This man has spent almost 60 years repairing analogue cameras

John Aldred

John Aldred is a photographer with over 25 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter – and occasional beta tester – of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

On Via Paolo Lomazzo, in Milan, sits an unassuming shopfront. On the window are the words “Riparazioni Macchine Fotografiche” (“Camera Repair”) printed in simple bold letters. This is the workshop of 76 year old Gian Luigi Carminati, a man who has spent his entire working life repairing cameras.

Armed with little more than a set of screwdrivers and a lot of patience, Carminati has repaired countless cameras in his time. A technician more than a photographer, he has made some interesting observations on photography over the years. In this two minute short Master of Camera, from filmmaker David Drills, he talks about some of those insights.

While not everybody will agree with Carminati’s thoughts on film vs digital, I can see where he’s coming from. For me, for personal work, I prefer to shoot film sometimes for similar reasons. I stop worrying about the minuscule details. I quit trying to tweak a little more of a scene to perfection each time I hit the shutter. If I screw up, I don’t know about it until I’ve developed the film a few days later. After that, there are rarely second chances. So, it forces me to be more proactive in pushing myself to improve.

The analog is always fascinating, because we all want the surprise.

With digital, there is no surprise left, you know immediately if it’s good or not.

Of course, sometimes one may need the instant feedback that digital offers. One needs to know whether or not they’ve got the shot or not. While learning, shooting in tricky conditions, or at the behest of a client, knowing you’ve got the shot is vital. It all boils down to motive. Why are you shooting? Who are you shooting for?

The analogue cameras of the past are simple by today’s digital standards. Many components of digital cameras aren’t even possible to easily fix yourself today. You have to send it back to the manufacturer, or try to acquire some impossible-to-source circuit board or component. Or, hope you get lucky with a “Spares or Repair” auction on eBay for an identical camera that may have the part you need.

Although mechanical cameras still aren’t always that simple. Every camera has its own unique internals. Every part of a camera also has its own mechanisms. The shutter, the film advance, the metering system, almost all are unique.

Carminati says that if he could speak to a camera, he would thank her. Photography has played a big role in his life.

Do you still shoot analogue cameras? What do you do when they need repair? Do you resign them to decorating a shelf and buy another? Do you repair them yourself? Or do you take them to somebody like Gian Luigi Carminati? Let us know in the comments.

[via ISO1200]


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John Aldred

John Aldred

John Aldred is a photographer with over 25 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter – and occasional beta tester – of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

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7 responses to “This man has spent almost 60 years repairing analogue cameras”

  1. Elisa Solbiati Avatar
    Elisa Solbiati

    I’ve read about him on a newspaper… I hope to have him repair some of my old ones soon … I have an old yashica electro… It belonged to my grandfather (I never knew him as he died when my mother was a teen). He brought it from Japan. Some dumb ass told us that we could use it as a decoration because it was impossible to find batteries anymore, and refused to repair it… I can’t wait to get it to shoot again!

  2. Michele M. Ferrario Avatar

    He repair my hassy :)

  3. Amanda Kleinman Avatar
    Amanda Kleinman

    I shoot old Bronicas. We need these guys to stay alive and keep old analog cameras up and running!

  4. Robertas Kanys Avatar
    Robertas Kanys

    Greetings for master Carminati ;)

  5. Rich Avatar
    Rich

    Amazing man.

  6. Pedro Pernías Peco Avatar
    Pedro Pernías Peco

    I’m totally agree with this man. It has provided me a reason to visit Milan. I understand everything he says and share the same feelings about analogic pictures and cameras. Although he is a professional of this job and I’m only an amateur…
    Since some years ago, I usually look for old cameras in flea markets, antiques stores and so with some possibility of restoration. I’ve more than 50 of such cameras and, after a documentation process in order to retrieve as many information I can get about the camera and the maintenance of them, repair and put them in order of functioning.
    After this process I love to take my beauties outdoor and let them take some pictures to explore them and to learn how to take the best of their possibilities.
    Specially, I love some imperfections in those “vintage” cameras that I can use for expressive photography. Although my best sample is a Rolleiflex 2.8 with xenotar lens: simply perfect.
    I have a work-in-progress website with some of the pictures from me and friends.
    The website is http://conotraoptica.com (literally is “with another optics” in Spanish languaje. Hope you like it.

  7. Emmanuel Enock Avatar
    Emmanuel Enock

    well l thank thas nice