the shots aren’t perfect.

First, let me explain why the shots weren’t perfect. This was a corporate shoot and, very often in corporate shoots, you don’t have full control of what and how you’re going to shoot.

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Finding your photographic eye

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When my wife and I first met, we spent a week together in Vancouver. One of the things that made me realise that we were so well suited to each other was that we both loved taking photos. While walking around the downtown area, it took us about an hour to cover 30 meters because we both kept stopping to take pictures of various things that we found interesting along the way.

I also soon learned that she had a much better natural eye. Over the period of an hour I could take one hundred pictures and she would take ten, and all ten of hers were better than mine. She just sees shapes and angles that I miss.

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9 ways to become a better image-maker

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I remember the first photography workshop that I took part in, one of the coolest things that came from it was that, for at least two to three weeks after the workshop, I was seeing potential images everywhere I looked. It was like some switch had been turned on in my brain and suddenly I was seeing the world in a totally different light.

And then, as time went by and I got caught up in the everyday work of everyday life, that switch in my brain slowly reduced in strength. It never completely goes away but, like any muscle, if you’re not regularly exercising that area of your brain, your photography fitness will wane. So what are some exercises that you can do that can help keep your image making fitness going?

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